Old Engraving of The Catching of Horses on Jafnapatnam, Ceylon 'Sri Lanka', 1672

Untitled print of the death of the prince heir, and his burial. Two prints, one with a long burial train including numerous horses, carrying the coffin, covered with cloth. The other...

Antique print titled 'Paardevangst op Jafnapatnam'. This print depicts the catching of horses on Jaffnapatnam. Source unknown, to be determined.

Antique print, untitled. This original antique print shows a procession of monks in Ceylon. A group of dancing monks, beating drums, in front of the abbot, seated on an elephant. Dut...

Antique print titled 'The Church Poelepolay, The Church Mogommate, The church Tambamme, the Church Mulipatto'. Antique print with four views of the churches of Poelepolay, Mogommate,...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Print by engraving on copper plate Tav III TIX fig. 17-22 from the volume Navigazione; with frame 28 x 33. Some calculations are depicted. Very good condition. Shipping is insured by...

Lithograph on paper made in the 1990s by the Salomone typography in Rome from a painting depicting Zaizoom winner of the 1987 Italian Derby, ridden by J. T Quinn. With frame 66.5x61 ...

Lithograph on paper made in the 1990s by the Ludovici typography in Rome from a painting depicting White Muzzle winner of the 1993 Italian Derby ridden by John Reid. With frame 66.5x...