Michael Kenna, "Entrance, Prague, Czechoslovakia" Silver Gelatin Photograph

Billy Howard Vintage Dutch Slave Trading Fort in Elmina, Ghana Photograph. Signed and authenticated by the artist.

**Rick Dingus, "Abandoned Rock Shelter Near Acoma," Graphite on Photograph, c. 1980, Signed** Measures: 27" w x 23" h (frame), 15.875" h x 20" w. This extraordinary mixed-media artw...

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium. He was the editor of The Portfolio (1870-1893), a major arts publication dealing extensively with the art of etching. His most influential book was "Etching and Etchers", which detailed the creative and technical aspects of etching and engraving. The first edition was published in 1868 and included original etchings by Jongkind, Haden and Palmer, as well later states of 17th century Dutch masters. He published a second edition in 1876 without any original etchings. A third edition was published in 1880 in a large paper edition, limited to one thousand copies, which included twenty original etchings from contemporary artists Whistler, Haden, Palmer, Israels, Jacque, Jacquemart, Lalanne, Appian, Legros, Herkomer. including this original Lalanne etching...

Thomas Moran (American, 1837-1926). Thomas Moran "Castle of San Juan de Vlua, Vera Cruz" Etching C. 1884

Signed, dated and numbered on mount Signed, dated, inscribed with title and stamped with photographer’s copyright ink stamp on reverse Sepia toned silver gelatin print 8 x 7 3/4 inch...

Signed, numbered and dated on front of the mount. Signed, dated, numbered and titled with artist's copyright stamp on back of the mount. Edition of 90. Printed in 1982. Price subjec...

Embark on a journey through the nocturnal streets of "Paris de Nuit" with this exclusive rare heliogravure test print by Brassai. Prior to the publication of his iconic book, this pr...

An early vintage photography by British-American photographer Michael Kenna (1953-). "Scarecrow, Twyford, Oxfordshire, England". The gelatin silver print was printed in 1980. The ima...