Eduardo Chillida Prints, Set of 2, circa 1990

Bertoncello by Roberto Rigon Large Modernist Ceramic Vase or Centerpiece A striking and rare Modernist ceramic piece by Roberto Rigon for Bertoncello. This sculptural work is compos...

This Bertoncello sculptural ceramic vase from Italy, dating back to the 1960s, is a remarkable piece of Italian ceramic artistry. Roberto Rigon was a notable designer associated with...

A gorgeous set of wabi-wabi style vintage ceramics by Dutch artist Marius Van Woerden. They were all handmade in his studio, Vest Keramiek, in the old town of Gouda, in Holland. A...

Pair of small Brutalist patinated cast bronze sculptures, representing two panthers on movement. Produced in France circa the mid 20th century. They are small but very beautiful in...

Eduardo Chillida Lithograph on cardboard Number T 169/1000 The work is signed by the artist and individually numbered (pencil) Work dimensions 47/34 The work is framed Eduardo Chillida(1924 - 2002). He was a Spanish artist. He began his career in 1943, studying architecture at the University of Madrid, but in 1947 he took up drawing and sculpture. In 1948 he moved to Paris, then the world capital of art. Although he dropped out of college, his work betrays his architectural training, revealing an underlying sense of structural organization as well as material discipline, planning spatial relationships, and scaling elements. For years, the artist used materials that were the basis for his research on conceptual and metaphysical issues. Chillida's early efforts in stone and plaster oscillated between humans and the natural world. His return to the Spanish Basque country in 1951 initiated a change of vision, focusing more on the metamorphosis of space and the definition of spatial volume through form. Chillida soon abandoned the plaster he had used in his Paris works in favor of iron, then wood and steel. These materials represent Basque traditions in industry, architecture and agriculture, and recall the landscape and black light of the region. Chillida began using alabaster for its illuminated but veiled appearance, he used it in the sculpture How Deep is the Air (1996). Despite his use of a variety of media, Chillida's intentions for simplicity and balance never allowed the material to take on a form alien to its nature. He was consistently guided by the quality of space, density and rhythm. Major retrospectives of Chillida's graphic and sculptural works have been exhibited by the Museum of Fine Arts, Houston (1966), the Carnegie Institute, Pittsburgh (1979), the National Gallery of Art, Washington, D.C. (1979), the Guggenheim Museum (1980), the Palacio de Miramar, San Sebastián (1992), and Museo nacional centro de arte Reina Sofía, Madrid (1999). Chillida's monumental sculptures designed for urban and more remote spaces are permanently installed internationally and constitute a central aspect of his artistic production. Chillida has received numerous awards, including the Grand International Sculpture Prize at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

This extraordinary small lithograph by Eduardo Chillida, created in 1975, was originally produced as an invitation for one of the artist’s exhibitions. The piece is part of a rare Ep...

Embark on a visual journey through the abstract realm with Eduardo Chillida's mesmerizing lithography titled "Untitled," crafted in 1999. This limited edition piece, hand-numbered an...

"Eduardo Chillida (Spain, 1924-2002) 'Museum of Art Carneige Institute Pittsburg', 1980 Original poster from 1980 lithograph on paper 12.6 x 25.6 in. (32 x 65 cm.) Unsigned Unframed ...