Courtly Splendor: A Nobleman at Emperor Sigismund's Court, 1847

Title: "Civilian Costume at the End of the 15th Century" Description: The image is a print from a series the "Costume du Moyen Age" dated 1847, and titled "Costume Civil de la Fin du XVe Siècle," which translates to "Civilian Costume at the End of the 15th Century." It showcases a man of status, possibly a noble or a wealthy burgher, standing in a poised and confident manner. He is attired in an ornate cloak covered in a complex pattern of fleur-de-lis and cross motifs, indicative of wealth and possibly a connection to royalty or high social rank. The cloak is open at the front to reveal a blue doublet with a belt, and he wears red hose—a fashion staple of the late medieval period. His footwear is also red, which stands out against the more subdued tones of his outfit. On his head, he sports a fur-trimmed hat, adding to the luxuriousness of his attire. In one hand, he holds a long staff, which serves as both a walking aid and a symbol of authority. His other hand rests on the hilt of a dagger, further indicating his readiness to defend his status or engage in the political or civic matters of his time. The artist has skillfully rendered the textiles and accessories with great care, emphasizing the fashion and social cues of the late 15th-century European society. The colors have a nice glow over them. Historically, egg whites, known as glair, and sometimes egg yolk were indeed used in illumination and painting, particularly in manuscripts, to give colors a brighter appearance and to add a sheen or gloss to the work. This technique was quite common during the Middle Ages...

Title: "Elegance at the Court of Louis XII: A French Noble's Poise" Description: This delicate historical illustration depicts a French nobleman from the court of King Louis XII, elegantly attired in the fashion of the early 16th century. He stands with a composed and dignified stance, a walking stick in one hand, exuding the grace and refinement expected of someone from his esteemed position. His attire is a rich blend of colors and textures, indicative of his status. The nobleman wears a soft pink tunic, a color that during the time was often associated with nobility due to the expense of the dye required to produce it. The tunic is complemented by a deep green overcoat...

Title: "Seated Spanish Nobleman: The Visage of Authority" Description: This original antique detailed print portrays a Spanish nobleman from the Middle Ages, seated in a commanding position that denotes his high social status and authority. He is depicted in a stately pose, exuding an air of confident repose that reflects his powerful position within the societal hierarchy. The nobleman is dressed in a long blue tunic, a color often associated with nobility and depth of character. His tunic is complemented by a rose-colored undershirt, a combination that suggests both wealth and taste. Over his attire drapes a heavy, deep blue cloak, a mark of his status, which provides both warmth and an impression of gravitas. On his head, he wears a broad-brimmed green hat, which is both a stylish and practical accessory, shading his eyes and symbolizing his affinity with the outdoors and perhaps his participation in hunting, a favorite pastime of the nobility. His footwear consists of red shoes, possibly made of fine leather or velvet, adding a striking contrast to his ensemble. The nobleman's demeanor is one of contemplation, with a hand resting on a money pouch at his belt, indicating his control over wealth and economic affairs. The chair in which he sits is adorned with simple yet elegant ornamentation, including a valance with floral motifs, signifying a connection to nature and his domain. The setting is minimalistic, focusing the viewer’s attention on the nobleman’s figure and attire. Through this print, we gain insight into the fashion and symbols of status that were prevalent among the Spanish nobility...

The image shows a figure labeled as "Lord Beaumont," depicted in medieval attire. He is wearing a blue overcoat with a fur trim and a gold-patterned undergarment that extends to his ...

ST/728 /3 - Engraving of Maximilian I° - Procession (noy better specified) - from the original engravings of the 16th and 17th centuries by Albrecht Altd...

ST/728-1 . Engraving of Maximilian I°, beginning 1930, from the original engravings of the 16th and 17th centuries. "Mounted knights in armour in a proce...

Brent Heighton has been painting for over 42 years full time. After college Brent began a brief career in the commercial art field. Not satisfied with t...

Great images of parakeet Unframed. Lithographs after Cpt. Brown with original hand color. Published, 1847. The measurement is for 1 print Free shipping