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Mid-19th Century Prints

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Period: Mid-19th Century
Original Antique Print of Beetles, 1847, 'Unframed'
Located in St Annes, Lancashire
Great image of beetles. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original color. Published, 1...
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English Folk Art Antique Mid-19th Century Prints

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1845 Entomological Treasury: A Detailed Study of Insect Diversity
Located in Langweer, NL
A set of four antique engravings from the year 1845, depicting various insects in a detailed and hand-colored manner. These illustrations are from a scientific publication or a natu...
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Antique Mid-19th Century Prints

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Youthful Extravagance: A Member of the Venetian Calza, 1847
Located in Langweer, NL
This original antique print depicts a person labeled as "Jeune Vénitien de la Calza," which translates to "Young Venetian of the Calza." The Calza was a Renaissance cultural associat...
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Antique Mid-19th Century Prints

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Courtly Splendor: A Nobleman at Emperor Sigismund's Court, 1847
Located in Langweer, NL
The image depicts a man identified as a "Gentilhomme de la cour de Sigismond, empereur d'Allemagne," which translates to "Gentleman of the court of Sigismund, Emperor of Germany." This individual is portrayed in a profile stance, dressed in attire that is indicative of the high-status courtiers during the time of Emperor Sigismund, who reigned in the early 15th century. He is wearing a turban-like headgear, which reflects the influence of Eastern fashion on European court attire, possibly due to the Ottoman influence or the general exchange of culture during the Crusades and subsequent interactions. His doublet is richly patterned and he has puffed sleeves in red, which were fashionable among the nobility during the period. The garment is accented with a decorative belt that holds what appears to be a purse or a pouch. He also sports tight blue hose and pointed shoes, which complete the ensemble typical of a nobleman or a high-ranking court official in the Holy Roman Empire. Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image. Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces. In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted manuscripts...
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Antique Mid-19th Century Prints

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Paper

Venetian Dignity: The Doge in Contemplation, Engraving of 1847
Located in Langweer, NL
Title: "Venetian Dignity: The Doge in Contemplation" Description: This handcolored historical print captures a Doge of Venice in a moment of solemn reflection. The Doge, as the chie...
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Antique Mid-19th Century Prints

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Philippe le Bon or The Good, Duke of Burgundy: The Duke's Prestige, 1847
Located in Langweer, NL
Title: "Philippe le Bon: The Duke's Prestige" Description: The print showcases Philippe le Bon, also known as Philip the Good, Duke of Burgundy, standing in a dignified pose that conveys authority and nobility. He was known for his patronage of the arts and the opulence of his court, and this is reflected in the intricate detail of his attire. Philippe is dressed in a doublet with a patterned design, possibly embroidered with gold thread, which would have been a symbol of wealth and status during his time. The garment fits snugly to his form, a style that was fashionable among the nobility in the 15th century. The lower part of the doublet extends into a skirt, which is edged with fur, adding to the luxuriousness of his ensemble. He wears hose that fit tightly to his legs, a common fashion of the time, which are practical for riding and daily activities of a nobleman. His shoes are pointed, following the style of the Burgundian court. On his head, Philippe sports a chaperon, a type of headgear that was popular among men of rank. The chaperon features a rolled brim and an extended tail, known as a 'liripipe', which adds a distinctive flair to his profile. Around his neck, he has a chain, from which hangs a badge or medallion, denoting his high rank and perhaps an order of chivalry. His right hand rests on the hilt of a dagger, hinting at the martial aspect of his role as a duke and the necessity for self...
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Antique Mid-19th Century Prints

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Paper

Anne of Brittany: Elegance of a Duchess, 1847
Located in Langweer, NL
This antique print represents Anne of Brittany, a significant historical figure who was Duchess of Brittany and twice Queen of France. She stands poised, exuding an air of quiet dig...
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Antique Mid-19th Century Prints

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Velvet Majesty: The Bell-Shaped Arum - A Vintage Portrait of Botanical Splendor
Located in Langweer, NL
This original antique engraving depicts the Arum Campanulatum, also known as the bell-shaped arum or campanulate arum. This print is hand-colored over 200 years ago. The plant is il...
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Antique Mid-19th Century Prints

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Sergeant at Arms in Ceremonial Garb: Symbol of Authority and Protection, 1847
Located in Langweer, NL
This hand-colored engraving, titled "Sergent d'Armes," depicts a Sergeant at Arms from the Middle Ages, a role that historically combined duties of law enforcement, security, and ceremonial functions within the royal court. The figure stands in a poised and authoritative stance, dressed in a rich blue doublet with full sleeves, edged with a yellow patterned trim that denotes his official capacity. The doublet is belted at the waist, accentuating the length of the garment which falls to the mid-thigh, a typical fashion of the period for men of status. Over the doublet, he wears a cape that drapes over one shoulder, suggesting readiness for action. The cape, matching the doublet in color and trim, reinforces his dignified position. His hose are golden, fitting snugly and shimmering in contrast to the matte finish of the doublet, indicative of the esteem of his office. The sergeant...
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Antique Mid-19th Century Prints

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Elegant Renaissance Italian Youth Fashion, Published and Hand-Colored in 1847
Located in Langweer, NL
Description: This original antique print, labeled "Jeune Italien, No. 2," which translates to "Italian Youth, No. 2," depicts a young man in what appears to be a Renaissance-period a...
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Antique Mid-19th Century Prints

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Renaissance Herald: The Messenger of News, Engraved, Colored and Published, 1847
Located in Langweer, NL
Title: "Renaissance Herald: The Messenger of News" Description: This print depicts a trumpeter from the 15th century, known as a herald, who served the crucial role of conveying mes...
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Antique Mid-19th Century Prints

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Old Engraving of Philippe le Hardi: The Bold Duke of Burgundy in Council, 1847
Located in Langweer, NL
Title: "Philippe le Hardi: The Bold Duke in Council" Description: This print captures Philippe le Hardi, also known as Philip the Bold, Duke of Burgundy, seated in a posture of cons...
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Antique Mid-19th Century Prints

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French Maid of the 15th Century: Daily Grace, Published in 1847
Located in Langweer, NL
Title: "Maid of the 15th Century: Daily Grace" Description: This print portrays a servant or maid from the 15th century, captured in a moment of stillness, perhaps while going about...
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Antique Mid-19th Century Prints

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Aristocratic Elegance in the Court of King Henry VI: A Noble Lord Dressep Up
Located in Langweer, NL
Title: "Seigneur de la Cour du Roi Henri VI" (Lord of the Court of King Henry VI) Description: This hand-colored engraving from the 1847 "Costume du Moyen Age" series represents a nobleman from the court of King Henry VI. The title "Seigneur de la Cour du Roi Henri VI" identifies the subject as a lord or high-ranking individual within the royal court of the 15th-century English monarch. The lord is portrayed in a long, ornately patterned robe that falls gracefully to the ground, indicative of the elaborate fashion of the high nobility during the time. The garment is colored in a rich teal hue, with a detailed pattern that suggests luxury and status. The robe is trimmed with a contrasting color at the neck and cuffs, and a red belt cinches the robe at the waist, highlighting the layered aspect of medieval...
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Antique Mid-19th Century Prints

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Medieval Knight: Heraldry and Valor in 15th Century Garb, 1847
Located in Langweer, NL
Title: "Chevalier" (Knight) Description: This 1847 hand-colored engraving from the "Costume du Moyen Age" series depicts a "Chevalier," the French term for a knight. The image illus...
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Antique Mid-19th Century Prints

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Antique Print of Italian Maidens in Traditional Attire, 1847
Located in Langweer, NL
Title: "Italian Maidens in Traditional Attire" Description: This print is titled "Jeunes Italiennes," which translates to "Young Italian Women." It is likely a part of the 19th-cent...
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Antique Mid-19th Century Prints

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Louis XII: The Prudent King in Regal Attire, 1847
Located in Langweer, NL
This print presents a dignified portrait of Louis XII, King of France, known for his prudent and just reign. Standing in profile, the king is depicted in royal attire that is both la...
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Antique Mid-19th Century Prints

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Paper

The Common Man's Gesture: A Plebeian in Daily Life, 1847
Located in Langweer, NL
This original antique print for sale shows a figure labeled "Plebeien," which is French for "Plebeian," indicating that this individual is a commoner. The person is depicted in a long, bright yellow robe with a hood, which drapes in wide folds to the ground, a style that might have been worn for warmth or work by common people during certain periods in history. The individual is gesturing outward with his right hand, perhaps in conversation or pointing towards something of interest. The expression on his face appears engaged and animated. The simplicity of the robe, despite its vibrant color, suggests practical clothing rather than the more ornate attire of the upper classes. The color could signify a particular role within the community, a trade, or simply be a choice of personal attire. The title suggests the active role of the plebeian within the community and the everyday setting in which he belongs. Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image. Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces. In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted manuscripts...
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Antique Mid-19th Century Prints

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Paper

Everyday Grace: A Common Woman of the Past, 1847
Located in Langweer, NL
The original antique print shows a seated figure labeled "Muger plebeia," which translates from Spanish to "Plebeian Woman" or "Common Woman." The woman is dressed in a simple yet elegant manner, indicative of the common people of the time. She is wearing a long dress in a pinkish hue with a red overdress or tunic, which drapes gracefully around her. On her head, she wears a blue hood that covers her hair, which was typical for women during various historical periods to denote modesty or as a fashion statement. Her seated position and the presence of the cane suggest rest or perhaps age. The simplicity of her clothing, without elaborate jewelry or adornments, signifies her status as part of the lower social class, although her clothing is neat and well-kept. Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image. Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces. In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted manuscripts...
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Antique Mid-19th Century Prints

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Paper

Portrait of Youth: A Young Italian of the Middle Ages, 1847
Located in Langweer, NL
The print for sale is an original antique and hand-colored print and shows a figure labeled "Jeune Italien," which translates to "Young Italian." The individual is depicted in profi...
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Antique Mid-19th Century Prints

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Paper

Toil of the Ages: Medieval Peasantry at Work, 1847
Located in Langweer, NL
The image depicts two medieval peasants, as indicated by the caption "Paysans," which is French for "Peasants". The figure on the left is wearing a simple tunic with leggings and a...
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Antique Mid-19th Century Prints

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13th Century Elegance: A Noblewoman Amidst Nature in Medieval Attire, 1847
Located in Langweer, NL
"Dame du XIIIe Siècle" (Lady of the 13th Century) Description: This delicate hand-colored engraving from the 1847 "Costume du Moyen Age" series depicts a lady from the 13th century....
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Antique Mid-19th Century Prints

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William de Beauchamp in Noble Attire in An Original Handcolored Lithograph, 1847
Located in Langweer, NL
This original antique print portrays a medieval nobleman, identified as "Guillelmo Beauchamp," which may refer to William de Beauchamp, a prominent figure in English history. The nob...
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Antique Mid-19th Century Prints

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Vigilance in Blue: 15th Century Military Garb, 1847
Located in Langweer, NL
Title: "Vigilance in Blue: 15th Century Military Garb" Description: This original handcolored historical illustration presents a military figure from the 15th century, clad in an or...
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Antique Mid-19th Century Prints

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Lord of the Court of Philip the Good, Engraved and Published in 1847
Located in Langweer, NL
The image presents a nobleman of the court of Philippe le Bon (Philip the Good), Duke of Burgundy. The nobleman stands in profile, gazing into the distance, with an air of contemplat...
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Antique Mid-19th Century Prints

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Jean de Werchin, a Knight and Seneschal of Hainaut: The Knight's Poise, 1847
Located in Langweer, NL
Title: "Jean de Werchin: The Knight's Poise" Description: This print illustrates Jean de Werchin, a knight and seneschal of Hainaut, captured in a moment of courtly grace. His postu...
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Antique Mid-19th Century Prints

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Agnes Sorel: Mistress of Karel V and Grace of the Royal Court, 1847
Located in Langweer, NL
Title: "Agnes Sorel: Grace of the Royal Court" Description: This print depicts Agnes Sorel, famously known as the chief mistress of King Charles VII of France and a noted beauty of ...
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Antique Mid-19th Century Prints

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Original Engraving of Charles VI: The Well-Beloved Monarch, 1847
Located in Langweer, NL
Title: "Charles VI: The Well-Beloved Monarch" Description: This print depicts Charles VI of France, known as Charles the Well-Beloved, later nicknamed Charles the Mad due to his per...
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Antique Mid-19th Century Prints

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Confidants of the Court: The Royal Pages, Handcolored and Published in 1847
Located in Langweer, NL
Title: "Confidants of the Court: The Royal Pages" Description: This artful print portrays two young royal pages in a moment of quiet conversation. The intimate stance and direct eye...
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Antique Mid-19th Century Prints

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In Council and Commerce: A Venetian Senator in Robes of Office, 1847
Located in Langweer, NL
The image portrays a figure labeled "Sénateur Vénitien," which translates to "Venetian Senator." The Venetian senator is shown in a profile view, wearing traditional senatorial robes...
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Antique Mid-19th Century Prints

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Shell Spectacular: A Collection of Mollusk Shells Engraved and Handcolored, 1845
Located in Langweer, NL
The illustration is a collection of various shells, likely representing both gastropods and bivalves: 1. **Télescope vulgaire** - Possibly named for its elongated, tubular shape, re...
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Antique Mid-19th Century Prints

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O-Poth-Le-Yo-Ho-Lo by McKinney & Hall, 1842
Located in Kenilworth, IL
Hand colored lithograph portrait of "O-Poth-Le-Yo-Ho-Lo," a Creek Chief & speaker of the Councils, after the oil on canvas portrait by Charles Bird King. The lithographic portrait is from McKinney...
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American Antique Mid-19th Century Prints

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English Archer in Mid-Draw, Costume Di Moyen Age, 1847
Located in Langweer, NL
This original antique print depicts an English archer in the act of drawing his longbow, a weapon for which English soldiers were famous during the medieval period. He's dressed in a red garment with a detailed breastplate, and a sword at his side. The longbow was a key English military advantage during conflicts such as the Hundred Years' War. The archer's pose captures the tension and focus required to use the longbow effectively. The source for this print is Costume Di Moyen Age, published 1847. More about the vivid colors of this original hand-colored antique print: The colors have a nice glow over them. Historically, egg whites, known as glair, and sometimes egg yolk were indeed used in illumination and painting, particularly in manuscripts, to give colors a brighter appearance and to add a sheen or gloss to the work. This technique was quite common during the Middle Ages and into the Renaissance. Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image. Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting...
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Antique Mid-19th Century Prints

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Sea Splendor: A Tapestry of Marine Life in the Mid-19th Century, 1845
Located in Langweer, NL
In the two prints, a variety of marine organisms are depicted, predominantly from the echinoderm and mollusk phyla: **First Print:** 1. **Agathine zébrée** - Likely a gastropod with...
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Antique Mid-19th Century Prints

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Henry II of Castile: A Monarch's Contemplation, Hand-Colored Lithograph, 1847
Located in Langweer, NL
Title: "Henry II of Castile: A Monarch's Contemplation" Description: This print from "Costume du Moyen Age" likely dating from 1847, presents Henry II of Castile, standing in a pens...
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Antique Mid-19th Century Prints

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The Proclamation: Judges of the Medieval Court in an Original Lithograph, 1847
Located in Langweer, NL
The image depicts a group of men labeled "Juges Diseurs," which translates to "Judges Speakers" or "Speaking Judges." This term could refer to officials who were responsible for proc...
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Antique Mid-19th Century Prints

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Scholar of the Codex: A Medieval Jurist in Study, 1847
Located in Langweer, NL
The image depicts a person labeled "Docteur des Lois," which translates to "Doctor of Laws." This term historically refers to an individual who has achieved advanced scholarly status in the field of law, equivalent to the modern term "Juris Doctor." The figure is seated at a lectern, deeply engrossed in a large book, which likely represents legal texts or scholarly works. The individual is attired in a robe with a fur-lined cape, suggesting a status of academic or professional distinction. The robe is red, a color often associated with higher education and learning. The headwear appears to be a type of turban, which was a common academic regalia in certain cultures and times. The setting and attire suggest that this person is a scholar or a high-ranking legal professional, possibly a university professor or a magistrate from the medieval or Renaissance period. Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image. Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces. In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted...
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Antique Mid-19th Century Prints

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Paper

The Church's Defender: Advocate in Arms on a Hand-Colored Lithograph, 1847
Located in Langweer, NL
An original hand-colored lithograph showing the "Avocat des Eglises," which translates to "Advocate of the Churches." This title likely refers to a legal position within the church,...
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Antique Mid-19th Century Prints

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Court Officers of the Reign of Richard II in an Hand-Colored Lithograph, 1847
Located in Langweer, NL
The illustration features two court officers from the reign of Richard II, displaying the rich and ornate clothing typical of English courtly fashion at the end of the 14th century. ...
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Antique Mid-19th Century Prints

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English Soldiers During the Reign of Henry III, Original Liithograph, 1847
Located in Langweer, NL
This illustration depicts three English soldiers from the reign of King Henry III, as indicated by the title "Soldats Anglais du Regne de Henri III." Each soldier is shown wearing di...
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Antique Mid-19th Century Prints

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Engraving of a Guardian of the Fort: The Medieval Arbaletrier, 1847
Located in Langweer, NL
The image is labeled "Arbaletrier," which is French for crossbowman. It depicts a medieval soldier equipped for battle. The crossbowman is dressed in a pink tunic with a blue collar...
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Antique Mid-19th Century Prints

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Crustacean Varieties in Drapiez's Natural Sciences Dictionary, 1845
Located in Langweer, NL
This original hand-colored antique engraving appears to depict a variety of crustaceans, which are characterized by their hard exoskeletons, segmented bodies, and jointed limbs. Each...
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Antique Mid-19th Century Prints

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wall Swiss alp " glacier du Lauteraar " lithographs
Located in grand Lancy, CH
Swiss alp " glacier du Lauteraar " lithographs
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Swiss Antique Mid-19th Century Prints

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Glass, Wood, Paper

Marine Curiosities: An Assortment of Shells and Sea Life, 1845
Located in Langweer, NL
The illustration, an original hand-colored engraving, features a collection of shells and marine organisms, likely from various classes of the phylum Mollusca: 1. **Lingule anatine...
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Antique Mid-19th Century Prints

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Albrecht Achilles: The Warrior Prince of Brandenburg in Prayer, 1847
Located in Langweer, NL
The image depicts Albrecht III Achilles, Elector of Brandenburg, known for being a significant figure in the early history of Brandenburg-Prussia. Albrecht is shown in a kneeling po...
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Antique Mid-19th Century Prints

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Carnivores of Field and Forest: Coati, European Badger and Striped Polecat, 1845
Located in Langweer, NL
The image is a hand-colored engraving from the 'Dictionnaire Classique des Sciences Naturelles' by Pierre Auguste Joseph Drapiez, published in 1845. It features three species of smal...
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Antique Mid-19th Century Prints

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Aquatic Elegance: A 19th Century Portfolio of Marine Gastropods, 1845
Located in Langweer, NL
The print features a collection of marine gastropod mollusks, more commonly known as snails, each with distinctive shell shapes and ornamentations: 1. **Cérith (Cerithium)**: This i...
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Antique Mid-19th Century Prints

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Fungal Forms: Illustrations of Mycological Diversity, 1845
Located in Langweer, NL
This illustration does not depict animals, but rather a variety of fungi, which are a diverse group of organisms that include yeasts, molds, and the more familiar mushrooms. They pla...
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Antique Mid-19th Century Prints

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Paper

Illustrated Bivalve Shells from 'Dictionnaire Classique des Sciences Naturelles'
Located in Langweer, NL
These two original antique prints are hand-colored engravings of various bivalve mollusks, which are a type of shellfish with a compressed body enclosed within a hinged shell. These ...
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Antique Mid-19th Century Prints

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Terrestrial Mammals: Wild Boar, Indian Rhinoceros, and Malayan Tapir, 1845
Located in Langweer, NL
An original antique hand-colored engraving featuring three different species of animals, each labeled in both Latin and French: 1. **Sus scrofa** - Commonly known as the wild boar. ...
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Antique Mid-19th Century Prints

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Paper

Tree Rhododendron: An Original Hand-Colored Engraving from 1845
Located in Langweer, NL
This hand-colored engraving from the 'Dictionnaire Classique des Sciences Naturelles' presents the 'Rhododendron Arboreum', commonly known as the Tree Rhododendron. The illustration ...
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Antique Mid-19th Century Prints

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Paper

Old Hand-colored Print of a Dugong, a Narwhal and a Right Whale
Located in Langweer, NL
The creatures on this original antique print are: —The Dugong, Narwhal, and Right Whale—They are fascinating marine mammals, each with its unique characteristics and place in the oce...
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Antique Mid-19th Century Prints

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Paper

Entomological Elegance: A Collection of 19th Century Beetle Engravings
Located in Langweer, NL
The images are finely detailed engravings of beetles from a 19th-century scientific collection. Each beetle is rendered with precision, showcasing their unique physical characteristics, such as the segmentation of their bodies, the texture of their carapaces, the patterns and colors of their wing covers (elytra), and the varying shapes and lengths of their antennae and legs. The species, as labeled in the engravings, are as follows: From the first image: 1. **Apidie** - Possibly a reference to the Apidae family, which includes bees, but in this context, it likely refers to a type of beetle. 2. **Attelabe** - Likely a variant of the name for beetles in the family Attelabidae, known as leaf-rolling beetles. 3. **Bousier** - Common French name for dung beetles, which are part of the Scarabaeidae family. 4. **Cétoine** - Refers to beetles in the subfamily Cetoniinae, known as flower beetles. 5. **Geotrupe** - A genus of earth-boring dung beetles. 6. **Hanneton** - Common French name for beetles in the family Scarabaeidae, particularly the June beetles or May bugs. 7. **Oryctes** - A genus that includes the rhinoceros beetles. 8. **Trichie** - Refers to beetles in the genus Trichius, which are often found in flowers and resemble small bumblebees. From the second image: 1. **Attelabe** - Again, likely referring to the Attelabidae family of leaf-rolling beetles. 2. **Calosoma** - A genus of ground beetles...
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Antique Mid-19th Century Prints

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Paper

pirals of the Sea: Artistic Renderings of 19th Century Gastropods, 1845
Located in Langweer, NL
This print from Pierre Auguste Joseph Drapiez's 'Dictionnaire Classique des Sciences Naturelles' illustrates three types of sea snails, each rendered with meticulous attention to det...
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Antique Mid-19th Century Prints

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Paper

Marine Mollusk Diversity: Sponges, Abalones, Limpets, and Chitons, 1845
Located in Langweer, NL
This original antique engraving depicts a collection of marine mollusks, which are a diverse group of invertebrates living mostly in aquatic habitats. These are likely depicted for t...
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Antique Mid-19th Century Prints

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Paper

Varieties of Marine Invertebrates: Spined Worms and Bicolored Leech, 1845
Located in Langweer, NL
This original antique engraving depicts a variety of marine invertebrates: 1. **Phyllococte de part et d'autre épineux** - This might refer to a type of marine worm or possibly a se...
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Antique Mid-19th Century Prints

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Diverse Rodentia: Squirrel, Cuban Hutia, and Lemming-like Rodent, 1845
Located in Langweer, NL
The image features three different mammal species: 1. **Sciurus aureventer** - This is likely an old taxonomic name, and the animal depicted resembles a squirrel, recognizable by it...
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Antique Mid-19th Century Prints

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Paper

Subterranean Marvels: The Cape Golden Mole and the Common Hedgehog, 1845
Located in Langweer, NL
The image depicts two different animals, each labeled in French: 1. **Chrysochloris aurata** - This is commonly known as the Cape golden mole. It is characterized by its cylindrical...
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Antique Mid-19th Century Prints

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