Engraving of London from the Docklands by Rowland Langmaid, 1926

Copperplate engraving of the nativity printed on hand laid paper. The piece has an incredible level of fine detail for the diminutive size of the work. ...

Two copperplate architectural engravings of elevations and plans of English Neoclassic country houses from Volume III of Colen Campbell's "Vitruvius Britannicus". Archival mounted an...

Linocut print on paper of a warm, pastoral evening landscape rendered in soft shades of green, brown, and purple. Archival mounted under UV glass and framed. ...

Copperplate engraving printed on paper, after the portrait by John Jarvis of Commodore Stephen Decatur. Framed in a Rosewood veneered molding with gilt bezel. Circa 1825.

The engraving is an original uncolored print of Adelphi Terrace in London. This type of print would have been created by incising lines into a steel plate, which was then used to transfer ink onto paper. The absence of color means that the viewer's attention is drawn to the intricate lines and shading that depict the scene. The title refers to the subject of the image itself – the row of neoclassical Georgian townhouses located on the River Thames in London, known as the Adelphi Terrace. The Adelphi complex was developed by the Adam brothers in the 1760s and was one of the most fashionable addresses in London during the 18th and 19th centuries. The title of such works is typically a straightforward description of the scene or landmark depicted in the print. The Adelphi Terrace engraving showcases the following details: - **Architectural Accuracy**: The buildings of Adelphi Terrace are rendered with architectural precision, reflecting the neoclassical style of the period. The facades of the townhouses are depicted with their characteristic symmetry, decorative window frames, and grand entryways. - **River Thames Activity**: The foreground features the River Thames, with various boats and barges indicative of the river traffic of the time, which was essential for commerce and transportation. - **Vignettes of Daily Life**: Small figures can often be seen in such engravings, giving a glimpse into the everyday life of the era, with individuals possibly depicted walking along the terrace or engaging in activities on the riverbanks. - **Sky and Atmosphere**: The sky might be rendered with careful cross-hatching to give an impression of the weather and time of day, contributing to the overall mood of the scene. - **Border Artwork**: The borders are adorned with ornate designs, possibly elements of the Gothic Revival style popular at the time, which include floral patterns, ribbons, and cherubic figures or allegorical motifs. - **Attention to Detail**: The artist would have paid close attention to details such as the texture of the water, the foliage of any trees, and the play of light and shadow on the buildings and the landscape. Such uncolored engravings...

Antique print titled 'Coupe sur la longueur d'une partie de la Galerie des Antiques dans les jardins de Kew'. Copper engraving showing a section of the Royal Botanic...

Pair of steel engraving from the 19th century “Le Depart Du Courier” and " L’Arrive du Courrier” dedicated to Madame la Marquise de Montesquieu.

An interesting depiction of the Korean Embassy as published in The Wasp, a weekly San Francisco newspaper started in 1876 by Francis Korbel. The Wasp had a very political and anti-im...