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Henri Matisse, 'Musee National D’art Moderne' Original Exhibition Poster, 1956
About the Item
Between 1900 and 1905, Matisse painted in the style called Fauves (French for “wild beasts”). Many of his finest works were created in the decade or so after 1906. Matisse developed a style that emphasised flattened forms and decorative pattern. After 1930, he adopted a bolder simplification of form. When ill health in his final years prevented him from painting, he created an important body of work in the medium of cut paper collage. This style is what he is most recognised for today.
CONDITION
Good
FORMAT
Un-linen backed
ARTIST
Henri Matisse
DIMENSIONS
72.5 x 51. 5 cm
YEAR
1956
- Creator:(after) Henri Matisse (Artist)
- Dimensions:Height: 28.55 in (72.5 cm)Width: 20.28 in (51.5 cm)Depth: 0.04 in (1 mm)
- Style:Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1956
- Condition:Wear consistent with age and use.
- Seller Location:Melbourne, AU
- Reference Number:1stDibs: LU3376135656172
(after) Henri Matisse
Henri Matisse was born on December 31, 1869, in Le Cateau-Cambrésis, France. At 22, he had given up studying law in Paris to pursue painting. He had briefly studied art at the Académie Julian and Ecole des Beaux-Arts with Gustave Moreau. At 32, Matisse exhibited at the Salon des Indépendants in Paris, where he met Maurice de Vlaminck, who with Matisse would eventually lead the Fauve art movement. Matisse's work was included in the 1913 Armory Show in New York, and throughout the 1910s and into the 1920s, his work began to find collectors around the world. Throughout the 1920s and 1930s, he divided his time between Paris and southern France, producing paintings, sculpture, lithographs, and etchings. Like many avant-garde artists in Paris, Matisse was receptive to a broad range of influences, particularly 'primitive' art, Near Eastern decorative art, African masks and sculpture, impressionist color, cubism, and the paintings of Paul Cezanne. The artist's images of the human face and figure -rendered in fluid lines and flat fields of color- typify these influences. Matisse argued for the prominence of instinct in art production, believing that an artist should not have complete control over color and form. He died on November 3, 1954, in Nice.
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