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Equestrian Elegance: Martinez de Hoz, The Argentine Sportsman, Vanity Fair 1910
$211.37
$264.2220% Off
£155.68
£194.6020% Off
€176
€22020% Off
CA$287.56
CA$359.4520% Off
A$319.54
A$399.4220% Off
CHF 167.44
CHF 209.3020% Off
MX$3,918.58
MX$4,898.2320% Off
NOK 2,135.63
NOK 2,669.5320% Off
SEK 2,009.12
SEK 2,511.4020% Off
DKK 1,339.86
DKK 1,674.8320% Off
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About the Item
This Vanity Fair caricature, published on November 23, 1910, portrays Martinez de Hoz, labeled "An Argentine Sportsman." As an influential figure in Argentina, likely involved in sports or hunting given the context and attire depicted in the caricature, Martinez de Hoz represents a notable social and possibly economic stature within Argentina during the early 20th century.
In the illustration, Martinez de Hoz is stylishly dressed in a long coat and top hat, holding a riding crop, which could indicate his participation in equestrian sports or a general depiction of his status as a gentleman sportsman. The artwork, executed by "WHO," captures a sense of dignity and refined leisure activity, common themes in Vanity Fair's portrayals of high-profile individuals.
The illustration in Vanity Fair was created using lithography, a popular printing technique in the 19th century. Lithography involves drawing an image with a grease-based medium on a limestone plate, then treating the surface with a chemical that ensures the ink only adheres to the drawn areas. This plate is then used to print the image on paper. The technique allows for high-quality, detailed prints that capture subtle gradations of tone and sharp contrasts, ideal for vividly portraying the unique caricatures for which Vanity Fair was known.
Vanity Fair prints gained popularity due to several factors:
1. Celebrity and Notoriety: The magazine featured prominent figures from various fields, including politics, royalty, arts, and sports. This wide range appealed to a broad audience interested in different aspects of society and celebrity.
2. Artistic Quality: The prints were known for their high artistic quality and the distinctive styles of the contributing artists, such as 'Ape' (Carlo Pellegrini), and 'Spy', who had a keen eye for detail and a wry sense of humor that shone through in his caricatures.
3. Humor and Satire: The caricatures often included humorous and satirical interpretations of the subjects’ personalities and careers, making them not only visually engaging but also entertaining.
4. Collectibility and Decoration: These prints were collectible items even at the time of their publication. They were often framed and displayed, serving as conversation pieces due to their striking and often amusing portrayals of well-known personalities.
5. Social Commentary: By exaggerating features and mannerisms, the caricatures provided insightful, though playful, commentary on the public figures of the day, resonating with the Victorian society’s appetite for social and political satire.
The combination of high artistic standards, humor, and social critique in a format accessible to the Victorian middle class made Vanity Fair lithographs highly popular and sought after as both collectibles and decor.
- Dimensions:Height: 15.75 in (40 cm)Width: 10.63 in (27 cm)Depth: 0 in (0.02 mm)
- Materials and Techniques:
- Period:1910-1919
- Date of Manufacture:1910
- Condition:Condition: Good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.
- Seller Location:Langweer, NL
- Reference Number:Seller: BG-13102-111stDibs: LU3054341316912
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