"Game Boy at Graduation", Color Photograph Framed, by Lauren Greenfield, 2000s

Hauntingly beautiful black and white photo of a single leaf, image 15" x 15", framed in wood, by Greg Bruce, 1997. Perfect on it's own or placed in a gallery wall grouping of any num...

Framed, black and white photo by Wouter Deruytter, b. 1967, Belgium, titled "Peter McGough, Sceaux, Paris, France, 1994". Silver gelatin print on fiber paper of a single figure walk...

The works of Ethan Murrow are beloved by many for his detailed realist/surrealist techniques and their sense of humor. Artist : Ethan Murrow, b. 1975 Titl...

High contrast black and white photo, "Madonna Lilies", i mage 15" x 15", framed in wood, by Greg Bruce, 1997. In the style of Imogen Cunningham, Ruth Bernhard or Robert Mapplethorpe...

An editioned gelatin silver print by American photographer Duane Michals (1932-). "I could read it clearly in his palm. There would be a terrible tragedy. My love could not protect him" from Homage to Cavafy Series, published in 1978. Gelatin silver print, hand-written titled on the lower margin. Signed and numbered 8/25 in ink on the bottom of the sheet (as shown). 3 1/2 x 5" for the image size. Displayed in a brand-new black wood archive frame with museum glass. Michals created ten photographs in honor of Greek gay...

Michael Stuetz "Stitchboy" 1995 Original C-print Edition 3/5 20 in. x 24 in. Frame dimensions: 21.25 in. x 25.25 in. Condition note: In good condition. Small, very subtle...

Shimon Attie (American, b. 1957), Untitled Memory (Projection of Marsha A.) Ektacolor photograph, 1998, from the Untitled Memory series, Gallery label to verso, Jack Shainman Gallery, New York matted and framed. Frame dimensions 27 3/4 x 32 1/4 in, photo 25 X 31 Provenance: from the Estate of the late Ron and Anne Dees, Fayetteville, North Carolina Ron and Anne Dees were longtime collectors, lovers, and patrons of art. Starting in the late 1990s, they began their art acquisition and collection, focusing substantially on contemporary art. Their affinity for art went far beyond simply collecting and displaying. Ron served as a docent at the esteemed Corcoran Gallery of Art in Washington, DC, from the late 1990s into the 2000s. In the series "Untitled Memory," Attie revisited his former (and then-deserted) apartment in San Francisco, projecting black-and-white snapshots of his friends and family in spaces that they previously occupied. The desaturated figures have a specter-like appearance and are often depicted in repose or rest, as if in a perpetual state of waiting. The juxtaposition between the projected images and the empty rooms reminds viewers of the fragility of memory, and how sites are activated/changed by presence and absence. Shimon Attie (born Los Angeles in 1957) is an American visual artist. He was awarded a Guggenheim Fellowship in 2008, The Rome Prize in 2001 and a Visual Artist Fellowship from Harvard University's Radcliffe Institute for Advance Study in 2007. His work spans a variety of media, including photography, site-specific installation, multiple channel immersive video installation, performance, and new media. Much of Attie's practice explores how a wide range of contemporary media may be used to re-imagine new relationships between space, time, place, and identity. Much, though not all, of Attie's work in the 90s dealt with the history of the second world war. He first garnered significant international attention by slide projecting images of past Jewish life onto contemporary locations in Berlin. More recent projects have involved using a range of media to engage local communities to find new ways of representing their history, memory and potential futures. Attie's artworks and interventions are site-specific and immersive in nature, and tend to engage subject matter that is both social, political and psychological. In 2013, Five monographs have been published on Attie's work, which has also been the subject of a number of films, which have aired on PBS, BBC, and ARD. Since receiving his MFA Degree in 1991, Attie has realized approximately 25 major projects in ten countries around the world. Most recently, in 2013-14, Shimon Attie was awarded the Lee Krasner Lifetime Achievement Award in Art. He was born in 1957 and received an MFA in 1991. In 1991 he moved to Germany from his previous home in Northern California, and began to make work initially about Jewish identity and the history of the second world war. His work later evolved to engage broader issues of memory, place and identity more generally. Shimon Attie moved to New York City in 1997. Shimon Attie's work has been extensively reviewed by a wide variety of publications, including features and/or reviews in The New York Times, The Washington Post, The Los Angeles Times, Art in America, Art News, Art Forum, The Village Voice, The Boston Globe, and many others. Yasaman Alipour, writing in "The Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture", on Shimon Attie's solo exhibition "Facts on the Ground" at Jack Shainman Gallery in New York City: Attie achieves something profound: he presents a unique opportunity to contemplate Israel/Palestine without the distraction that is simultaneously a manifestation of the limitations of visual of written language and the possibilities of their alliance." Norman Kleeblatt, writing in a cover story for "Art in America" "Like many other artists in the wake of Marcel Broodthaers...

An editioned gelatin silver print by American photographer Duane Michals (1932-). "Two friends are playing cards. One is cheating" from Homage to Cavafy Series, published in 1978. Gelatin silver print, hand-written titled on the lower margin. Signed and numbered 14/25 in ink on the bottom of the sheet. 3 1/2 x 5" for the image size. Displayed in an original silver leaf frame. Michals created ten photographs in honor of Greek gay...