Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

Ann Stautberg, Van Dallas 1979, Signed

$3,500
£2,675.94
€3,082.14
CA$4,904.57
A$5,475.49
CHF 2,869.08
MX$67,025.43
NOK 36,437.30
SEK 34,355.75
DKK 23,002.31

About the Item

A rare and important early work by the iconic American artist/photographer Ann Stautberg (United States, b.1949) Van, Dallas, 1979 Signed, titled, and dated in pencil, lower margin recto. Inscribed in pencil, lower margin recto: Donated to Mary Kay Remer "Art About Town", 1986 PROVENANCE: The artist; Sale: Art About Town, donated by the above, 1986; Acquired by the previous owner from the above, 1986. ACQUISITION: Heritage Auction, Dallas, Texas. Fine and Decorative Art Showcase Auction Catalog, 2021 Early work from Houston artist Ann Stautberg. Overall excellent condition with no visible defects. Variations in surface sheen, inherent to production. Hand-coloring visible in the margins, and extending onto the interior mat, also inherent to production. DIMENSIONS: Framed under glass to 24 1/4 by 20 1/4 inches Hand-colored gelatin silver print 14-1/2 x 14-1/2 inches (36.8 x 36.8 cm) Sheet measures 19 3/4 by 15 7/8 inches. Sheet is dry mounted to mat measuring 24 by 20 inches. Buy with confidence, Lynx Hollow Antiques guarantees every item sold to be authentic and as described in perpetuity ADDITIONAL INFORMATION: From Public Art University of Houston By Cammie Tipton, Assistant Curator, Public Art UHS Throughout her long career, the photographer Ann Stautberg has maintained a close connection with the Texas landscape—from gulf waters to rough terrains and local botanicals—her work is informed by a long history of traditional documentary photography. However, despite this adherence to documentary, Stautberg lends her own personal style to her photographs by hand-manipulating each work so as to embed each image with an individual touch. Early in her career Stautberg studied painting and printmaking and these arts find their place in her photographs today, connecting her photographs to a long history of craft tradition. This combining technique includes Stautberg hand-coloring her black and white images with photographic oils and sometimes printing photographs on canvas and hand-painting them, allowing the artist to combine her interests in documentary photography with her love of painting. The results make for intriguing collage-like images that ultimately complicate any straightforward categorization of her work as well as extend the traditional definitions of these techniques. The practice of hand-coloring black and white photographs reaches back to the nineteenth century and the beginnings of photography itself, before color film was invented, when viewers craved a sense of the “real.” Today, the technique results in photographs that emit a romantic haze of a much earlier time, and Stautberg’s images look as if she is creating distant memories from contemporary moments. Additionally, hand-painting photographs allows an agency to the artist because we cannot know the original colors, thereby allowing the artist to create her own color field. Stautberg’s choice to hand-paint photographs is not only reminiscent of the beginnings of the photographic process but her technique incorporates both practices of photography and painting, fusing the two in a collaging that remains contemporary while also containing an air of mystery and a strong sense of the past. In many ways Stautberg continues the traditions of classic documentary photography. Of her photographic process, she explains , “I always shoot full frame and never manipulate anything,” letting the landscape tell the story. This lack of production-manipulation is a hallmark of traditional documentary as a trusted site of “realism.” Additionally, in true documentary style, Stautberg chooses titles that contain simply the date the image was taken, and sometimes, as in her earlier pieces, they may include the location or the print number. This practice of titling by date or location originated in the earliest practices of nineteenth century photography when society widely viewed the camera as an instrument for capturing “reality” and used it primarily as an evidential tool. As a machine, the camera innately captures a precise moment, and this temporal precision makes photography unique from other artforms. Early in her career, Stautberg would frequently make only one print of her photographs. In a perceived dedication to the single art object, this decision speaks more to her early training in painting than in her use of the camera. The camera, as an instrument, was developed to make rapid and endless image reproductions, therefore the single photograph is a rarity in the field. However, in the 1980s, as trends in photography art grew and museums began to collect more widely, photography slowly began to be accepted as an art form. It was around this same time that major developments in photographic technologies gave room for dramatic shifts in scale and styles. What was once considered a commonplace scale for a photograph–a portrait layout a few inches high and wide–was soon replaced, thanks to digital technologies, with much larger images that were easier to reproduce. With these advances, Stautberg began producing editions of her work in large-scale form, enjoying the strong sense of presence that larger sizes allow. The photograph 6–12–17 stands at a stunning sixty inches high and forty-five inches wide, allowing the viewer to access the smallest of details when standing closely, while also creating the feel of a total environment when stepping back and viewing in full. Today, Stautberg leans into the natural reproducibility of the camera, however, always enchanted with the art object, she creates mostly limited-edition collections.
  • Dimensions:
    Height: 24.25 in (61.6 cm)Width: 20.25 in (51.44 cm)Depth: 0.25 in (6.35 mm)
  • Style:
    Modern (In the Style Of)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1979
  • Condition:
    Overall excellent condition with no visible defects. Variations in surface sheen, inherent to production. Hand-coloring visible in the margins, and extending onto the interior mat, also inherent to produc.
  • Seller Location:
    Forney, TX
  • Reference Number:
    1stDibs: LU5977241486792

More From This Seller

View All
Signed Michael Argov Untitled 2 Minimalist Serigraph
Located in Forney, TX
Michael Argov (1920-1982) Title: Untitled 2 Year: 1970 Medium: Serigraph in colors on wove paper Edition: 17/43 Print Grade: 8/10 Condition: Great Artist signed, numbered, a...
Category

Mid-20th Century Minimalist Drawings

Materials

Paper

African Modernist Signed Oil on Board Painting
Located in Forney, TX
A framed original African midcentury oil on board painting, Democratic Republic of Congo, signed bottom right Atamb(?), (19)60, depicting abstract dancing figures, in a fiolated pati...
Category

Mid-20th Century Congolese Mid-Century Modern Paintings

Materials

Wood, Paint

Mid-Century Modern George Nelson for Herman Miller Primavera Headboard
By Herman Miller, George Nelson
Located in Forney, TX
A rare American Mid-Century Modern headboard for a double (full) size bed with storage and adjustable backrests by important Modernist architect and designer George Nelson (American, 1908-1986) for Herman Miller, circa 1950, model 4647 from the Primavera Collection, walnut, tufted vinyl, ebonized feet. Dimensions: (approx) 40" High, 56.25" Wide, 12" Deep A superb example, in excellent original vintage condition, having a pair tufted vinyl doors that slide down to reveal individual storage compartments. Walnut veneer in excellent condition with one small (.75") stable bubble beneath the surface at top (no splitting or discoloration present). Bed retains both brackets and anchor pins...
Category

Mid-20th Century American Mid-Century Modern Beds and Bed Frames

Materials

Upholstery, PVC, Wood, Walnut

Rare American Industrial Modern Art Mary Shaffer Signed Glass Bronze Sculpture
By Mary Shaffer
Located in Forney, TX
A rare and spectacular freestanding American Post-Modernist industrial slumped glass and bronze sculpture by Mary Shaffer (United States, b....
Category

Late 20th Century American Modern Abstract Sculptures

Materials

Bronze

G.H. Rothe Signed Mezzotint Arabesque
By Gatja Helgart Rothe
Located in Forney, TX
A rare and extraordinary authentic artwork by the highly sought-after German-American artist G.H. Rothe (1935-2007). The large unframed mezzotint on Arches paper, limited edition num...
Category

20th Century American Art Deco Contemporary Art

Materials

Paper

Mid-Century Prison Art Box from Cigarette Packs
Located in Forney, TX
A rare vintage prison art box, mid-20th century, colorful round folk art box with removable lid, handmade from a large tin can and cigarette packs. ...
Category

Mid-20th Century Folk Art Outsider and Self Taught Art

Materials

Tin

You May Also Like

Signed Rick Chapman Photographs, 1996
Located in San Francisco, CA
ABOUT Black and white photographs. Signed WEB #1 San Francisco, CA 2/40 and WEB #2 San Francisco, CA 2/40, 1996. Sold as a pair only. CREATOR Rick Chapman (American, b. 1966....
Category

Late 20th Century American Modern Photography

Materials

Paper

Signed Rick Chapman Photographs, 1996
$300 Sale Price / set
20% Off
Miquel Arnal Contemporary Photography, Circa 1990
By Miquel Arnal
Located in Barcelona, Barcelona
Photography by Miquel Arnal. In original condition, with minor wear consistent with age and use, preserving a beautiful patina. Material: Photographic paper About the artis...
Category

1990s Spanish Post-Modern Photography

Materials

Paper

Miquel Arnal Contemporary Photography, circa 1990
By Miquel Arnal
Located in Barcelona, Barcelona
Photography by Miquel Arnal. In original condition, with minor wear consistent with age and use, preserving a beautiful patina. Material: Photographic paper About the artis...
Category

1990s Spanish Post-Modern Photography

Materials

Paper

Manolo Hugue Archive Photography, circa 1960
Located in Barcelona, Barcelona
Manolo Hugué archive photography. Printed, circa 1960. In original condition, with minor wear consistent with age and use, preserving a beautiful pati...
Category

Vintage 1960s Spanish Mid-Century Modern Photography

Materials

Glass, Wood, Paper

Manolo Hugue Archive Photography, circa 1960
Located in Barcelona, Barcelona
Manolo Hugué archive photography. Printed, circa 1960. In original condition, with minor wear consistent with age and use, preserving a beautiful patina. The photography comes...
Category

Vintage 1960s Spanish Mid-Century Modern Photography

Materials

Glass, Wood, Paper

Manolo Hugue Archive Photography, circa 1960
Located in Barcelona, Barcelona
Manolo Hugué archive photography. Printed, circa 1960. In original condition, with minor wear consistent with age and use, preserving a beautiful pati...
Category

Vintage 1960s Spanish Mid-Century Modern Photography

Materials

Glass, Wood, Paper