Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Floral Harmony in Art Nouveau: A Botanical Composition by Henry Lambert, 1896

$230.04
$287.5520% Off
£171.22
£214.0320% Off
€192
€24020% Off
CA$315.10
CA$393.8820% Off
A$350.46
A$438.0820% Off
CHF 183
CHF 228.7520% Off
MX$4,264.75
MX$5,330.9420% Off
NOK 2,337.20
NOK 2,921.5020% Off
SEK 2,191.88
SEK 2,739.8520% Off
DKK 1,461.63
DKK 1,827.0420% Off
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Floral Harmony in Art Nouveau: A Botanical Composition by Henry Lambert This exquisite Art Nouveau botanical illustration by Henry Lambert captures the delicate beauty of nature through an intricate arrangement of flora, ivy, and decorative motifs. With its soft yet vivid color palette and organic composition, this print exemplifies the artistic movement's embrace of natural forms, fluid lines, and harmonious design. The title of the print, Carotte sauvage - Vipérine - Millepertuis - Lierre, is in French and refers to the plants depicted in the illustration. Translated to English, it means: Carotte sauvage – Wild Carrot (Daucus carota), also known as Queen Anne’s Lace Vipérine – Viper’s Bugloss (Echium vulgare), a striking blue-flowered plant Millepertuis – St. John’s Wort (Hypericum perforatum), a yellow-flowering medicinal plant Lierre – Ivy (Hedera helix), a climbing evergreen vine These botanical names correspond to the plants shown in the illustration, with delicate Queen Anne’s Lace flowers, vivid blue bugloss blossoms, bright yellow St. John’s Wort, and winding ivy framing the composition. The title aligns with the Art Nouveau movement’s emphasis on natural forms and botanical accuracy. The central focus of the artwork is a collection of wildflowers and foliage, rendered with meticulous detail. Among the identifiable species are clusters of Queen Anne’s lace, whose soft white and pink blossoms add a sense of lightness to the composition. Interwoven with these delicate flowers are blue and yellow blossoms, possibly varieties of bellflowers and buttercups, contributing to the scene’s natural diversity. The carefully observed botanical details suggest a deep appreciation for nature, a hallmark of the Art Nouveau style. Encircling the flowers, winding ivy vines stretch gracefully across the illustration, their sinuous lines reinforcing the organic dynamism of the piece. The ivy is not merely decorative; it frames the composition, creating depth and contrast against the subtly shaded background. The vines also serve as a unifying element, visually linking the floral arrangement with the stylized border that subtly echoes the forms of the plants. A distinctive feature of this artwork is the decorative inset at the lower left, a smaller panel displaying a repeating floral motif reminiscent of textile or wallpaper designs. This inclusion emphasizes the influence of nature on applied arts during the Art Nouveau period, when artistic disciplines merged seamlessly to create holistic decorative environments. The rich brown tones and symmetrical arrangement of this inset contrast with the more free-flowing naturalistic depiction in the main illustration, underscoring the interplay between structured design and organic inspiration. Henry Lambert's work is distinguished by its delicate shading, refined line work, and balanced use of color. The overall composition is a testament to the movement’s philosophy, where art and nature coexist in perfect harmony. The print evokes a timeless elegance, making it not just a historical artifact but also an aesthetically enduring piece. Condition Summary: The print is in good condition with signs of aging, including mild discoloration along the edges and minor surface wear. The colors remain vibrant, with no significant fading. There may be some foxing or small spots, which are typical for works of this age. The paper is well-preserved with no major tears or creases. Framing Tips: For optimal preservation and display, it is recommended to use archival-quality materials, including acid-free matting and UV-protective glass. A frame in muted gold or natural wood tones would complement the Art Nouveau aesthetic without overpowering the delicate floral details. A wide mat can enhance the visual depth, drawing attention to the intricate design elements while allowing the artwork to breathe within its frame. Displaying it in a softly lit area away from direct sunlight will help maintain its condition for years to come.
  • Dimensions:
    Height: 19.69 in (50 cm)Width: 13.78 in (35 cm)Depth: 0.01 in (0.2 mm)
  • Materials and Techniques:
  • Period:
  • Date of Manufacture:
    1896
  • Condition:
    Good condition with signs of aging, including mild discoloration along the edges and minor surface wear. The colors remain vibrant, with no significant fading. There may be some foxing or small spots, which are typical for works of this age.
  • Seller Location:
    Langweer, NL
  • Reference Number:
    Seller: BGCP-018-271stDibs: LU3054343982602

More From This Seller

View All
Floral Harmony in Decorative Design: The Art Nouveau Aesthetic of Lambert, 1896
Located in Langweer, NL
Floral Harmony in Decorative Design: The Art Nouveau Aesthetic of Henry Lambert These exquisite prints, attributed to the renowned Henry Lambert, embody the elegance and fluidity ...
Category

Antique 1890s Prints

Materials

Paper

Botanical Elegance in Art Nouveau: A Collection of Floral Masterpieces, 1896
Located in Langweer, NL
Botanical Elegance in Art Nouveau: A Collection of Floral Masterpieces by Henry Lambert, 1896 This exquisite collection of Art Nouveau botanical illustrations by Henry Lambert showc...
Category

Antique 1890s Prints

Materials

Paper

La Flore Décorative: Exquisite Art Nouveau Floral Motifs, 1896
Located in Langweer, NL
La Flore Décorative The Art of Floral Ornamentation in 1896 This beautiful print is part of La Flore Décorative, a collection of floral-inspired ornamental designs published in 18...
Category

Antique 1890s Prints

Materials

Paper

La Flore Décorative An Art Nouveau Tribute to Floral Elegance in 1896
Located in Langweer, NL
La Flore Décorative An Art Nouveau Tribute to Floral Elegance in 1896 --- This collection of decorative prints from La Flore Décorative, published in 1896, represents a masterful...
Category

Antique 1890s Prints

Materials

Paper

La Flore Décorative The Art Nouveau Celebration of Nature and Ornament in 1896
Located in Langweer, NL
La Flore Décorative The Art Nouveau Celebration of Nature and Ornament in 1896 This selection of decorative prints from La Flore Décorative, published in 1896, is a stunning repre...
Category

Antique 1890s Prints

Materials

Paper

La Flore Décorative The Art Nouveau Elegance of Floral Ornamentation in 1896
Located in Langweer, NL
La Flore Décorative The Art Nouveau Elegance of Floral Ornamentation in 1896 This collection of exquisite decorative prints from La Flore Décorative, published in 1896, exemplifie...
Category

Antique 1890s Prints

Materials

Paper

You May Also Like

Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878. The gold colour is actually metallic and shiny. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...
Category

19th Century Victorian Interior Prints

Materials

Lithograph

Prints from France in Faux Bamboo Frames
By Pierre-Joseph Redouté, Jean Louis Prévost
Located in New York, NY
French Botanical Prints of “Fleurs et Fruits” (Flowers and Fruits) created by Pierre-Joseph Redouté and Jean-Louis Prevost, two of the finest b...
Category

Antique Late 19th Century French Belle Époque Prints

Materials

Faux Bamboo

Rare 19th Century Floral Engraving After Jane Webb Loudon
Located in Richmond, London
An exquisite and rare engraving with vibrant original hand-colouring, from the rare first edition of British Wild Flowers, London: William Smith, 1849.  Why we like them Exquisitely hand-coloured, vibrant and succulent, these beautiful prints will fit perfectly into modern and classical interiors. The plates are sumptuously mouted and framed to a splendid decorative effect. Illustrated floral publications were extremely popular in the 19th century. Some of the most popular of these were created by Jane Webb Loudon...
Category

Antique Mid-19th Century English Victorian Prints

Materials

Paper

19th Century Floral Engraving After Jane Webb Loudon
By William Smith & Co.
Located in Richmond, London
A rare and exquisite engraving with vibrant original hand-colouring, from the rare first edition of British Wild Flowers, London: William Smith, 1849.  Why we like them Exquisitely hand-coloured, vibrant and succulent, these beautiful prints will fit perfectly into modern and classical interiors. The plates are sumptuously mouted and framed to a splendid decorative effect. Illustrated floral publications were extremely popular in the 19th century. Some of the most popular of these were created by Jane Webb Loudon...
Category

Antique Mid-19th Century English Victorian Prints

Materials

Paper, Wood

Victorian Floral Prints from The Museum of Flowers by Mary Elizabeth Rosenberg
Located in Atlanta, GA
English Victorian period floral prints from "The Museum of Flowers" by Mary Elizabeth Rosenberg, circa 1845, in custom giltwood frames under g...
Category

Antique 19th Century English Victorian Prints

Materials

Glass, Paper, Giltwood

Curtis Botanical Magazine Floral Prints c.1810
Located in Savannah, GA
Sydenham Teast Edwards (British, 1768-1819) A pair of botanical prints from Curtis’s Botanical Magazine, circa 1810 illustrated by Syd Edwards. Plate 705: Porcelane Flowered Ge...
Category

Antique 1810s British Prints

Materials

Fabric, Glass, Wood, Paper