Antique Botanical Flower Print of Spigelia Marilandica or Indian Pink, ca.1821

This print originates from 'Das Buch der Welt' by Carl Hoffmann. Published in Stuttgart, 1847. Lithographs by Engelhorn and Hochdanz.

Nictago Jalapa (Marvel of Peru) – Hand-Colored Botanical Engraving by Desmares, circa 1825 Description: An original hand-colored copperplate engraving of the flowering plant Nictago Jalapa, commonly known today as Mirabilis jalapa or Marvel of Peru. This elegant botanical illustration features large, vibrant leaves and trumpet-shaped blossoms in striking yellow, red, and variegated tones. The print is engraved by Desmares, as indicated by the signature "Desmares, Sc." beneath the Latin name. This plate was published in Paris by Panckoucke around 1825 as part of the renowned series "Le Jardin des Plantes: Histoire Naturelle des Plantes," an ambitious natural history project associated with the Muséum national d'Histoire naturelle. Known for its scientific accuracy and exquisite hand-coloring, the series was a landmark in early 19th-century botanical publishing. This print exemplifies the refinement of French Enlightenment-era botanical art and is ideal for collectors of antique florals, natural history prints, or early scientific illustration. Keywords: antique botanical print...

Antique botany print of Eucomis Comosa, also known as pineapple flower, pineapple lily or wine eucomis. This print originates from 'Curtis's botanical magazine'. Artists and Engr...

Title: Antique Botanical Print of Banana Shrub and Starry Wild Jasmine, 1803 This title accurately reflects the plant subjects depicted in the illustration: the Banana Shrub (Fig. 1, showing the seed pod) and the Starry Wild Jasmine (Fig. 2, showing the flower in bloom). This antique engraving from April 23, 1803, beautifully illustrates two botanical figures, emphasizing the natural beauty and complexity of plant life. Here's what makes these illustrations unique and special: 1. Botanical Detail: Fig. 1 shows a plant section with a dark, almost wilted appearance, possibly representing the fruiting body or a seed pod, which contrasts with the lively and vibrant Fig. 2, depicting a flower in bloom. This juxtaposition captures both the end and the beginning of life cycles in the plant kingdom, showcasing the botanical accuracy and attention to detail that was essential in early scientific illustrations. 2. Artistic Technique: The illustration is a fine example of handcolored copperplate engraving, a method that requires exceptional skill. This technique allows for precise details and subtle gradations of color, qualities that make antique botanical prints highly valued by collectors and art enthusiasts alike. 3. Historical and Educational Value: Published by W. Curtis at St. George Crescent in 1803, this work is part of a larger series that aimed to educate and inform about the diversity of plant species. Such prints are crucial for understanding how plants were studied and classified in the early 19th century, providing insight into the history of botany and scientific illustration. 4. Collectibility: Due to their age, artistic merit, and the detailed craftsmanship, prints like these are sought after by collectors of antique botanical art...

'Apocynum androsamifolium' (Fly-trap dogbane or spreading dogbane) Original copper-line engraving with original hand-colouring. From 'Herbier general de l'amateur' by Jean Louis A...

Set of Two Rare Botanical Engravings by D’Orbigny — Dictionnaire Universel d’Histoire Naturelle, Paris, 1849 An exquisite pair of original hand-colored botanical engravings from the...

Artist: William Curtis (English, 1746-1799) Title: "Cyrilla Pulchella Scarlet-Flowered Cyrilla" (Vol. 11, Plate 374) Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Ye...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.