Fin de la Guerre: The Behemoth of the Siege of Antwerp, 1585

This detailed engraving depicts the capture of Tournai by the forces of the Duke of Parma in 1581. The scene shows the siege and conquest of the city with meticulous illustrations of...

An original antique engraving of the Battle of Oosterweel, which took place in 1567 during the Dutch Revolt. It is an early conflict leading up to the full-scale Eighty Years' War. T...

This engraving, titled *Pons Antverpianus Scaldi impositus*, represents the famous ship bridge constructed by the Duke of Parma over the Scheldt River during the Siege of Antwerp in ...

Very old and interesting engraving of the Eighty Years' War. The Battle of Jodoigne (or the Battle of the River Gete), which was a clash that occurred on October 20, 1568, during th...

This View of Brilium is an original etching realized by George Braun and Franz Hogenberg as part of the famous series "Civitates Orbis Terrarum". The “Civitates Orbis Terrarum” (At...

Original 18th century color engraving print by renowned artist Pe. F.H. Bruegel. A fine crisp impression of great rarity; it is particularly unusual to find color engravings of th...

"Ypres, Grand Ville Riche & Marchande" is an engraving and etching by Daniel Marot (le Vieux) (1661–1752). It depicts a view of the siege of the city of Ypres and its citadel on the left in the Spanish Netherlands by Louis XIV's troops. This battle took place between March 18 and March 25, 1678, as part of the Franco-Dutch War. Marot illustrated in great detail (best appreciated with magnification) the French attack on the strong pentagonal citadel on the extreme left, which had been built recently in anticipation of a French attack. The trenches built by the French approaching the town are seen on the right. King Louis XIV can be seen in the foreground surveying the battle mounted on his white horse, surrounded by his officers and troops. The print is presented in an attractive ornate black wood frame with a cream-colored double mat with a black inner trim. It is glazed with plexiglas. The frame measures 25.38" x 22.63" x .88". The engraving, frame, mat and glazing are in excellent condition. Artist: Daniel Marot (1661–1752) was also called "Le Vieux". He was the son of the famous architect, Jean Marot. Marot had diverse interests and talents. In addition to his art, he designed garden projects, architectural ornaments, furniture, and even upholstery. Marot as a Huguenot protestant was forced to leave France in 1685 following the revocation of the Edict of Nantes. He emigrated to Holland, where he worked for William of Orange (an arch enemy of his former employer Louis XIV). Marot was largely responsible for the interiors of Williams palace at the Loo. In 1694 he went Britain as William had married Queen Mary and he had become King William III of England. He later returned to Holland in about 1698 and died in the Hague in 1752. He left a lasting legacy on the decorative arts in the Netherlands, where his grand version of the Louis XIV style remained popular into the 1730s. Historical Background: In October 1677, Mary Stuart, niece and possible successor of Charles II of England, married Louis XIV's arch enemy William III of Orange...

Original 18th century color engraving print by renowned artist Pe. F.H. Bruegel. A fine crisp impression of great rarity; it is particularly unusual to find color engravings of this...