1983 Ivan Kliun, Russian Avant-Garde, Moderna Museet, Malmo Exhibition Print

🎨 Exclusive Art Sale! Don't Miss Out on This Timeless Piece by David Kapp! 🎨 Capture the essence of New York's art scene with our stunning abstract print on wove paper by renowned...

Gorgeous 1985 print after Wanye Thiebaud's original etching "Pies" which he produced in 1964. This limited edition print, totaling 500, was produced for the Van Staveren Fine Art Gallery in Sacramento...

Very cool vintage advertisement print after Alfred Beloch's "Cock Rocket". This print was created to announce a 1973 exhibition at "The In...

Beautiful and sober print after a still life of German artist Friedrich Meckseper. This print announced an exhibition of the artist at the "Galerie Jalmar" in Amsterdam, Netherlands....

The lithograph titled "Programm eines Abendkonzerts" (The Program of an Evening Concert) by Nathan Altman is a beautifully crafted piece from the "Jüdische Graphik" series, produced ...

"Eva und die Schlange" (Eve and the Snake) by Nathan Altman is anintriguing lithograph from the "Jüdische Graphik" series produced in 1923. This artwork features a compelling and symbolically rich depiction of Eve entwined with the snake, set against the same burnished gold background that characterizes other prints from this series. The use of black and white lithography enhances the dramatic interplay between the figures, highlighting themes of temptation and knowledge that are central to the Biblical story of Eve. In this print, Altman's avant-garde sensibilities are evident in the stylization of the figures and the expressive, almost abstract forms of the snake and foliage. The inclusion of Hebrew text further anchors the piece within its Jewish cultural context, possibly adding layers of interpretation related to wisdom, sin, and redemption. As with the other prints from this series, the limited edition of only 250 copies increases its rarity and value. Altman's work not only captures significant biblical narratives but also reflects the broader themes of cultural identity and modernist experimentation in the early 20th century. This print serves as a fascinating example of how traditional stories are reinterpreted through modernist artistic lenses, making it a valuable piece for collectors and admirers of Jewish and avant-garde art. Altmann’s choice of a burnished gold background not only enriches the visual impact but also elevates the symbolic elements, giving the artwork a solemn and revered quality. This specific piece, like others from the series, was produced in Berlin by the publisher "Petropolis," reflecting the vibrant Jewish artistic community that existed in pre-war Europe. Altmann’s work, especially given his background as a Jewish artist in Soviet Russia, often navigated between his cultural identity and the broader avant-garde movements, making each of his pieces historically and artistically significant. This print, considering its rarity and the mystery surrounding the number of surviving copies, is an exceptional representation of Jewish cultural history intertwined with early 20th-century art movements. Nathan Altman was an influential figure in the Russian and Soviet avant-garde movement. Born in 1889 in Vinnytsia, Ukraine, he studied at the Odessa Art School, later moving to Paris to further his education at the Academie de la Grande Chaumiere. Altman's style evolved over the years, showing strong influences from Cubism and Futurism, which are evident in his approach to stage design and book illustration as well. Altman's contributions extend beyond visual arts; he was also notable for his set designs for Jewish theaters...

This lithograph, part of Nathan Altmann's "Jüdische Graphik" series, depicts a stylized vase with a flower, produced in 1923. The artwork, in black and white on a burnished gold background, showcases Altman's avant-garde approach to graphic design and illustration. The use of simple, yet bold forms highlights the modernist influence on Altman, merging elements of Cubism with a symbolic representation that might suggest themes of growth, beauty, or fragility. The vase and flower motif, although a common subject in art, is transformed under Altman's hand into a piece that reflects both the artistic trends of the early 20th century and the cultural identity of the Jewish community in Berlin at that time. The production of only 250 copies makes this print a rare and significant piece, with its current existence a testament to the historical and artistic value of Altman's work. Altman's background as a Russian and Soviet artist who engaged deeply with Jewish themes...

Framed exhibition print of artist David Hockney's show at Andre Emmerich Gallery, New York City, 1969.