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New World Flora: Aloe, Maguey, and Mexican Plants in De Bry's 1601 Work

About the Item

Title: "New World Flora: Aloe, Maguey, and Mexican Plants in De Bry's 1601 Work" Description: This engraving by Theodore de Bry from 1601 offers a detailed depiction of various plants from the New World, specifically the aloe, maguey, and sycamore, known for their unique properties and uses. The aloe is shown with its succulent leaves, a plant known for its healing sap. The maguey, also known as agave, stands out with its large rosettes of tough, spiky leaves, a vital plant in Mexican culture for producing pulque and later tequila. The sycamore, with its broad leaves and distinctive fruit, adds to the diversity of this botanical collection. These illustrations were crucial in introducing the botanical richness of the Americas to European audiences. De Bry's collection allowed Europeans to visualize and learn about plants that were otherwise unknown to them, contributing significantly to the botanical and economic knowledge of the time. Translation of the Latin text: "Aloe or sempervivum is found in great abundance in Agua de Sanbras and grows in saltiness surging with green force. The Maguey tree, also called by another name Metlmenuncupatum, first sprouted from Mexico. The Sycamore in Mayo Impula grew up, the juice is not entirely sweet. The fruit bears all seedless." The engraving is a page from Part IV of de Bry's "Petits Voyages," which narrates significant expeditions to the East Indies, including those led by Jan Juygen van Linschoten and Cornelis de Houtman between 1595-97, as well as the journey by Jacob van Neck and Wybrandt van Warwijck in 1598-99. These works were not merely artistic endeavors but also ethnographic records, showcasing indigenous peoples, fauna, flora, and the diverse riches of lands like India, Madagascar, and the East Indies. Though Theodore de Bry began this ambitious project, it was continued posthumously by his family and later completed by his son-in-law, Matthaus Merian, in 1644. This particular engraving, rich in detail and drama, offers a window into the perilous and wondrous experiences of early explorers, and the ways in which these moments were captured and communicated to a European audience hungry for knowledge of the wider world.
  • Dimensions:
    Height: 11.82 in (30 cm)Width: 7.88 in (20 cm)Depth: 0 in (0.02 mm)
  • Materials and Techniques:
    Paper,Engraved
  • Period:
    Early 17th Century
  • Date of Manufacture:
    1601
  • Condition:
    The condition of the print is fair to good, considering its age of over 400 years. Light browning mainly around the edges. One corner chipped, otherwise fine. Please study this image carefully.
  • Seller Location:
    Langweer, NL
  • Reference Number:
    Seller: BG-13596-551stDibs: LU3054337756612

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This 1601 engraving by Theodore de Bry, a master engraver and publisher of the late Renaissance period, depicts the flora of India with a remarkable degree of detail and artistry. The print is titled "DE ALGA SEV ARVNDINE INDICA, BAMBVS DICTA, ITEM DE arbore radicosa: & tandem de arbore Duryeons," which translates to "About the Seaweed or Reed of India, called Bamboo, also about the root tree: and finally about the Duryeons tree." In the illustration, we see a lush depiction of a bamboo grove, with its characteristic tall and slender form, showcasing the plant's extensive root system and dense foliage. To the left, there is a tree bearing large, round fruits, likely the durian, labeled here as "Duryeons." The durian is known for its distinctive size, unique aroma, and spiky husk. The image captures both the exotic appeal and the utilitarian value of these plants, which were of great interest to European audiences unfamiliar with such tropical vegetation. The visual composition conveys the tropical abundance and biodiversity of the Indian subcontinent. De Bry's engravings like this were highly sought after in Europe for their exotic subject matter and served to educate and fascinate the European public about the natural wonders of the world beyond their borders. As a historical document, this engraving provides insight into the botanical knowledge and the artistic conventions of the period, making it a valuable piece for both its historical significance and its aesthetic beauty. De Bry's work is renowned for its attention to detail, and this print is a testament to his ability to capture the essence of exotic lands and their natural abundance. His engravings were among the first visual records to reach Europe from the New World and the East, fueling curiosity and fascination with distant lands. This particular piece is not only a work of art but also a historical document, offering insight into the botanical wealth of India as seen through the eyes of early modern Europeans...
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