Old Print of a Bull or Bison from the French North America, Canada, Ca.1760

Antique print titled 'The American Bison'. Original antique print of an American bison. Published by John Wilkes, 1796.

Original antique print of a buffalo, below a buffalo skull. This print originates from 'Bilderbuch fur Kinder' by F.J. Bertuch. Friedrich Johann Bertuch (1747-1822) was a German publ...

Antique print titled 'L'Élan'. Original antique print of a moose. This print originates from 'Histoire naturelle, générale et particulière (..)'. Published 1769.

The image is an original historical print of a wild ox, titled 'The Wild Ox, Bos Urus', with hand coloring. The print was published by G.B. Whittaker based on an illustration by Char...

Le Buffle is an etching realized in 1771 by Claude Jardinier. Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la...

Hand colored engraving titled, “The American Bison,” from “The Naturalist’s Library: Ruminatia" Vol . IV. Part II, by Sir William Jardine, 7th Baronet of Applegarth. Published by W.H...

The Buffalo is an artwork realized by Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. T...

The Buffalo is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...