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Floral Harmony in Decorative Design: The Art Nouveau Aesthetic of Lambert, 1896
About the Item
Floral Harmony in Decorative Design: The Art Nouveau Aesthetic of Henry Lambert
These exquisite prints, attributed to the renowned Henry Lambert, embody the elegance and fluidity of the Art Nouveau movement, a period that celebrated natural forms and ornamental motifs. These compositions are rich in botanical themes, featuring intertwining vines, blooming flowers, and intricate textile patterns, seamlessly blended with decorative elements that draw from the aesthetics of the late 19th and early 20th centuries. The delicate balance between structure and organic movement within these works highlights Lambert’s mastery of composition and his keen eye for ornamental detail.
The titles of these plates are in French and refer to the botanical subjects illustrated in each composition. Here is the translation and explanation of each.
Plate 1: Roses trémières - Jasmin de Virginie
Roses trémières refers to hollyhocks (Alcea rosea), tall and colorful flowering plants often found in cottage gardens. Jasmin de Virginie is Virginia Jasmine, also known as Trumpet Vine (Campsis radicans), a climbing plant with striking trumpet-shaped orange or red flowers.
This plate depicts a lush floral arrangement of hollyhocks in shades of pink and orange, complemented by the trailing forms of Virginia Jasmine. The presence of a decorative inset in the lower section of the illustration ties in with the Art Nouveau theme, integrating natural elements with ornamental design.
Plate 2: Fougère - Brione - Bugrane
Fougère refers to ferns, a general term for various species known for their intricate fronds. Brione is Bryony (Bryonia), a climbing vine with lobed leaves and small tendrils, often associated with hedgerows. Bugrane is Restharrow (Ononis), a spiny, low-growing plant with small pink or purple flowers, often found in dry grasslands.
This plate presents a balanced composition of delicate ferns, intertwining bryony vines, and the small blossoms of restharrow, surrounded by an architectural decorative framework with gilded elements, characteristic of the Art Nouveau movement. The inclusion of ivy climbing along the edges further enhances the organic feel of the scene.
Plate 3: Roses de Noël - Houx - Gui
Roses de Noël refers to Christmas Roses (Helleborus niger), a winter-blooming flower with large white or pale pink petals. Houx is holly (Ilex aquifolium), an evergreen plant with spiky leaves and bright red berries, often associated with winter and Christmas traditions. Gui is mistletoe (Viscum album), a parasitic plant with white berries, traditionally linked to folklore and holiday customs.
This illustration is particularly evocative of winter and festive symbolism. The Christmas Rose blooms gracefully among the sharp, dark green holly leaves and its bright red berries, while mistletoe vines delicately emerge from the background. The subtle gray tones in the backdrop and the ornate Art Nouveau-style frame create an ethereal winter atmosphere.
Each of these plates reflects Henry Lambert’s meticulous approach to botanical artistry, where the natural beauty of plants is elegantly merged with ornamental design. The interplay of color, form, and composition embodies the Art Nouveau movement’s celebration of nature, making these prints both aesthetically refined and historically significant.
Each print is a celebration of nature’s grace, where flowers such as peonies, hollyhocks, and morning glories flourish across finely structured panels, often framed by elaborate scrollwork or geometric trellises. The interplay between the natural and the decorative is further enhanced by the integration of stylized fabric swatches, ceramic plates, and architectural embellishments, creating a fascinating juxtaposition of textures and materials. The color palette, composed of muted pastels alongside deeper jewel tones, lends a timeless sophistication to the collection.
These works are characteristic of the Art Nouveau tradition, a movement that sought to break away from rigid classical styles in favor of more fluid, nature-inspired designs. The prints reflect the influence of Japanese aesthetics, particularly in their asymmetrical compositions and the emphasis on negative space, which allows each floral element to breathe and unfurl organically. The fine detailing in the botanical renderings speaks to the period’s fascination with craftsmanship, making these prints not only decorative masterpieces but also historical artifacts of an artistic revolution.
Condition summary:
These prints exhibit signs of their age, with some minor discoloration and gentle wear along the edges, which is consistent with their vintage nature. The paper remains sturdy, with the colors well-preserved, retaining their vibrancy and subtle tonal variations. There may be slight creases or small corner imperfections, but these do not detract from the overall aesthetic quality. Each piece presents beautifully as an individual artwork or as part of a curated set.
Framing suggestions:
To best highlight the intricate details and delicate color palette, these prints should be framed with a neutral-toned mat, preferably in soft cream or pale gray, to provide a subtle contrast. A gold or natural wood frame with Art Nouveau-inspired detailing would complement the period style, while a sleek black or dark green frame could enhance the depth and drama of the illustrations. For optimal preservation, museum-quality glass with UV protection is recommended to safeguard the pigments from light exposure, ensuring their longevity for years to come.
This collection is a stunning example of Art Nouveau’s ability to transform everyday objects into exquisite works of art. Whether displayed in a period interior or as a striking contrast in a modern setting, these prints serve as a testament to the enduring beauty of decorative design.suring their value as collectible works.
Framing Tips
To complement the intricate details and historic elegance of these prints, a gold or antique brass frame with subtle Art Nouveau embellishments would be an ideal choice. A soft ivory or pastel mat can enhance the delicate floral tones without overwhelming the composition. For long-term preservation, museum-grade UV-protected glass is recommended to prevent fading. Displaying these prints together as a triptych would emphasize their thematic unity while allowing each piece’s unique details to shine.
- Dimensions:Height: 19.69 in (50 cm)Width: 13.78 in (35 cm)Depth: 0.01 in (0.2 mm)
- Sold As:Set of 3
- Materials and Techniques:
- Period:
- Date of Manufacture:1896
- Condition:Good but signs of their age, with some minor discoloration and gentle wear along the edges, which is consistent with their vintage nature. The paper remains sturdy, with the colors well-preserved, retaining their vibrancy and subtle tonal variations.
- Seller Location:Langweer, NL
- Reference Number:Seller: BGCP-018-19, -21, -281stDibs: LU3054343982432
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