19th Century Prints

Mr John Gould's tropical framed Bird prints 1955 taken from his limited edition of 1000. The most celebrated British ornithologist of the nineteenth-century John Gould (1804-1881) ...

Maranta Regalis: A Hand-Colored Lithograph from Louis van Houtte's Flore des Serres et des Jardins de l'Europe (1854-1855) This hand-colored lithograph, created between 1854 and 185...

Esquisse des principales hauteurs des deux continens dressée par Mr. de Göthe,... d'après l'ouvrage de Mr. de Humboldt, publié en 1807 sous le titre d'Essai sur la géographie des plantes Goethe, Johann Wolfgang von (1749-1832). Cartographer Using information from: Humboldt, Alexander von (1769-1859) 32 x 27 cm on a leaf measuring 47 x 55 cm. Extremely rare example of Johann Wolfgang von Goethe’s comparative chart to depict the relative height of mountains, thus defining a cartographic style that would flourish throughout the remainder of the 19th century. This map is extremely scarce. It was issued and sold independently in Paris, 1813. Beginning in 1805, Goethe gave lectures on natural sciences to a group of Weimar women on Wednesday mornings. The audience included the Duchess Luise, Schiller's widow Charlotte and her sister Caroline von Wolzogen. Here Goethe used his image of heights on April 1, 1807 for the first time. A copy was sent to Alexander von Humboldt...

A 'Honeysuckle' pattern wallpaper panel designed by May Morris in 1883 for Morris & Co. Although best known for her embroideries and textiles, May Morris also designed some wallpapers at her father’s firm Morris & Co. ‘Honeysuckle’ is her most famous wallpaper design; it was also one of the most popular patterns among consumers and is produced even today. May would have been about 21 years old when she created this pattern, and while she may have received some assistance from her father, the confident design shows an understanding of composition and color theory on the level of an experienced designer. Dimensions: 52 3/8 in. H x 21 1/4 in. W (133.2 cm H x 54.2 cm W) Condition: Very good. Paper with slight warping. Some slight creasing along selvedge. Light crease in center approximately 2 3/4 inches long. Not examined out of frame. References: Smithsonian, Cooper Hewitt, 1980461176 William Morris Gallery...

Victorian Butterfly Wonders: Stunning Hand-Colored Lithographs by Frederic C. Moore and J. Nugent Fitch Description: This exquisite collection of lithographs from 1878 features the...

Vibrant Victorian Butterfly Lithographs: Delicate Portraits by Frederic C. Moore This remarkable pair of lithographs, created by Frederic C. Moo...

Enchanting Victorian Butterfly Lithographs: Vivid Portraits of Rare Species by Frederic C. Moore These enchanting butterfly lithographs by Frede...

An antique Japanese woodblock print from the 19th century depicting monks having tea. Created in Japan during the 19th century, this woodblock print showcases an indoor scene featuri...

Decorate a office or study with this set of antique lithographs. Hand painted in England circa 1850 by Gould and Richter, each print features exotic ...

Mr John Gould's tropical framed Bird prints 1955 taken from his limited edition of 1000. The most celebrated British ornithologist of the nineteenth-century John Gould (1804-1881) ...

Title: "Rustic Landscape with Child and Bridge, 1856 Engraving by P.L. Dubourcq" This finely detailed engraving, created by P.L. Dubourcq in 1856 and printed by J.F. Brugman, portra...

Antique Pair of Colored Sea Shell Prints, engraved by J. Miller, circa 1889, naturalist illustrations by Captain Brown for the Conchology of Great Britain ...

"October Afternoon" Maintains the appropriate markings along with "New York, Published by N. Currier 152 Nassau Street. (The firm was located here in lower Manhattan from 1837-1872) The lithograph illustrates two men and their dog with young son (hunting rifle over shoulder) in tow, returning from the rabbit hunt with their catch being presented to the lady of the house with baby in arms. The gated mansion is in the background while geese float upon the fertile pond in the background. In addition to the Amon Carter Museum in Dallas, an example of "Pleasures of Winter" is in: The Metropolitan Museum of Art (Bequest of Adele S. Colgate, 1962) Museum of Fine Arts Boston (Donated by Lee M. Friedman) The Library of Congress The Yale University Art Gallery (Gift of Mabel Brady Garvan Collection) Dimensions: actual= 16 1/2" h x 23 13/16" w matte= 19 1/2" h x 25 1/4" w folio= 21 1/4" h x 27 3/4" w with frame= 26 1/4" h x 32 1/4" w frame= 1 1/4" burl bird's eye maple It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is some slight foxing to the cream border and minor fading (see images), The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

Mr. John Gould's tropical framed Bird prints 1955 taken from his limited edition of 1000. The most celebrated British ornithologist of the nineteenth-century John Gould (1804-1881) w...

Presented is a lithographic broadside of the text of the Emancipation Proclamation issued on January 1, 1863. This broadside was published in...

Limited edition lithograph entitled "Many Men" by Ben Shahn, circa late 1960s. "Many Men" depicts modernist black silhouette figures in business suits on a teeming street. Released b...

Antique print titled 'To Ngaporutu - Ngawhea, of the Mahoa'. Lithograph of To Ngaporutu and his wife Rihe at Wakatumutu; Ngawhea of Te Mahoa, a chief of the Ngatimaniapoto tribe and ...

Title: Traditional Folk Costumes from Europe – "Volkstrachten I." c. 1890 Description: This exquisite chromolithograph, titled “Volkstrachten I.” (Folk Costumes I), dates from aroun...

Mr John Gould's tropical framed Bird prints 1955 taken from his limited edition of 1000. The most celebrated British ornithologist of the nineteenth-century John Gould (1804-1881) ...

PRESENTING A FABULOUS AND RARE Set of 6 19C Irish Engraved Prints of Scenes of Dublin by James Malton. Set of 6 VERY RARE AND VALUABLE engraved prints of Dublin, Ireland scenes. These were printed by ‘Cahill Printers Ltd.’ circa 1880-1900. ‘Cahill Printers Ltd’ have been in existence since 1866 and acquired the rights to print these copies of the original watercolors by James Malton (1761 – 1803). Set of 6 19C Irish Engraved Prints of Scenes of Dublin by James Malton These scenes are: (in order): Rotunda & New Rooms, Great Court Yard Dublin Castle...

Issued in the much sought after and scarce series: Abbé Lorenzo Berlèse Iconographie du genre camellia ou description et figures des camellia les plus belles et les plus rares ...

Engraving of Hôtel de l’Amstel in Amsterdam viewed from the Amstel River This charming antique engraving depicts the iconic Hôtel de l’Amstel in Amsterdam, seen from across the tran...

Pair of Antique Neoclassical Genre Scene Prints, Framed, C1890 Measures - 13.75"H x 16.5"W x 1.25"D

Rare find, school prints, double sided, of the series Danske Billeder Copenhagen Denmark, by Alfred Jacobsen, ca. 1895. Large folio. Plate size 39.3 x 29.4 cm; incl. margins: 42.3 x ...

An interesting depiction of the Korean Embassy as published in The Wasp, a weekly San Francisco newspaper started in 1876 by Francis Korbel. The Wasp had a very political and anti-im...

Émile Deyrolle Anatomical poster A wonderfully rare and decorative curio medical French (Paris) original lithograph on board anatomical poster in ...

From clock-face painter to favorite painter of the German folk, Hans Thoma 1839-1924 , had his first breakthrough in 1890 in Munich, Germany. Color lithogra...

Decorate a bathroom or a walking closet with this collection of antique "Mode de Paris" fashion prints. Crafted in France during the Napoleon III period...

Bring the allure of the English countryside into your home with this remarkable pair of antique equestrian prints. These hand-colored engravi...

Framed etching of ornamental candelabrum base found in the courtyard of a church in Italy (Sant' Eustachio). Engraving by Italian artist Giovanni Piranesi (1720-1778). Black and whi...

Pair of American botanical chromolithographic prints from “The Ferns of North America” by Daniel Cady Eaton, published by S.E. Cassino. Mounted on eight ply archival mat and framed i...

Pair of subtly hand colored lithographic prints of specimen mushrooms from the book titled "Illustrations of British mycology, containing figures and descriptions of the funguses of ...

This is an 1875 wood engraving of the *Stadhuis te Veere* (City Hall of Veere), published in *De Aarde en haar Volken* by Uitgeverij Kruseman & Tjeenk Willink, Haarlem. The illustrat...

This framed mid 19th century map of North America entitled "Amérique Septentrionale" by Felix Delamarche was published in Paris in 1854 by Quay de l'Horloge du Palais, avec les Carte...

A set of four antique prints including: English hand colored etching titled "A New Mode of Presenting Two Addresses at Once", by Charles Williams, published by SW Fores, 1818, Picca...

Description Actors as Hotei Ichiemon and Gokuin Chiemon Date: c. 1847/52 Artist: Utagawa Kuniyoshi Japanese, 1797-1861 Artist Utagawa Kuniyoshi Title Actors as Hotei Ichiemon an...

Exotic Flora Trio: Himalayan Aucuba, Japanese Lantern Plant & Brazilian Acanthus The maker Louis Van Houtte was a highly influential figure in 19th-century horticulture, not only as...

A Street Scene in the Chinese Quarter of San Francisco- Published in The Days' Doings, November 26, 1870. Description: This hand-colored engraving, published in *The Days' Doings* on November 26, 1870, presents a vibrant and detailed view of daily life in the Chinese Quarter (Chinatown) of San Francisco during the late 19th century. The scene captures the bustling atmosphere of a narrow street, lined with wooden buildings, hanging laundry, and small businesses serving the local Chinese community. The foreground features a man carrying two large baskets of produce, balanced on a pole over his shoulders. Behind him, people are seen engaging in various activities—gathering in groups, walking along the street, and conversing on balconies. A wooden sign reading "Tong Wo Doctor" can be seen on the left, advertising a local Chinese medicine shop, while another sign for "Sam Lee, Sam Sing" is displayed above a bridge-like structure connecting two buildings. The narrow street, laundry lines, and multi-story wooden buildings with balconies give the scene a distinctly urban and immigrant quarter feel, reflecting the growing Chinese immigrant community in San Francisco during this time. The engraving captures both the vibrant energy of this neighborhood and the cultural exchanges occurring in the rapidly expanding city. About the Publication and Technique: *The Days' Doings* was a weekly illustrated newspaper that ran from 1870 to 1879, known for its sensationalist coverage of crime, scandals, and interesting stories from both America and Europe. It often depicted lively scenes from everyday life, such as this portrayal of San Francisco’s Chinatown, providing its audience with visual glimpses into different facets of society. The engraving is produced using a wood engraving technique, where an image is carved into a block of wood for printing. Afterward, the image was hand-colored to add vibrancy to the bustling street scene. These prints were then mass-produced and circulated widely through publications like *The Days' Doings*. --- Keywords: San Francisco Chinatown 1870, Chinese Quarter San Francisco, *The Days' Doings* November 26, 1870, Chinese immigrant life 19th century, hand-colored wood engraving, Chinatown street scene engraving, Tong Wo Doctor, Sam Lee Sam Sing, 19th-century San Francisco prints...

This lithograph depicts *Arundo donax versicolor*, commonly known in English as the Variegated Giant Reed. It comes from *Flore des Serres et des Jardins de l'Europe* by Louis van Ho...

Mr. John Gould's tropical framed Bird prints 1955 taken from his limited edition of 1000. The most celebrated British ornithologist of the nineteenth-century John Gould (1804-1881) w...

Mr John Gould's tropical framed Bird prints 1955 taken from his limited edition of 1000. The most celebrated British ornithologist of the nineteenth-century John Gould (1804-1881) ...

This lithograph, created by Karl Joseph Brodtmann, depicts an individual named Maxuruna, who appears to belong to an indigenous group, from South America, based on the adornments and...

Declaration of Independence Signatures Facsimile – Binns Engraving, 1820s This antique facsimile presents the signatures of the signers of the Declaration of Independence, July 4, 1...

Gothic Decorative Arts Prints: Stained Glass, Sculpture, and Textile Motifs This visually captivating set of three antique prints showcases Gothic decorative arts at their finest, f...

1871 Botanical Prints of Paeonia and Butomus from Tunbridge Wells Flora Offered here is a striking pair of original 19th-century botanical prints from The Flowering Plants of Tunbridge Wells and Neighbourhood by Richard Deakin, published in 1871 by Stidolph & Bellamy and Groombridge & Sons, London. These finely detailed plates depict Paeonia corallina (Coral Peony) and Butomus umbellatus (Flowering Rush), two elegant flowering species native to parts of Europe and found in the Tunbridge Wells region of England. Rendered with scientific precision and colored by hand, these prints reflect the Victorian era’s passion for botany, natural classification, and the visual arts. Each flower is represented in its full structural form, with careful attention to botanical accuracy, showing stems, leaves, blossoms, and reproductive parts where applicable. The *Paeonia corallina* features deep crimson petals and vibrant green foliage, while the *Butomus umbellatus* is notable for its light pink clustered blooms atop tall, sinuous stems—its root and bulb details meticulously illustrated alongside. These prints exemplify the dual nature of botanical works of the 19th century: simultaneously scientific documents and refined decorative art. These plates come from one of the more specialized and regionally focused British botanical publications of the period, making them relatively rare in the market. Their historic link to the Tunbridge Wells flora gives them additional geographic and academic interest. Condition Report: Good condition overall. Hand-coloring remains vivid and precise. The paper shows only minor, even toning, appropriate for its age. No significant foxing or tears. Species names are present and clearly legible. Framing Suggestions: For the best visual impact and preservation, these prints should be framed in matching frames with archival mats and UV-protective glass. A neutral mount (ivory or pale grey) will complement the organic colors while enhancing their Victorian charm. Ideal for hallways, libraries, studies, or conservatories, especially in botanical or period-themed interiors. Keywords: Victorian botanical prints...

George Brookshaw print of four varieties of plums, Plate XVII, from Natural History Art, Botanical, Fruit, Brookshaw, Pomona Britannica, 1806 ...

This attractive original antique print originates from: 'Het Kamerlid van Berkestein in Nederlandsch-Indie.', (translation: van Berkestein, member of the Dutsch Parliament in the Dut...

Title: "Traditional Eleuth Warrior Attire in 1844 Lithograph" Description: This hand-colored lithograph titled *Eleuthe* (Eleuth) portrays a man from the Eleuth tribe, a subgroup of the Oirat Mongols. The image is part of Auguste Wahlen's "Moeurs, Usages et Costumes de tous les Peuples de Monde" (Customs, Manners, and Dress of All the Peoples of the World), published in 1844. The print was created by an anonymous engraver after Wahlen's designs, with notable contributions from artists such as Evrard Duverger, L. Markaert, and R. King. The lithograph is enhanced with Arabic gum on vellum paper, adding a bright gloss and deepening the colors. Notable Features of the Attire: - Helmet: The warrior wears a distinctive helmet, possibly crafted from metal or leather, which suggests a readiness for battle. The helmet design is typical of Mongolian and Central Asian tribes, providing protection while maintaining mobility. - Coat: The long, fur-lined coat is characteristic of the Eleuths, suited to the cold climates of Central Asia. The coat is intricately patterned, showcasing both practicality and status. - Sword: The sword hanging by his side is a symbol of his warrior class. The hilt appears to be ornately decorated, hinting at a higher social rank or experience in battle. Cultural and Historical Insight: The Eleuth people were part of the broader Oirat confederation of nomadic Mongols who lived in what is now Xinjiang and parts of Central Asia. Their warrior culture was highly developed, and this lithograph captures the essence of a soldier's dress during the 19th century. The attire shown here reflects both the harsh environment and the martial lifestyle that characterized their existence. Keywords for Searching: People searching for prints like this might use terms such as "Eleuth warrior lithograph," "Wahlen 1844 Mongolian print...

Title: "Chinese Merchant with Sail Cart from Wahlen's 1844 Lithographs" This hand-colored lithograph titled *Marchand Chinois – Voiture à voile* (Chinese Merchant – Sail Cart) is fr...

Title: "Vibrant 1844 Handcolored Lithograph of Siberian Tschuktsches Family" This print is a handcolored lithograph from the 1844 collection "Moeurs, Usages et Costumes de tous les ...

19th Century Picture Printed on Paper Spanish Scene with Framed

Title: Antique Botanical Print of Banana Shrub and Starry Wild Jasmine, 1803 This title accurately reflects the plant subjects depicted in the illustration: the Banana Shrub (Fig. 1, showing the seed pod) and the Starry Wild Jasmine (Fig. 2, showing the flower in bloom). This antique engraving from April 23, 1803, beautifully illustrates two botanical figures, emphasizing the natural beauty and complexity of plant life. Here's what makes these illustrations unique and special: 1. Botanical Detail: Fig. 1 shows a plant section with a dark, almost wilted appearance, possibly representing the fruiting body or a seed pod, which contrasts with the lively and vibrant Fig. 2, depicting a flower in bloom. This juxtaposition captures both the end and the beginning of life cycles in the plant kingdom, showcasing the botanical accuracy and attention to detail that was essential in early scientific illustrations. 2. Artistic Technique: The illustration is a fine example of handcolored copperplate engraving, a method that requires exceptional skill. This technique allows for precise details and subtle gradations of color, qualities that make antique botanical prints highly valued by collectors and art enthusiasts alike. 3. Historical and Educational Value: Published by W. Curtis at St. George Crescent in 1803, this work is part of a larger series that aimed to educate and inform about the diversity of plant species. Such prints are crucial for understanding how plants were studied and classified in the early 19th century, providing insight into the history of botany and scientific illustration. 4. Collectibility: Due to their age, artistic merit, and the detailed craftsmanship, prints like these are sought after by collectors of antique botanical art...

“There goes that”, Los Caprichos. Framed engraving. Original by GOYA Y LUCIENTES, Francisco. It has damage. The original was an etching belonging to the series Los Caprichos by Fran...

Floral Harmony in Decorative Design: The Art Nouveau Aesthetic of Henry Lambert These exquisite prints, attributed to the renowned Henry Lambert, embody the elegance and fluidity ...

Antique Print - Soldiers at Rio de la Plata, Eastern Beach - Ferrario-Bonatti 1821 This vibrant hand-colored etching, titled "Soldiers of the Eastern Beach of the Rio de la Plata Re...

A very nice block print by Yoshitora printed in 1864. 47 Ronins - Okuda M Shigemori. Additional information: Material: Paper Region of Origin: Japan Period: 19th century Japan Dyna...

Description of the Print This print, titled "De Kruisvaarders" (The Crusaders), depicts a historical scene likely representing the departure of a crusader for the Holy Land. The com...

Description of the Print This print, titled "Italians" (Italiënsen), captures a lively and engaging scene featuring three figures, likely Italian peasants or villagers, engaged in c...