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LAUWERS 17th Etching Engraving Jupiter & Mercury & Zeus Hermes JORDAENS - Framed
About the Item
Large and beautiful etching, engraving by Nicolaes Lauwers after Jacob Jordaens.
Flanders, 17th century.
Representing Zeus and Hermes (Jupiter and Mercury) in the house of Philemon and Baucis.
Very nice dimensions. Beautiful framing.
The hospitality and generosity of Philemon and Baucis towards Jupiter and Mercury earned them divine recognition.
Thanks to the work of the burin combined with that of etching, Lauwers manages not only to restore the plastic qualities of the original work but also to render the velvety chiaroscuro and the sharpness of the faces.
Very nice shadow work.
This work is a copy of an original painting now lost. However, some similar compositions have survived.
The story of Mercury and Jupiter in the house of Philemon and Baucis is told in Ovid's Metamorphoses (VIII, 620-724) and is a story of rewarded piety. Mercury and Jupiter, disguised as men, seek refuge as strangers and only receive it from an old couple Philemon and Baucis. As Jupiter wants to reward them, they only ask to be guardians of his temple and, when the time comes, to die together.
Jacob Jordaens (1593-1678), Flemish painter, who was trained in Antwerp by Adam van Noort and began his career as a waterschilder (painter of watercolors on canvas or paper, which served as substitutes for tapestries) but quickly moved towards oil painting. he was a prolific and successful painter, draftsman and upholsterer and became Antwerp's leading painter after the deaths of Rubens (1640) and Van Dyck (1641). He received important commissions from private and public institutions such as the Royal Court of The Hague and the Clergy.
Nicolaes Lauwers (Antwerp, 1600-1652) was a Flemish engraver.
He is known for his engravings after Peter Paul Rubens, Gerard Seghers and Jacob Jordaens. This engraving of Jupiter and Mercury with Philemon and Baucis is one of his most famous engravings.
- Similar to:Jacob Jordaens (Painter)
- Dimensions:Height: 27.37 in (69.5 cm)Width: 29.93 in (76 cm)Depth: 1.58 in (4 cm)
- Style:Louis XIV (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:17th
- Condition:Wear consistent with age and use.
- Seller Location:Beuzevillette, FR
- Reference Number:1stDibs: LU2663336025862
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1. Frame Style
- Material: Choose a high-quality wooden or gilded frame. Options like mahogany, walnut, or an antique gold finish complement the classical theme.
- Design: Select a simple yet elegant frame with subtle decorative details, such as beading or fluted edges, to echo the neoclassical style without overshadowing the engraving.
2. Matting
- Color: Use an acid-free mat in a neutral tone, such as ivory, off-white, or pale cream, to draw attention to the artwork and prevent contact with the glass.
- Border Size: A slightly wider mat border (around 2–4 inches) creates balance and helps focus the viewer's attention on the engraving.
- Double Matting (Optional): For a refined look, consider an inner mat in a soft complementary color like light gray or pale gold to add depth.
3. Glass
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- Non-Glare Option: Non-reflective glass ensures optimal viewing, especially in brightly lit areas.
4. Backboard and Mounting
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- Mounting Method: Secure the engraving with archival-quality corners or hinges to avoid adhesive contact with the artwork.
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7. Alternative Display
- If not framed traditionally, consider showcasing the engraving in a display case alongside other related prints or artifacts. Use museum-grade lighting to accentuate its details without causing harm.
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