Eminent Venetian Senator in Traditional Robes: A Portrayal of Political Prestige

Title: "The Esteemed Jurist: A Magistrate's Robe in 'Costume du Moyen Âge'" Description: This lithograph, originating from the mid-19th century "Costume du Moyen Âge" series, presen...

Title: "Aristocratic Elegance: A Lord of Richard II's Court in 'Costume du Moyen Âge'" Description: This lithograph from "Costume du Moyen Âge," dated 1847, presents a nobleman from...

This original antique lithograph for sale depicts a historical figure known as a "Doyen," which typically refers to the senior member of a body or group. This individual is portrayed...

Title: "Attire of a Medieval Scholar: The Learned Physician of the Middle Ages" This hand-colored lithograph, titled "Médecin" in the original French, is a detailed portrayal of a m...

The Senator and the Pages is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on the...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Nobleman, Cambridge (1815) Aquatint with original hand colouring 30 x 25 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of a nobleman studying at Cambridge, from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Theatrical Costume is a splendid lithograph engraved by Anonymous Artist in the Early 20th Century. The state of preservation of the artwork is excellent. Image Container: 53 x 28 ...

Costume is original Hand-colored lithograph realized by an Anonymous artist in the late XIX century. Included a Passepartout: 52.5 x 37cm. Very good conditions. The artwork represents the traditional costume, skillfully depicted through soft and precise strokes, the artwork is created with congruous harmonious colors from historical costume...