Watercolour of an Indian Shrub with Yellow Blossom by Janet Dick, 19th Century

A fine large polychrome late 19th century Dutch Delft garlic neck vase, of hexagonal form and decorated throughout with stylised exotic birds amongst flowering foliage and rocky outc...

An exceptional pair of large scale Paris porcelain vases decorated with floral panels on one side and a stylised floral motif to the other side. Each body with gilded seaweed decorat...

Patrick Nasmyth (Scottish, 1787- 1831) Figures in a Landscape Signed and dated, 'P. Nasmyth / 1810, lower right corner oil on canvas Held in a giltwood frame. Provenance The Co...

A very fine and charming red chalk drawing of studies of sheep by Jan van Ravenswaay (1789-1869). Signed and date 1823 lower right. Red chalk. Mounted and framed. Jan van R...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Antique Handcolored Engraving of Medicinal Plants, Plantes XIII, c.1800 This original handcolored copperplate engraving depicts two medicinal plants, illustrating their botanical ...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

Title: Antique Botanical Print of Banana Shrub and Starry Wild Jasmine, 1803 This title accurately reflects the plant subjects depicted in the illustration: the Banana Shrub (Fig. 1, showing the seed pod) and the Starry Wild Jasmine (Fig. 2, showing the flower in bloom). This antique engraving from April 23, 1803, beautifully illustrates two botanical figures, emphasizing the natural beauty and complexity of plant life. Here's what makes these illustrations unique and special: 1. Botanical Detail: Fig. 1 shows a plant section with a dark, almost wilted appearance, possibly representing the fruiting body or a seed pod, which contrasts with the lively and vibrant Fig. 2, depicting a flower in bloom. This juxtaposition captures both the end and the beginning of life cycles in the plant kingdom, showcasing the botanical accuracy and attention to detail that was essential in early scientific illustrations. 2. Artistic Technique: The illustration is a fine example of handcolored copperplate engraving, a method that requires exceptional skill. This technique allows for precise details and subtle gradations of color, qualities that make antique botanical prints highly valued by collectors and art enthusiasts alike. 3. Historical and Educational Value: Published by W. Curtis at St. George Crescent in 1803, this work is part of a larger series that aimed to educate and inform about the diversity of plant species. Such prints are crucial for understanding how plants were studied and classified in the early 19th century, providing insight into the history of botany and scientific illustration. 4. Collectibility: Due to their age, artistic merit, and the detailed craftsmanship, prints like these are sought after by collectors of antique botanical art...