Antique Chromolithograph of 19th Century Sugarcane Harvest, circa 1890

Antique Chromolithograph of Tea Harvesting and Processing in China, circa 1890 This beautifully detailed chromolithograph, titled “Die Theegewinnung” (Tea Production), dates from ar...

Antique Chromolithograph of German Settlement in America, circa 1890 Description: This richly detailed chromolithograph, titled “Deutsche Ansiedelung in Amerika” (German Settlement ...

No. 13 of the German schoolplates for illustrating the lessons about spices, colonies and tropical products.

View of the sugar factory in Pangka Pangka sugar factory (Tegal residence, Java, Indonesia) Original title in Dutch: "Gezicht op de suikerfabriek in Pangka Suiker fabriek Pangka (re...

A 19th century, hand coloured lithograph, the colours fresh and in good condition for its age. Artist: Captain Philip Meadows Medium: Hand coloured lithograph Plate 6 Created: 1842 Paper Size: 39 x 32.5 cm Plate Size: 27.5 x 21.2 cm With the description sheet on verso TAYLOR, Captain Philip Meadows (1808-1876). Plate from Sketches in the Deccan. London: published by J McLean 1842 Plate 6 From a series of views of the Deccan, at this time the state of Hyderabad. The suite of plates includes views, scenes and settings of places and buildings at Goa, Arungabad, Tooljapoor, Golcondag, Hyderabad, Ellors, Rozah, and the Tandoor hills, among others. Meadows Taylor arrived in India as a young man to work with a Bombay merchant, but quickly accepted a military commission...

"Summer's Evening" folio has the appropriate Currier and Ives' markings along with "New York, Published by N. Currier 152 Nassau Street. (The firm was located here in lower Manhattan from 1837-1872) The lithograph depicts a young well dressed and well to do family overlooking their property as workers tend to the farmland and harvest hay. Note the haystacks and a horse drawn hay wagon. The large and well built farm house stands proudly over the scene with the village in the background. In addition to the Amon Carter Museum in Dallas, an example of "Summer's Evening" is in The Springfield Museum (Massachusetts) Gift of Lenore and Sydney Alpert). Dimensions: actual= 16 1/2" h x 23 13/16" w matte= 19 1/2" h x 25 1/4" w folio= 19 7/8" h x 26" w with frame= 26 1/4" h x 32 1/4" w frame= 1 1/4" burl bird's eye maple It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is some toning and foxing (see images). The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

The circa 1930 original poster titled "Cocoa" is a striking piece of art that reflects the vibrant and exotic allure associated with colonial-era agricultural production. This poster...

The Harvesters Paul Albert Baudouin (French, 1844-1931) signed and dated P. Baudouin 1878 Literature: Benezit volume 1 p. 873 Provenance: Sothebys, New York, 2001 Born ...