"Tyrol Morning Glow" by Austrian Artist, Alois Arnegger

Luminous mountain scene featuring the alps region of Austria Kaisergebirge. This painting is an oil on canvas and signed in the lower left, dating to the turn of the century 1900 to...

Oil on canvas, signed lower right and inscribed and signed on the reverse. Brereton was born in Derby in 1954. He received his basic art training at the Derby Joseph Wright Art School although he is a self-taught artist. He works mainly in oils and specializes in marine subjects, his favourite subjects being deep water sailing ships of the 19th century. His work has been influenced by artists such as Montague Dawson and Thomas Somerscales...

A bucolic sunrise scene from the Netherlands or German by Johann Jungblut. Oil on board signed in the lower left. Measures 23.25" x 17.25" including the frame. While this work is ...

Oil on artist panel, signed and dated lower left. It measures 19.75" x 22.75" including the frame, which is likely the original. Benjamin Williams Leader RA (12 March 1831 – 22 March 1923) was an English landscape painter. The inspiration for these early works was the countryside around Worcester itself, "the cottages, farmhouses, lanes, hedgerows and churches, so exceedingly picturesque and beautiful". However, Leader did not finish his course of studies at the R. A, nor did he need to – his paintings proved to be in great demand by wealthy buyers and he achieved an enviable degree of commercial success within only a few years of his first sale. In 1857 he changed his name to Benjamin Williams Leader to distinguish himself from the many other painters with the surname Williams. In autumn of that year he travelled to Scotland, and painted A Quiet pool in Glen Falloch...

Making brilliant use of a Fauvist palette and a Secessionist vocabulary, this remarkable painting depicts three figures in the Austrian region of the Tyrol, just south of Bavaria. Th...

Alois De Laet grew up in the Schipperskwartier in Antwerp, where his mother ran a café. De Laet was initially more interested in music. He took lessons from Peter Benoit and played the piano in his mother's café. As a painter he was self-taught. In 1900 he was the first to exhibit at the social philosophical movement 'De Kapel'. There he met artists such as Eugeen Van Mieghem and Henry Van de Velde. De Laet called himself one of the first Antwerp socialist artists. After the First World War he achieved success with his landscapes of the Kalmhoutse Heide and the Antwerp polders. He was a member of various art circles, including Eenigen, Als ik Kan, de Scalden, La Libre Esthétique and Vie et Lumière...

Clearly showing the influence of German Expressionism and American film noir, this deeply atmospheric, moody painting depicts two male figures in the foreground, deep in conversation...

Well constructed impressionist painting depicting a Paris street scene. Fantastic color. Beautiful original frame signed Abramawitz