Antique Print of the Village of Lutte in the Netherlands, 1876

Antique print titled 'In de Lutte'. Old print of the village of Lutte, Overijssel. This plate originates from 'Wandelingen door Nederland met pen en potlood (..)', by Jacobus Craandi...

Antique print titled 'T'Dorp Berlikum'. Orginal antique print of the village of Berlikum, Friesland, the Netherlands. This print originates from 'Vaderlandsche gezichten, of afbeeldi...

Antique print titled 't Dorp Baard'. View of the village of Baard, Friesland, the Netherlands. This print originates from 'Vaderlandsche gezichten of afbeeldingen, behoorende tot den...

Antique print titled 'Baembrug komende van Amsterdam'. View of Baambrugge, the Netherlands. This print originates from 'Kabinet van Nederlandsche en Kleefsche outheden (..)', 1727-17...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Introducing a captivating masterpiece: "Serene Reflections of Ine – A Journey through Time." Immerse yourself in the allure of 1988's Japanese woodblock print, meticulously crafted a...

Old print of the Battle of Marengo (14 June 1800): here in Italian language, etching by Romanil. That's rare, but I had all the collection about Napoleon. ref. ST/722.

Great image after Guercino Fine steel engraving Published circa 1850 Unframed. Free shipping