Hand-Colored Engraving of the Large White and Black Duck by Seligmann, ca.1770

Title: Große weiße und schwarze Ente - Hand-Colored Engraving of the Large White and Black Duck by Johann Michael Seligmann, 18th Century This exquisite hand-colored engraving, *...

Title: Amerikanische Ente mit breitem Schnabel - Hand-Colored Engraving of the American Duck with Broad Bill by Johann Michael Seligmann, 18th Century This exquisite hand-colored ...

Title: Die Ente mit dem Grauen Kopf - Hand-Colored Engraving of the Duck with a Grey Head by Johann Michael Seligmann, 18th Century This beautifully hand-colored engraving, titled...

Title: Die Dunkle und Gefleckte Ente - Hand-Colored Engraving of the Dark and Spotted Duck by Johann Michael Seligmann, 18th Century This exquisite hand-colored engraving, titled 'D...

Ordinary Duck is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by S...

This is a rare 18th Century hand-colored large folio-sized copperplate engraving entitled "Anas Crecca" (Eurasian Teal) by Cornelius Nozeman in volume II of his publication 'Nederlan...

An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Golden Eye Duck", No. 82, Plate 406, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts male and female Golden Eye ducks in flight. This original rare first edition hand colored Audubon bird lithograph is in excellent condition. The sheet measures 6.25" x 10". The original text pages, pages 362-366, from Audubon's publication are included. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...

This is a rare 18th Century hand-colored copperplate engraving entitled "Wasserhuhn" (Coot) by Johann Leonhard Frisch , which is plate 208 from ...