The Enchanting Japanese Silkie Chicken - A Rare 19th Century Poultry Lithograph

The Elegant White Cochinchina A Rare 19th Century Poultry Lithograph This striking 19th century chromolithograph presents a pair of White Cochinchina chickens, a majestic breed ad...

The Distinguished Houdan Chicken A Rare 19th Century Poultry Lithograph This stunning 19th century chromolithograph showcases a pair of Houdan chickens, an elegant French breed kn...

The Distinguished Ramelsloher Chicken A Rare 19th Century Poultry Lithograph This striking 19th-century chromolithograph features a pair of Ramelsloher chickens, a breed known for...

The Majestic Feathered Langshan A Rare 19th Century Poultry Lithograph This striking 19th century chromolithograph showcases a pair of Langshan chickens with feathered legs, a hig...

Poultry Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.

A Chicken Family is an original print realized by William French (1815 ca.-1898) in the late 19th century. Black and white lithograph. Original Title: ...

Antique Rooster Portrait Prosper Alphonse Isaac (France, 1858-1924) Woodblock Print circa 1910 9 x 7 1/8 (15 1/4 x 17 frame) inches The excellent book "The Great Wave: The Influence of Japanese Woodcuts on French Prints" which was an exhibition at The Metropolitan Museum of Art in 1974, recounts the phenomenal "cult of Japan" in late nineteenth-century France and reveals through direct comparisons its particular impact on the graphic work of Manet, Degas, Cassatt, Bonnard, Vuillard, Toulouse-Lautrec, and Gauguin. This print directly relates to the discovery of Japanese art most notably through the woodblock prints which found their way to the West oftentimes as stuffing or packing materials from consumer goods that were being imported to the West at the end of the 19th century. Prosper-Alphonse Isaac was born in a well-to-do family. This gave him the means not only of leaving his native Calais to pursue a career as an artist in Paris, but also the means to acquire art. Isaac was particularly drawn to Japanese arts, which he collected avidly. Many of the objects he bought were eventually given to museums. As a printmaker Isaac started drawing seascapes in dry point, but eventually moved on to become one of only a handful of artists versed in color woodcut techniques in France. His compositions, generally small in scale, are heavily influenced by the arts of Japan. He printed small editions of these works. Aside from this artistic activity, Isaac was also an active textile decorator. "This mark, which he borrows from Hokusaï and Totoya Hokkeï...

Japanese Two Panel Screen: Chickens in a Millet Grove, Meiji period (1868 - 1912) painting of a Japanese breed of chicken, Shamo chickens, in a millet grove. Beautifully painted and...