Antique Engraving of Persepolis, a City Sacked by Alexander the Great, 1726

Antique print titled 'Onbekende Goden - Onbekende Goden'. Copper engraving of various Chinese Gods in Batavia, Indonesia. This print originates from 'Oud ...

Antique print, titled: 'Cananor' - This is a print of a view of Kannur (or Cannanore), Kerala, India. From the monumental: "Oud en Nieuw Oost-Indiën ..." ...

Antique print titled 'Leijden in Hollandt'. Old print of the city of Leiden, the Netherlands. This print originates from 'Thesaurus philopoliticus oder Politisches Schatzkästlein'. T...

Antique print titled 'Die Königl. Schwedische Haupt und Residenz Stadt Stockholm'. Panoramic view of the city of Stockholm, Sweden. This print originates from the series 'Europe Prac...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

A collection of 11 framed and glazed engravings taken from the New Book Of Martyrs By Henry Southwell The 11 engravings show authentic and genuine historical account of the many dre...

This is the 1889 William H. Overend (1851-1898) and Lionel Smythe (1839-1918) first edition, photogravure of the Calcutta Cup – a Rugby match between Scotland and England, that has been played over 100 times, the first match...

Cartographer from Germany 1678-1757. Hand colored. Gilt wood frame. Estate of William Hodgins.