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Archival Print 'Golfer in Tree' by Rodney Smith
About the Item
Archival Print ‘Golfer in Tree
Edition 5/25
Pebble Beach, C.A., U.S.A. 1998
Rodney Smith was a prominent photographer whose whimsical work invited comparison to that of surrealist painter Rene Magritte. Long acclaimed for his iconic black and white images that combine portraiture and landscape, creating enchanted worlds full of subtle contradictions and surprises. Using only film and light, his un-retouched, dream-like images are matched in quality by the craft and physical beauty of his prints. Mr. Smith was a man who cared deeply about sharing his vision of the world with humor, grace and optimism. Influenced by the teaching and technical precision of Ansel Adams, Smith sought to perfect his own technique, narrowing his choice of camera, film, exposure, developer, and paper. He used light to edit and reveal his subjects, rendering them in a broad spectrum of tones, ranging from crisp white highlights to deep velvety shadows. Smith’s signature style emerged, making the world appear sharper and clearer, bringing.
Order to chaos.
- Creator:Rodney Smith (Artist)
- Dimensions:Height: 36.23 in (92 cm)Width: 32.68 in (83 cm)Depth: 1.58 in (4 cm)
- Style:Post-Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1998
- Condition:Wear consistent with age and use.
- Seller Location:London, GB
- Reference Number:1stDibs: LU985629468842
Rodney Smith
Rodney Smith was a renowned New York-based photographer who, in the tradition of Avedon, Penn and William Klein, transcended fashion photography and created fine art.
During a career that spanned over four decades, Smith’s iconic black and white photographs of Paris, New York and French Gardens often depicted romantic, grand scenes or reflected a quiet allure. Smith made photographs of timeless beauty and aesthetic value. His wit, humor, grace and style live on in the photographs he so magically created.
While at Yale, Smith studied under Walker Evans. Preferring to work in natural light, Smith shot predominantly in black and white until 2002 when he first began experimenting with color film. In choosing to shoot on film and develop his negatives by hand, Smith created timeless, classic images that reflect his innate playfulness and curiosity. Smith photographs are instantly recognizable for their classic sensibility and whimsical and surreal visual twists.
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