Antique Print with Hand Coloring of a Pampas Cat

An original hand-coloured antique print featuring a Siberian lynx, which is a subspecies of the Eurasian lynx. This print, titled 'The Lynx of Siberia', would have been part of a work published by G.B. Whittaker and based on an illustration by Charles Hamilton Smith, around 1825. Charles Hamilton Smith was a versatile figure of his time, not just an illustrator and naturalist, but also a scholar with a keen interest in various subjects including ethnology and military science. His depictions of animals were among the early scientific efforts to document wildlife in their natural habitats with an emphasis on both detail and aesthetics. The publisher G.B. Whittaker was known for producing works of natural history, and his collaboration with Charles Hamilton Smith resulted in a number of beautifully illustrated prints that were not only scientifically valuable but also works of art. The Siberian lynx, or Lynx lynx...

This engraving is a detailed depiction of a snow leopard, also known as an ounce (Panthera uncia). It shows the animal in a profile view, allowing for a clear observation of its phys...

An English hand-colored lithograph of a Felis Pardina lynx by J.Smit after Joseph Wolf, printed by M & N Hanhart and set in a wooden frame. Created in England during the reign of Que...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Texan Lynx", No. 19, Plate XCII, 92, from Audubon's "Quadrupeds of North America", printed and colored by J.T. Bowen and published in Philadelphia from 1849-1854. The lithograph depicts a Texan Lynx laying on the ground with hills in the background. This antique hand colored Audubon quadruped lithograph is presented with the original descriptive text pages 293-296 from Audubon's 19th century publication. The print is in excellent condition, including the striking hand coloring. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...