Cultural Warriors: Traditional Attire of Iranian and Afghan Tribes, 1844

Title: "Kurdish Warrior in Traditional Attire from 19th Century Lithograph" This hand-colored lithograph titled "Kurda" showcases a Kurdish man in traditional attire, complete with ...

The two engravings vividly capture the traditional attire of the Kirghiz, a group native to the steppes of Central Asia. 1. The first engraving portrays a Kirghiz man mounted on hor...

"1844 Lithograph of a Bukharan Uzbek: Traditional Attire and Craft" Description: This 1844 lithograph captures a traditional Bukharan Uzbek man, from the renowned series "Moeurs, Usages et Costumes de tous les Peuples de Monde" by Auguste Wahlen. Published in Paris using the technique of handcoloured lithography, enhanced with Arabic gum on vellin paper, this print vividly portrays the rich cultural attire unique to Bukhara, Uzbekistan. The man's elaborate robe and distinctive headwear highlight the regional fashion and craftsmanship. The print’s appeal lies in its detailed depiction of historical dress and accessories, offering a window into the cultural diversity of Central Asia. Such prints are treasured for their historical value and intricate artistry, making them highly desirable to collectors and enthusiasts of ethnographic art. The lithograph depicting a man from Bukhara, Uzbekistan, offers several intriguing cultural and historical insights: 1. Traditional Attire: The attire of the Bukharan man, particularly the elaborate robe and turban, is a rich display of Uzbek textile craftsmanship. Traditional robes, often made from silk and cotton, are adorned with intricate ikat patterns—a dyeing technique where threads are dyed before weaving. This style is emblematic of Uzbekistan's well-known textile industry. 2. Turban Significance: The turban, known locally as a "doppa" or "tubeteika," is more than just practical headwear; it serves as a cultural symbol of status and identity. The style, color, and way it is worn can convey information about the wearer's social status, region, and even his clan affiliations. 3. Historical Context: Bukhara was a pivotal Silk Road city, making it a melting pot of cultures, languages, and religions. The diverse influences are reflected in the traditional clothing, which blends Persian, Turkic, and nomadic styles. 4. Artistic Technique: The use of handcoloured lithography in the 19th century allowed for high-quality, detailed prints that were more accessible to the European public. This technique involved drawing on limestone with a greasy medium, then using water and oil-based ink to print vibrant images, which were then painted by hand. 5. Cultural Preservation: Prints like this serve not only as artwork but also as historical documents that preserve and share the cultural heritage of regions less known to the Western world at the time. They played a crucial role in educating and influencing perceptions about distant cultures during the 19th century. This print, therefore, is not just a beautiful piece of art but a deep well of cultural history and craftsmanship, reflecting the rich tapestry of life in Central Asia during the 19th century. Keywords: - Antique Uzbek prints - Handcoloured lithography - 19th-century Central Asian costumes - Auguste Wahlen lithographs - Traditional Bukharan attire - Ethnographic art prints - Collectible cultural lithographs - Historical Uzbek fashion - Asian historical prints - Vintage Uzbek art...

Title:"Circassian and Imeretian Princes in Traditional Attire, 1844 Lithographs" This horizontal compilation features two lithographs from Auguste Wahlen's 1844 series, "Moeurs, Usages et Costumes de tous les Peuples de Monde," depicting princes from Circassia and Imeretia in traditional attire. These prints, made using handcoloured lithography, highlight the distinctive cultural dress and accessories of these regions in Asia. The Circassian prince is adorned in a decorative military-style outfit, complete with armor and a bow, symbolizing his warrior status. The Imeretian prince's attire is similarly martial but incorporates more vivid colors and a less formal style, reflecting the different ceremonial and functional aspects of his region's attire. The attractiveness of these prints lies in their vibrant coloration and meticulous detail, which not only make them visually striking but also serve as valuable historical records of cultural heritage and traditional dress. The technique of handcoloured lithography allows for precise detail and rich hues, enhancing the visual impact and historical authenticity of each figure. Keywords: - Antique Circassian prints - Imeretian historical attire - Handcoloured lithographs - 19th-century cultural costumes - Auguste Wahlen artwork - Collectible historical prints - Traditional warrior attire lithographs - Asian prince...

Customs -Asian Costume is an Hand-colored lithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all the peoples of the uni...

Customs - Persian Kings is a lithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Hist...

Kurdish is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Kurde". The work is part of Suite Moeurs...

Customs -Asian Costume is a Hand-colored lithograph on paper realized in 1862. Titled on the lower. The artwork belongs to the Suite Uses and customs of all the peoples of the univ...