1820s Prints

Austrian Grenz Regiment Soldiers in the Field, Early 19th Century Detailed description: This hand-colored lithograph, likely created in the early 1820s, features soldiers from the ...

Title: Antique Botanical Print of Aristolochia à Fleurs Labellées - 19th Century Description: This antique botanical print, titled "Aristolochie à Fleurs Labellées," is a stunning 1...

The title of this original antique print is the "Königl. Hannover. Garde Hussaren Regt.", which translates to "Royal Hanoverian Guard Hussar Regiment". This unit would have been part of the army of the Kingdom of Hanover, which, during various periods, was in personal union with the United Kingdom. The Guard Hussars would have been a prestigious cavalry unit, likely serving as both ceremonial guards and elite troops. The uniform, with its rich decoration and distinctive Hussar features, suggests a high ceremonial as well as functional military significance. The King's German Legion...

This hand-colored aquatint is a topographical view of Djursholm Castle in Danderyd, Sweden, and it is a part of Ulrik Thersner's ambitious project, "Fordna och närvarande Sverige" (Antiquity and Present Sweden). This work aimed to be a modern counterpart to Erik Dahlbergh's "Suecia antiqua et hodierna," a significant 17th-century work that showcased Sweden's historical and contemporary landscapes, buildings, and monuments through engravings. Ulrik Thersner's endeavor in creating "Fordna och närvarande Sverige" involved drawing several mansions, among other subjects, and began publishing these works in 1817. The technique used, aquatint, is a form of etching that allows for the creation of images with tonal variations, resembling watercolor paintings, which makes it particularly suited for detailed and atmospheric topographical representations like the one of Djursholm Castle. Carl Fredrik Akrell, a notable engraver, worked on engraving Thersner's images, which were then executed in aquatint, a process that allows for a rich gradation of tones and a painterly quality. Wilhelm Maximilian Carpelan later joined the publication effort, indicating a collaborative process in bringing Thersner's vision to fruition. The parts of the series were published over a period, with Skåne completed in 1823, and the regions of Östergötland, Uppland, and Södermanland addressed in the years 1820 and 1824-25. Thersner's personal involvement in writing the text for the pictures underlines the detailed and scholarly approach taken in producing this series. Thersner's "Fordna och närvarande Sverige" would have been an invaluable contribution to the documentation of Swedish cultural heritage and landscape during the early 19th century, providing a vivid pictorial record that would have appealed to both the scholarly community and the general public interested in the country's history and geography. The print of Djursholm Castle that you are referring to would be a part of this important series. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

This hand-colored lithograph from the 19th century depicts an officer from the King's German Legion, specifically the "2nd Cavalry Regiment," also known ...

Title: Rare Antique Hand-Colored Butterfly Engravings by Edward Donovan (1820s) – Set of Four Exquisite Natural History Prints This striking set of four antique butterfly prints rep...

Artocarpus incisa (Breadfruit Tree) – Hand-Colored Botanical Engraving, circa 1825 Description: This striking hand-colored copperplate engraving features *Artocarpus incisa, commo...

Antique 1828 Satirical Print A Fool to Pleasure Yet a Slave to Fame Hand-Colored This hand-colored etching titled *A Fool to Pleasure Yet a Slave to Fame* was published in 1828 as p...

1823 Hand-Coloured Engraving - Gauchos Lassoing Cattle in Buenos Aires, Argentina Description: This 1823 hand-coloured copperplate engraving from Friedrich Johann Bertuch's "Bilderb...

Title: Cinchona Bark Varieties: An Illustrated Botanical Atlas (1826)** Description: This rare and finely illustrated botanical atlas, 'Versuch einer Monographie der China. Nur Atl...

1823 Hand-Coloured Engraving - Gaucho Hunting Ostrich with Bolas in the Pampas Description: This 1823 hand-coloured copperplate engraving by Theodore Goetz is from Friedrich Johann...

Title: Panoramic View of Halifax from Dartmouth Cove – A Coastal Gem of 1828 Description : This hand-colored lithograph depicts a striking view of Halifax, Nova Scotia, as seen fr...

William Roscoe Botanical Tropical Plant Print, Alpinia Magnifica, Monandrian Plant of the Order Scitamineae, Published 1828 A spectacularly large and beautifully framed botanical pr...

Charming 1828 Botanical Illustration of Pink Wood-Sorrel – A Delightful Antique Floral Print This illustration is from a botanical series likely...

K.K. Österreichische Artillerie und Fuhrwesen, Early 19th Century Detailed description: This beautiful hand-colored lithograph depicts officers and soldiers of the Imperial and Roy...

Wonderful prints of Regency furniture Aquatints with original color. From Ackermann's Repository. 3 dated 1825. One dated 1810 Unframed.

Gentle Repose at Österby: An 1824 Aquatint by Ulrik Thersner. This aquatint by Ulrik Thersner, created in 1824, depicts the serene landscape of Österby in Sweden. The image is suffused with a gentle light that bathes the scene in a warm, inviting glow. It features two individuals on horseback in the foreground, suggesting a tranquil pace of life and leisurely exploration. Their presence adds a narrative element to the scene, inviting viewers to contemplate the journey the riders are undertaking. The central focus of the aquatint is the stately building situated by the water, likely a manor house or a significant estate of the time, reflecting the architectural style of the early 19th century. The estate is flanked by expansive, lush greenery and tall trees, with a prominent pine tree in the foreground that anchors the composition. The detailed rendering of the foliage and the atmospheric perspective in the background create a sense of depth and spaciousness. In Skåne, Thersner had drawn several mansions in 1816, and he decided to publish a counterpart to Erik Dahlbergh's Suecia antiqua et hodierna. He called his work Fordna och present Sverige, and in 1817 began its publication. Carl Fredrik Akrell engraved the images, which were executed in aquatint. Eventually, Wilhelm Maximilian Carpelan joined the publication. The Scania part was completed in 1823, Östergötland was started in 1820 and Uppland and Södermanland in 1824-25. Thersner himself wrote the text for the pictures. After Thersner's death, his widow, with the help of friends, continued the publication, which had never received public support. Michael Gustaf Anckarsvärd took over the publication, in lithographic form, until 1843. The work could be continued, partly with the drawings left by Thersner as templates, partly by Anckarsvärd and others contributing new drawings. In general, Anckarsvärd's work is considered superior to Thersner's. In 1843, the work was taken over by Thersner's daughter, Thora Thersner (1818-1867). She continued publishing until her death. Thora Thersner lithographed her drawings herself, which are usually considered conscientious, if somewhat dry and weak. During her time, among other things, the part about Närke (1838-55) was continued and completed. At the time of Thora Thersner's death, the entire work comprised 91 booklets, containing 364 plates with text. The publication had cost each subscriber 682 kroner and 50 öre. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

The image is a detailed print titled "Funeral di un Brahamano," which is Italian and translates to "Funeral of a Brahmin." The scene depicts a traditional Hindu funeral ceremony wher...

Traditional Headdresses from Italy and France: Florence, Ostia, Castà – 1823 This hand-colored lithograph, marked “No. 5,” is the fifth plate in a captivating 1823 series published ...

Antique Print - Indigenous Warriors, Early 19th Century South America - Ferrario-Bonatti Line & aquatint etching with original hand colouring on wove (vellin) paper. This compellin...

Copperplate engraving, printed on laid paper of the exterior of the Henry VII Lady Chapel at Westminster Abbey in London, England. Engraved and printed in 1820. Faint handwriting in ...

A satirical engraving of John Wilkes, a notable figure in 18th-century British politics known for his radical views and fierce criticism of the monarchy and government. Wilkes was ...

This illustration, titled "Péruvienne" and stemming from around 1820, likely portrays a European interpretation of a Peruvian woman, possibly an actress dressed for a theatrical role...

Antique Print - Indigenous Dress and Interiors, South America - Ferrario-Bonatti 1821 This hand-colored etching, titled "Indigenous Dress and Interiors of South America," offers a u...

This beautiful original hand-colored antique print, made by Ulrik Thersner in 1824, is a fine example of his work. Thersner, known for his detailed and atmospheric landscapes, would have drawn this view of Djursholm Castle with great care, capturing not only the architectural features of the castle but also the surrounding natural landscape and pastoral life, as seen in the foreground with figures and livestock. The aquatint technique allowed Thersner to produce gradations of tone that give the print a remarkable depth and a lifelike quality, a characteristic that was particularly prized in the early 19th century for the way it mimicked the subtleties of watercolor paintings. The composition of the print, with the castle situated amidst the verdant trees and the inclusion of human and animal figures, creates a harmonious balance between the built environment and the natural world, reflecting the romantic sensibilities of the time. The view "from the S.E. angle" provides a unique perspective of the castle, emphasizing its prominence and setting within the landscape. As a historical document, the print serves as a valuable visual record of Djursholm Castle and its environs in the early 1800s. As an artwork, it stands as a testament to Thersner's skill as an artist and his contribution to the tradition of Swedish topographical art. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

This original antique aquatint is a picturesque depiction of Söderfors, a place likely to be in Sweden, given the naming convention and style of the artwork. Crafted by Ulrik Thersner in 1825, the image portrays a vibrant, pastoral scene set by a rushing waterway, suggesting the presence of a river or stream. The landscape is dotted with buildings that have the architectural hallmarks of early 19th-century Swedish design. A group of figures is depicted in the foreground, which adds a human element and scale to the scene. Söderfors, if it is the same location known today, has a historical industrial background and is located in Uppsala County, Sweden. The area has been known for its ironworks and manufacturing history dating back to the 17th century. It is a locality situated in Tierp Municipality, Uppsala County, Sweden with 1,572 inhabitants in 2010 If the aquatint represents this area, it may have captured Söderfors at a time when it was transitioning from a more agricultural society to one influenced by industrialization. Today, the region may still have remnants of its historical past, although it would have undoubtedly undergone significant changes since Thersner's time. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

Untitled print depicting Arab men and women praying towards Mecca. This print originates from 'Il Costume Antico e Moderno ...' , by Giulio Ferrario, published in Milan in 21 volumes by Antonio Fortunato Stella in 1827 (first edition, second issue). The 17 volumes of the first issue were published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Artists and Engravers: Giulio Ferrario was founder of the 'Societa Tipografica de Classici Italiani' and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina...

Great map of Europe Drawn under the direction of Arrowsmith. Copper-plate engraving. Published by Longman, Hurst, Rees, Orme and Brown, 1820 ...

English hand colored engraving of four charvolents (carriages being pulled by kites) travelling through the countryside above a small town. The charvolent was an invention of an Eng...

Antique Print - Soldiers at Rio de la Plata, Eastern Beach - Ferrario-Bonatti 1821 This vibrant hand-colored etching, titled "Soldiers of the Eastern Beach of the Rio de la Plata Re...

A original hand coloured copperplate engraving from George Smith’s The Cabinet-Maker and Upholsterer’s Guide published by Jones & Co, London, 1826. George Smith was upholsterer and ...

This historical and rare item celebrates one of the most influential writers, politicians, and American Revolutionary figures, Thomas Jefferson. Featured is a four-page facsimile ste...

Charles Duke is depicted in a relaxed pose, sitting with one arm resting on the arm of the chair and the other holding what appears to be a snuff box, a common accessory of the period among the upper class. His attire is indicative of a person of high social standing during this era. This engraving was likely used to honor the Duke's contributions to the society mentioned and might have been distributed among its members or sold to admirers of the Duke and supporters of the society's causes. The text on the image provides a title and description of the person depicted in the portrait. It reads: "His Grace CHARLES DUKE OF...

Our Blanc de la Mer Glaciale  Tres remarquable par sa tete allongee, et sa blancher….  Dimensions: Height: 10.83 in (27.5 cm) Width: 14.57 in (37 cm) Extremely rare.   Is...

The engraving is captioned as "Mode of Fighting in the Navigator's Islands" and depicts a scene of conflict among the indigenous people of the Navigator's Islands, now known as the ...

Traditional Head Dresses of Dieppe, France – Costume Study, 1823 This hand-colored lithograph titled “Head Dresses at Dieppe” offers a refined visual study of traditional French fem...

Antique print, titled: 'Vue du l'Interieur du Temple Chinois, a Coupang, Sur l'Ile Timor.' - ('View of the interior of the Chinese Temple of Coupang, Timor Island'). Source: 'Voyage ...

This captivating hand-colored engraving from the 1820s, titled 'Italian Gestures', presents three figures in traditional Italian costume, each demonstrating a distinct and expressiv...

Costume Print: Italian Gestures with Traditional Dress, “Cattivo!” Series, 1820s This delightful hand-colored engraving is part of a rare and humorous series titled *Italian Gesture...

Costume Print: Italian Gestures with Traditional Dress, 1820s Hand-Colored Engraving This engaging hand-colored engraving, titled *Italian Gestures*, captures a lively moment in Ita...

A rare original large folio size hand-colored etching, plate # 2 in Audubon's "Birds of North America." This is a rare printing of a first edition by Lizars. Only 50 copies of the fi...

Title: Lilium speciosum (Elegant Lily) – Hand-Colored Botanical Engraving by Desmares, circa 1825 Description: This exquisite hand-colored copperplate engraving features Lilium sp...

Title: Antique Primate Engraving of a Sapajou Atèle Hybride and Macaque Domestique - 19th Century Description: This exquisite antique print captures two fascinating primate species,...

Selection of black and white abstract prints. From left to right, they are: 1) Abstract lithograph by Terry Haan, circa 1960s. Pencil s...

Antique Fruit Prints by Poiteau and Turpin, Hand-Colored Botanical Engravings Description: This exquisite compilation features three antique bot...

Antique 1828 Satirical Print When First I Saw Thee Graceful Move Hand-Colored This engaging and humorous hand-colored etching is titled 'When First I Saw Thee Graceful Move' and was...

Martynia Proboscidea (Unicorn Plant) – Hand-Colored Botanical Engraving by Desmares, circa 1825 Description: This original hand-colored copperplate engraving depicts *Martynia prob...

Antique 1828 Satirical Print The Impotence of the Uniform Hand-Colored This dramatic and humorous hand-colored etching, titled *The Impotence of the Uniform*, is part of Monkeyana, ...

Nictago Jalapa (Marvel of Peru) – Hand-Colored Botanical Engraving by Desmares, circa 1825 Description: An original hand-colored copperplate engraving of the flowering plant Nictago Jalapa, commonly known today as Mirabilis jalapa or Marvel of Peru. This elegant botanical illustration features large, vibrant leaves and trumpet-shaped blossoms in striking yellow, red, and variegated tones. The print is engraved by Desmares, as indicated by the signature "Desmares, Sc." beneath the Latin name. This plate was published in Paris by Panckoucke around 1825 as part of the renowned series "Le Jardin des Plantes: Histoire Naturelle des Plantes," an ambitious natural history project associated with the Muséum national d'Histoire naturelle. Known for its scientific accuracy and exquisite hand-coloring, the series was a landmark in early 19th-century botanical publishing. This print exemplifies the refinement of French Enlightenment-era botanical art and is ideal for collectors of antique florals, natural history prints, or early scientific illustration. Keywords: antique botanical print...

Antique 1828 Satirical Print "The Monkey-Cupid" by Thomas Landseer — Hand-Colored Etching from Monkeyana This rare and whimsically satirical hand-colored etching titled "The Monkey-...

Traditional Costumes from Frascati, Perugia, Albano and Monastic Orders – 1823 This hand-colored lithograph, labeled “No. 4,” continues the beautifully detailed series of European c...

Traditional Headwear from Italy: Turin, Rome, Subiaco and More – 1823 Print This hand-colored lithograph, marked “No. 3,” is the third plate from a striking early 19th-century serie...

Traditional Headwear from Assisi, Naples, Viterbo, and Beyond – 1823 Print This charming hand-colored lithograph, labeled “No. 2,” is part of a series documenting traditional Europe...

Italian Regional Costumes: Sarzana, Sesto, Rome and Florence, 1823 This hand-colored lithograph presents six detailed bust portraits of Italian women dressed in traditional regional...

Funeral Procession in Rome with Hooded Figures and Clergy, London 1820 This remarkable hand-colored print, titled “A Funeral Procession in Rome,” offers an evocative portrayal of a ...

Street Musicians in Rome with Mandolin and Fiddle, London 1824 This hand-colored lithograph, titled “Street Musicians, Rome,” captures a vibrant and theatrical moment of everyday li...

Costume Print of Naples Woman with Grapes, Published London 1824 This finely hand-colored print titled “Naples: A Female Costume” presents a richly detailed portrayal of a Neapolita...

Procession to the Colosseum Through the Arch of Titus, Rome, 1824 This captivating hand-colored engraving titled “Procession to the Colosseum” depicts a solemn religious scene unfol...