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Chinese Mandarin with Retinue of Guards – Engraving after Sonnerat, 1806

$378.30
£284.82
€320
CA$522.11
A$584.88
CHF 304.21
MX$7,134.27
NOK 3,872.97
SEK 3,651.94
DKK 2,436.16

About the Item

Title: Chinese Mandarin with Retinue of Guards – Engraving after Sonnerat, 1806 This evocative engraving titled 'Mandarin, accompagné de ses bourreaux' (Mandarin accompanied by his executioners) presents a detailed scene of an imperial Chinese official being carried in a sedan chair, surrounded by a large procession of attendants, soldiers, and servants. The official, or *mandarin*, is shaded within the curtained palanquin, while his entourage proceeds in ceremonial order with banners, spears, parasols, and instruments of authority or punishment. The phrase “ses bourreaux” refers to the guards or executioners in his service—some may carry rods or other disciplinary tools, indicating their role in law enforcement or justice under the authority of the mandarin. This scene offers insight into the formal and hierarchical structure of Qing imperial administration, where public appearances of local governors or magistrates were staged with grandeur and precision. In the background, traditional Chinese architecture is visible, including a pagoda-style pavilion with a curved roof, adding context to the setting. The procession is likely moving through a town or village, symbolizing the mandarin’s reach over civil and criminal affairs. This engraving was based on observations by French naturalist and explorer Pierre Sonnerat (1745–1814), and engraved by Jean-Baptiste-Marie Poisson (1747–1820). It was published in the 1806 edition of *Voyage aux Indes Orientales et à la Chine*, a richly illustrated travel work documenting Sonnerat’s journeys through Asia, including China. Highly collectible for its documentary and artistic value, this print exemplifies early 19th-century European interpretations of Chinese society, governance, and ritual. It is particularly valuable for collectors of China trade imagery, Qing Dynasty culture, or colonial-era visual reportage. Condition report: Good condition. Center fold as issued, with some toning and occasional foxing, especially in the margins. Plate impression is strong, with clear architectural and costume detail. Framing tips: A horizontal frame with a neutral cream or tan mat will enhance the linearity of the procession. A dark wooden or black frame will contrast nicely with the fine linework. Technique: Engraving Maker: J.-B.-M. Poisson after Pierre Sonnerat, Paris, 1806
  • Dimensions:
    Height: 11.23 in (28.5 cm)Width: 15.36 in (39 cm)Depth: 0.01 in (0.2 mm)
  • Materials and Techniques:
    Paper,Engraved
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1806
  • Condition:
    Good condition. Center fold as issued, with some toning and occasional foxing, especially in the margins. Plate impression is strong, with clear architectural and costume detail.
  • Seller Location:
    Langweer, NL
  • Reference Number:
    Seller: BG-13429-801stDibs: LU3054346093192

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Chinese Funeral Procession with Palanquin – Engraving after Sonnerat, 1806 This detailed engraving titled Convoi Chinois (Chinese Procession) captures a solemn and structured funeral convoy in Qing Dynasty China. At the center of the composition, a decorated palanquin—likely a funerary sedan—rests on the shoulders of uniformed bearers as they proceed through a mountainous landscape. The structure is ornate and domed, possibly symbolizing the status or wealth of the deceased. Surrounding the palanquin is a carefully choreographed group of attendants, officials, musicians, and mourners. To the right, ceremonial banners with trailing tassels are carried high above the procession, and numerous figures wear traditional Chinese robes and conical hats. Some appear to carry gongs or drums, indicating a ritual function. In the foreground, a man places circular offerings or markers along the path, which may be part of the ritual to guide or honor the spirit of the departed. In the background, a rugged terrain of cliffs and hills is visible, dotted with baskets, onlookers, and structures. The left side of the image shows mourners, including a veiled woman and child, standing respectfully aside. The scene presents a harmonious blend of human order and natural setting, reinforcing the gravity of the moment and the cultural significance of funerary rites in Chinese society. This engraving is based on sketches by French explorer Pierre Sonnerat (1745–1814), who traveled through Asia in the late 18th century. It was engraved by Jean-Baptiste-Marie Poisson (1747–1820) and published in the 1806 edition of *Voyage aux Indes Orientales et à la Chine*, a key French visual record of East Asian life and customs. The print offers rare insight into Chinese funerary...
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