The Banner Bearers of Bern – A Grand Cavalcade of Swiss Heraldry, 1855

Title: 1855 Festive Cavalcade – Freiburg and Strasbourg Banners in Swiss Pageantry This stunning hand-colored lithograph, created by H. Jenny and lithographed by Kümmerly and Wittm...

Title: 1855 Grand Cavalcade – Hans von Hallwyl and His Household Banner Description: This elegant hand-colored lithograph, created by H. Jenny and lithographed by Kümmerly and Wi...

A Grand Spectacle in 1855 – The Historic Procession Through Bern This finely detailed lithograph presents a sweeping panoramic view of the grand historical procession that took p...

The Lance Bearer and Musicians: A Grand Swiss Procession in 19th-Century Bern This print is part of the 'Fest Album Celebrating Bern’s Entry into the Swiss Confederation on March 6,...

Swiss alp watercolor " Bern "

Created by Gustav Buek from an original oil painting made in 1892 by Thomas Moran. The painting is today owned by the Philadelphia Museum of Art in Philadelphia, Pennsylvania. Both w...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. The ancient, original document of the Grand Duchy of Tuscany was framed, in recent times, by a skilled Florentine master craftsman who used a frame in precious wood and painted gold. The "Notification" was a public notice issued by the authority to bring to the attention of the population or of the institutions or persons concerned a legislative situation, an administrative act, or a declaration of intent by the authority itself. In 1838 (the year of our document) Italy, still divided into Kingdoms, States, Ducats, was pervaded by a certain form of reformism; the different dukes, princes, etc. flaunting modernism, various programs begin to develop the economy, make the administration efficient, change some laws, intervene in the territory with infrastructures, such as roads, canals, and railways. For this reason, more professionalism, experience, and technical preparation were required for all operators who had to contribute to this change. In the Grand Duchy of Tuscany, the Grand Duke Leopold II...

"Pleasures of Winter" Maintains the appropriate markings along with "New York, Published by N. Currier 152 Nassau Street. (The firm was located here in lower Manhattan from 1837-1872) The lithograph portrays a woman leaving her stately home with her two children, being escorted by two drivers to ride in a double seated horse drawn sleigh. In the background is a snowy field with other houses and a loaded horse drawn timber sleigh. In addition to the Amon Carter Museum in Dallas, an example of "Pleasures of Winter" is in: The Library of Congress The Springfield Museum (Massachusetts) Gift of Lenore and Sydney Alpert) Metropolitan Museum of Art (Gift of Colgate 1962) Museum of Fine Arts Boston (Donated by Lee M. Friedman) Dimensions: actual= 16 1/2" h x 23 13/16" w matte= 19 1/2" h x 25 1/4" w folio= 21 9/16" h x 27 1/2" w with frame= 26 1/4" h x 32 1/4" w frame= 1 1/4" burl bird's eye maple It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is minor foxing and a tideline upper center (see images). The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...