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Original Steel Engraved View of the Duke of York Column in London, England, 1840
About the Item
Antique print titled 'Duke of York's Column'.
Steel engraved view of the Duke of York Column, a monument in London, England, to Prince Frederick, Duke of York, the second eldest son of King George III. Source unknown, to be determined.
Artists and Engravers: Anonymous.
Condition:
Good, general age-related toning. Minor wear, blank verso. Please study image carefully.
- Dimensions:Height: 5.71 in (14.5 cm)Width: 8.08 in (20.5 cm)Depth: 0 in (0.02 mm)
- Materials and Techniques:
- Period:
- Date of Manufacture:1840
- Condition:Wear consistent with age and use. Condition: Good, general age-related toning. Minor wear, blank verso. Please study image carefully.
- Seller Location:Langweer, NL
- Reference Number:Seller: BG-11671-22 1stDibs: LU3054326694542
About the Seller
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View AllAntique Print of the Duke of York Column in London, circa 1840
Located in Langweer, NL
Antique print titled 'Duke of York's Column'. Steel engraved view of the Duke of York Column, a monument in London, England, to Prince Frederick, Duke of ...
Category
Antique 19th Century Prints
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Engraved View of Bridgnorth, a Town in Shropshire, England, 1807
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This engraving is part of a collection showcasing the beauty of England and Wales, a series that was common in the 18th and 19th centuries to celebrate and document the picturesque landscapes and significant towns of Britain.
The text provided in the last image offers several details:
1. The title of the engraving is "BRIDGENORTH. Shropshire."
2. It was engraved by J. Greig from a drawing by the late E. Dayes.
3. The engraving was published in London by Vernor, Hood & Sharpe Poultry, February 1st, 1807.
4. It was created for "The Beauties of England and Wales."
The artwork depicts Bridgnorth, a town in Shropshire, England. The engraving would have been intended to capture the charm and appeal of Bridgnorth, with its notable bridge and surrounding architecture. Engravings like this one were often collected by those who appreciated the artistry of such views and by those who were interested in the topographical and historical significance of the location.
E. Dayes (the late Edward Dayes) was a well-known artist of the period, and J. Greig was the engraver who transferred Dayes' artwork into the medium of engraving. The publication date of February 1st, 1807, places this work in the early 19th century, a time when such engravings were a popular form of mass media, providing a visual understanding of places that many people might not have the opportunity to visit themselves.
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