Items Similar to The Church's Defender: Advocate in Arms on a Hand-Colored Lithograph, 1847
Want more images or videos?
Request additional images or videos from the seller
1 of 6
The Church's Defender: Advocate in Arms on a Hand-Colored Lithograph, 1847
About the Item
An original hand-colored lithograph showing the "Avocat des Eglises," which translates to "Advocate of the Churches." This title likely refers to a legal position within the church, possibly a canon lawyer or someone who represented the interests of the church in legal matters during medieval times.
The individual is wearing a red Phrygian cap, which often symbolized freedom and was a common headgear in many European countries. He is dressed in a chain mail shirt for protection, which suggests a readiness for battle or the necessity of self-defense, even for someone associated with the church. Over the mail, he wears a tabard with a decorative pattern and a prominent belt with a sword attached, signifying his status and readiness for conflict.
The combination of martial and ecclesiastical elements in his attire indicates a time when the church held temporal power and was actively involved in governance and conflict. His pointing gesture and facial expression suggest a moment of declaration or command.
Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image.
Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces.
In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted manuscripts, the original artists might have employed techniques or materials that gave a similar effect to those achieved with egg-based binders and varnishes.
- Dimensions:Height: 10.63 in (27 cm)Width: 7.09 in (18 cm)Depth: 0 in (0.02 mm)
- Materials and Techniques:
- Period:
- Date of Manufacture:1847
- Condition:Good. Overal very light toning and light soiling but the image itself clean and hand-colored almost 200 years ago and still in expliciet colors. Aged paper with typically warm, yellowish-brown hue, mostly around the edges. Study the image carefully.
- Seller Location:Langweer, NL
- Reference Number:Seller: BG-13635-121stDibs: LU3054337880142
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 2009
1stDibs seller since 2017
2,467 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Langweer, Netherlands
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllIn Solemn Duty: A Canon in Contemplation, Hand-Colored Lithograph, 1847
Located in Langweer, NL
The image portrays a figure labeled "Chanoine," which is French for "Canon," referring to a clergy member who is part of a cathedral or a collegiate chapter. The individual is depicted in ecclesiastical robes that reflect his status within the church hierarchy.
The canon is shown wearing a long, pink robe with a decorative stole over it, which is adorned with Christian symbols and patterns indicating his religious office. Over the robe, he wears a black mozzetta, a short cape that is typically worn by higher clergy in the Roman Catholic Church. He also has a white almuce, a fur-trimmed hood or shoulder cape worn by canons, draped over his left arm, and he is holding what appears to be a book of scripture or liturgy.
His head is adorned with a biretta, a square cap with three or four peaks...
Category
Antique 1840s Prints
Materials
Paper
$139 Sale Price
20% Off
King Henry VI in Prayer, Original Hand-Colored Lithograph, 1847
Located in Langweer, NL
This print represents King Henry VI of England, depicted in a regal and contemplative pose with hands clasped in prayer. He is dressed in a blue robe with a pattern that suggests opu...
Category
Antique 1840s Prints
Materials
Paper
$158 Sale Price
20% Off
Court Officers of the Reign of Richard II in an Hand-Colored Lithograph, 1847
Located in Langweer, NL
The illustration features two court officers from the reign of Richard II, displaying the rich and ornate clothing typical of English courtly fashion at the end of the 14th century. ...
Category
Antique 1840s Prints
Materials
Paper
$158 Sale Price
20% Off
Renaissance Youth: The Italian Page in a Hand-Colored Engraving, 1847
Located in Langweer, NL
Title: "Renaissance Youth: The Italian Page"
Description: This print depicts a young Italian page, a common figure in Renaissance courts, whose duties often included serving nobilit...
Category
Antique 1840s Prints
Materials
Paper
$121 Sale Price
20% Off
Medieval Matrimony: A Union in the Gothic Halls, Hand-Colored in 1847
Located in Langweer, NL
This print from "Costume Di Moyen Age" (Costumes of the Middle Ages) published in Paris in 1847, depicts a scene from the medieval era. The image features a group of individuals in an indoor setting, likely a part of a noble class, given the richness of their attire and the elegant interior.
A central figure in a blue cape with a red lining is in a dialogue or exchange with a person wearing a green and yellow patterned garment. They both are in the foreground and appear to be the primary subjects of this interaction. Behind them, there are other individuals who seem to be part of the scene, including a person in red robes who is possibly a clergyman, given the context and attire, which resembles ecclesiastical clothing.
The background is adorned with Gothic architectural elements such as pointed arches and intricate detailing. Statues or figures are set within the architectural framework, suggesting a church or a similarly important building. The use of bright, primary colors is notable, and the attention to the detail in the clothing suggests a significant event, possibly a ceremony like a marriage, as indicated by the word "Casamiento" (meaning marriage in Spanish) at the bottom of the print.
Overall, the print is rich in historical clothing...
Category
Antique 1840s Prints
Materials
Paper
$149 Sale Price
20% Off
Defending the Flock: The Poultry's Stand Against the Hawk, Hand-colored ca.1860
Located in Langweer, NL
Title: Poultry attacked by a Hawk - Die Hühner und der Raubvogel"
Detailed illustration of poultry being attacked by a hawk. Here is a description of the entire print:
1. Setting: The scene is set in a rural or natural environment with lush greenery and a serene landscape. In the background, there is a cliff with what appears to be a castle or structure on top.
2. Main Elements:
- **Poultry**: There are several chickens, roosters, and chicks scattered throughout the scene. They exhibit various states of alarm and motion, suggesting panic and distress.
- **Predatory Birds**: A hawk is depicted swooping down from the sky, clearly the source of the poultry's distress. Another bird, possibly a swallow, is also shown flying nearby.
3. Foreground Details:
- The poultry are illustrated with intricate detail, showcasing their feathers, beaks, and claws. Chicks are shown huddling together or running, indicating their fear.
- The hawk is captured mid-dive, wings spread, with a menacing look as it approaches the flock.
4. Text:
- The text below the illustration is in two languages: German and English.
- **German**: "Die Hühner und der Raubvogel" which translates to "The Chickens and the Bird of Prey."
- **English**: "Poultry attacked by a Hawk."
5. Artists:
- The print is signed by "M. Hondekoeter pinx," indicating the original painting was by Melchior d'Hondecoeter, a Dutch painter known for his bird and poultry paintings...
Category
Antique 1860s Prints
Materials
Paper
$204 Sale Price
20% Off
You May Also Like
Hand-Colored Engraving of the Ceiling of the Church of Santa Costanza in Frame
Located in Pembroke, MA
A large, nicely-framed Italian hand-colored engraving in tones of terracotta and black (17th century, with more recent matte and frame) by Pietro Bartoli. The engraving depicts the mosaic ceiling in the church of Santa Costanza outside of Rome, which was studied by the ecclesiatical archaeologist Giovanni Ciampini. The mosaic ceiling no longer exists, but is known through various depictions of the artwork, such as this engraving. The images include Christian imagery including the sacrifice of Cain and Abel and possibly Noah building the ark. The upper row of mosaics is believed to represent scenes from the New Testament, with caryatids dividing the ceiling into twelve segments. The engraving is captioned in Latin: "Opus Musiuum olim in tholo Templi, quod vulgo creditur Bacchi, nunc Sancte Constantie extra Portam Piam cariatides, et Telamones in duodecium dividant Segmenta, ubi plura autumnales ferias, et piscationis Genium demostrant, iuxta interpretionem Ciampini qui mediatatem exhibet Veterum monum." In the 17th century, the church of Santa Costanza was known as the "Temple of Bacchus," and was the site of rowdy Bacchic festivals until Pope Clement XI banned the rites in 1720. Pietro Santo...
Category
Antique 17th Century Italian Baroque Prints
Materials
Paper, Paint, Wood, Ink
Wallace Nutting Signed "The Last Word" Hand Colored Photo Lithograph
By Wallace Nutting
Located in Van Nuys, CA
A rare 1910 Hand Colored Photographic Lithograph artwork print Titled "The Last Word" signed by an American photographer Wallace Nutting in pencil on the mat board. This print is in ...
Category
Vintage 1910s Prints
Materials
Paper
David Roberts Egypt Lithographs Hand Colored
By David Roberts
Located in Atlanta, GA
Group of Four Hand Colored Egypt Lithographs, after David Roberts, English, circa 19th Century. These were originally purchased at Ursus Gallery in...
Category
Antique 19th Century English Egyptian Prints
Materials
Glass, Wood, Paper
$2,800 / set
David Roberts Egypt Lithographs Hand Colored
By David Roberts
Located in Atlanta, GA
Group of six hand colored Egypt Lithographs, after David Roberts, English, circa 19th Century. These were originally purchased at Ursus Gallery in ...
Category
Antique 19th Century English Egyptian Prints
Materials
Glass, Wood, Paper
$3,600 / set
Untitled 'Kachina Doll', Hand Colored Lithograph
Located in Denver, CO
Vintage Hand colored lithograph by artist Swankar Hanumann of a kachina (Katsina) Doll standing on a pedestal holding a rattle and bow. Presen...
Category
20th Century American Native American Paintings
Materials
Paper
English Hand Colored Lithograph by Wm Heath A Sketch of the Row in Parliment St.
Located in Savannah, GA
Titled " A Sketch of the Row in Parliment Street," this hand colored print was published in London by Thomas McLean, circa approximately 1830. Drawn by William Heath (1795 to 1840)...
Category
Antique 1830s English Early Victorian Prints
Materials
Paper