Antique Print of the Siege of Alkmaar, City of Cheese in Holland, c.1700

Print relating to Oldenzaal during the first decades of the eighty year war between Spain and the Low Countries: (plate 233). This plate shows the siege of Oldenzaal, Enschede and Oo...

Print relating to Steenwijk during the first decades of the eighty year war between Spain and the Low Countries: (plate 209). This plate shows the Siege of Steenwijk by Prince Maurit...

Print relating to Coevorden during the first decades of the eighty year war between Spain and the Low Countries: (plate 210). This plate shows the attack on...

Antique Bird’s Eye View of Leeuwarden, Friesland, by Jollain, circa 1670 This rare and decorative antique engraving presents a panoramic bird’s eye view of the fortified city of Lee...

Wonderful copper-plate engraving after Jan Luyken Published by Marten Schagen, Amsterdam. 1724 Text on verso The measurement given is the paper size.

"Ypres, Grand Ville Riche & Marchande" is an engraving and etching by Daniel Marot (le Vieux) (1661–1752). It depicts a view of the siege of the city of Ypres and its citadel on the left in the Spanish Netherlands by Louis XIV's troops. This battle took place between March 18 and March 25, 1678, as part of the Franco-Dutch War. Marot illustrated in great detail (best appreciated with magnification) the French attack on the strong pentagonal citadel on the extreme left, which had been built recently in anticipation of a French attack. The trenches built by the French approaching the town are seen on the right. King Louis XIV can be seen in the foreground surveying the battle mounted on his white horse, surrounded by his officers and troops. The print is presented in an attractive ornate black wood frame with a cream-colored double mat with a black inner trim. It is glazed with plexiglas. The frame measures 25.38" x 22.63" x .88". The engraving, frame, mat and glazing are in excellent condition. Artist: Daniel Marot (1661–1752) was also called "Le Vieux". He was the son of the famous architect, Jean Marot. Marot had diverse interests and talents. In addition to his art, he designed garden projects, architectural ornaments, furniture, and even upholstery. Marot as a Huguenot protestant was forced to leave France in 1685 following the revocation of the Edict of Nantes. He emigrated to Holland, where he worked for William of Orange (an arch enemy of his former employer Louis XIV). Marot was largely responsible for the interiors of Williams palace at the Loo. In 1694 he went Britain as William had married Queen Mary and he had become King William III of England. He later returned to Holland in about 1698 and died in the Hague in 1752. He left a lasting legacy on the decorative arts in the Netherlands, where his grand version of the Louis XIV style remained popular into the 1730s. Historical Background: In October 1677, Mary Stuart, niece and possible successor of Charles II of England, married Louis XIV's arch enemy William III of Orange...

A map of Nieuwpoort, anglicised to 'Newport', in northern Belgium. There is a panorama in the upper quarter depicting major landmarks. Below is a plan of the town, including its strong defences and ships at the port in the lower register. Inscribed with the title in plate to the lower edge, 'Newport a Strong Sea-Port Town...

The ancient city of Saint Malo in North Western France has long been associated with adventure on the high seas, piracy and exploration. It was the birthplace of several important in...