Faces of Santa Cristina: Portraits from the Age of Discovery, Engravings of 1785

The engraving features side-by-side portraits of a woman and a man from Easter Island, known locally as Rapa Nui, famous for its monumental statues known as moai. The left side depi...

The engraving features two individual portraits side by side, labeled as inhabitants of the island of Tanna, which is part of Vanuatu in the South Pacific. On the left is "A MAN of the Island of TANNA." He is depicted with a serious, almost stern expression, looking slightly to the side. His facial features are marked by a prominent beard and mustache, and his hair appears long and wavy. This detailed portrayal suggests an effort to capture the unique physical characteristics and possibly the demeanor of the man. On the right is "A WOMAN of the Island of TANNA." She is shown in a three-quarter view with a gentle expression, looking directly at the viewer. Her hair is styled in tight curls, she wears large hoop earrings, and her clothing drapes softly over her shoulders, indicating a level of adornment and style. The portraits likely aimed to depict the natural appearance and attire of the people from Tanna as accurately as possible for European audiences of the time. These works often sought to provide a detailed record of the diverse cultures encountered during exploration voyages. The style of the engraving and the reference to Captain Cook's voyages suggest that it comes from the late 18th century, likely in the period following Cook's final voyage, which ended in 1779. The engravings of Pacific peoples associated with Cook's voyages were often published in the various accounts that proliferated after his travels, as there was a keen interest in the newly contacted peoples of the Pacific. The text on the engraving says it was "Accurately Engraved for Anderson's Large Folio Edition of the Whole of Capt'n. Cook's Voyages &c. Complete." This indicates that the engraving was made for a specific publication by Anderson, compiling Captain Cook's voyages. George William Anderson is known for his compilation titled "A New, Authentic, and Complete Collection of Voyages Round the World," which was published initially in the 1780s. This collection often included large folio engravings such as this one. Given this information, we can reasonably estimate that this engraving would have been published sometime in the 1780s. However, without specific publication data, it is not possible to provide an exact year. Such details would typically be found in a library catalog...

This original antique engraving is a set of two portraits side by side from "A New, Royal, Authentic and Complete System of Universal Geography, Antient and Modern" published by C. C...

This engraving, published in London by Alex Hogg at the Kings Arms, No.16 Paternoster Row, features two side-by-side portraits with the labels "Portrait of ...

Portraits is an etching realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London, Bensley, ...

Ancient Roman Portraits from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good condition...

Portraits , original Etching, 1810. The Physiognomy - The Noses is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designe...

Portraits after Giulio Romano is an etching realized by Nicholas Cochin in 1755. Signed on the plate. Good conditions. The artwork is depicted through confident strokes. The etch...