"1798 Battle of Bunker's Hill" Engraving after John Trumbell

Presented is one of the most important historical prints ever published, "The Death of General Wolfe," an engraving by William Woollett, after the painting of the same title by Benja...

Presented is a handsome photogravure of "A Difficult Bunker" by sporting artist Douglas Adams. "A Difficult Bunker" is one in a famous trio of three paintings depicting the links at ...

Presented is an original 1865 engraving Pres. Lincoln and Family, depicting the Lincoln family in April of 1865. The artist Francis Schell painted the original work, A. B. Walter eng...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Antique anatomy print of the muscular system. This print originates from 'De Ontleedkundige Plaaten van B. Eustachius' published by J.B. Elwe. Artis...

John Pass (British, 1793-1832) A pair of hand-colored engravings after the paintings by Johann Lebrecht Reinhold, c. 1805 The Griffard Eagle, and the Boatman. The Noisy Eagle, and t...

Antique anatomy print of the muscular system. This print originates from 'De Ontleedkundige Plaaten van B. Eustachius' published by J.B. Elwe. Artists and Engravers: Bartolomeo Eust...

Antique anatomy print of the head and neck. This print originates from 'De Ontleedkundige Plaaten van B. Eustachius' published by J.B. Elwe.  Artists and Engravers: Bartolomeo Eus...