Eduardo Chillida Prints, Set of 2, circa 1990

Pair of Murano Sommerso Glass Heart Vases, Attributed to Maria Christina Hamel for Salviati, 1990s A striking pair of hand-blown Murano glass vases in the shape of stylized hearts, executed in the sommerso technique and attributed to Maria Christina Hamel for Salviati. Designed and produced in Italy in the 1990s, these vases embody the playful yet refined spirit of late Post-Modern glasswork. The pair features a smaller vase in a deep cherry red hue and a larger vase in a lighter, pink-toned red. Both are exceptionally heavy for their size, with a smooth, tactile finish that feels substantial and luxurious in hand. Their clean sculptural forms and vivid colors make them ideal accent pieces for a variety of interiors—from bathroom shelves...

An absolutely gorgeous set of three Art Deco alabaster urns, hand-carved in Spain circa the 1930s. In pristine condition. All same size. Dimensions: D. 12cm x H. 15cm (4.72 x 5.90...

Antique Rustic Spanish Pottery Pieces Set of 5 , Late 19th–Early 20th Century A beautiful collection of five antique Spanish pottery pieces, each showcasing rich history and character. This set includes: One large olive oil jar...

Vintage Italian Bitossi by Aldo Londi Mid-Century set of ceramic vase and pitcher. Featuring a gorgeous ¨Fascie Colorate¨ glazing décor. The vase/bottle in a deep olive green backgro...

Embark on a visual journey through the abstract realm with Eduardo Chillida's mesmerizing lithography titled "Untitled," crafted in 1999. This limited edition piece, hand-numbered an...

Embark on a visual journey through the abstract realm with Eduardo Chillida's mesmerizing lithography titled "Untitled," crafted in 1999. This limited edition piece, hand-numbered an...

Selection of Mid-Century Modern Abstract Lithographs, recently professionally framed in vintage gilt wood frames under UV resistant glass. They are priced at $575 each or $2000 for all four works. From left to right, as seen in the first photo, they are: 1) Abstract lithograph by Raoul Ubac, from the limited edition portfolio Le Derriere Miroir...

Eduardo Chillida Lithograph on cardboard Number T 169/1000 The work is signed by the artist and individually numbered (pencil) Work dimensions 47/34 The work is framed Eduardo Chillida(1924 - 2002). He was a Spanish artist. He began his career in 1943, studying architecture at the University of Madrid, but in 1947 he took up drawing and sculpture. In 1948 he moved to Paris, then the world capital of art. Although he dropped out of college, his work betrays his architectural training, revealing an underlying sense of structural organization as well as material discipline, planning spatial relationships, and scaling elements. For years, the artist used materials that were the basis for his research on conceptual and metaphysical issues. Chillida's early efforts in stone and plaster oscillated between humans and the natural world. His return to the Spanish Basque country in 1951 initiated a change of vision, focusing more on the metamorphosis of space and the definition of spatial volume through form. Chillida soon abandoned the plaster he had used in his Paris works in favor of iron, then wood and steel. These materials represent Basque traditions in industry, architecture and agriculture, and recall the landscape and black light of the region. Chillida began using alabaster for its illuminated but veiled appearance, he used it in the sculpture How Deep is the Air (1996). Despite his use of a variety of media, Chillida's intentions for simplicity and balance never allowed the material to take on a form alien to its nature. He was consistently guided by the quality of space, density and rhythm. Major retrospectives of Chillida's graphic and sculptural works have been exhibited by the Museum of Fine Arts, Houston (1966), the Carnegie Institute, Pittsburgh (1979), the National Gallery of Art, Washington, D.C. (1979), the Guggenheim Museum (1980), the Palacio de Miramar, San Sebastián (1992), and Museo nacional centro de arte Reina Sofía, Madrid (1999). Chillida's monumental sculptures designed for urban and more remote spaces are permanently installed internationally and constitute a central aspect of his artistic production. Chillida has received numerous awards, including the Grand International Sculpture Prize at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...