Portrait of Youth: A Young Italian of the Middle Ages, 1847

Description: This original antique print, labeled "Jeune Italien, No. 2," which translates to "Italian Youth, No. 2," depicts a young man in what appears to be a Renaissance-period a...

Title: "Civilian Costume at the End of the 15th Century" Description: The image is a print from a series the "Costume du Moyen Age" dated 1847, and titled "Costume Civil de la Fin du XVe Siècle," which translates to "Civilian Costume at the End of the 15th Century." It showcases a man of status, possibly a noble or a wealthy burgher, standing in a poised and confident manner. He is attired in an ornate cloak covered in a complex pattern of fleur-de-lis and cross motifs, indicative of wealth and possibly a connection to royalty or high social rank. The cloak is open at the front to reveal a blue doublet with a belt, and he wears red hose—a fashion staple of the late medieval period. His footwear is also red, which stands out against the more subdued tones of his outfit. On his head, he sports a fur-trimmed hat, adding to the luxuriousness of his attire. In one hand, he holds a long staff, which serves as both a walking aid and a symbol of authority. His other hand rests on the hilt of a dagger, further indicating his readiness to defend his status or engage in the political or civic matters of his time. The artist has skillfully rendered the textiles and accessories with great care, emphasizing the fashion and social cues of the late 15th-century European society. The colors have a nice glow over them. Historically, egg whites, known as glair, and sometimes egg yolk were indeed used in illumination and painting, particularly in manuscripts, to give colors a brighter appearance and to add a sheen or gloss to the work. This technique was quite common during the Middle Ages...

Title: "French Youth in Traditional Medieval Attire" Description: This hand-colored engraving, titled "Jeune Français," which translates to "Young Frenchman," is part of the histori...

Title: "The Stature of a Milanese Noble: An Artistic Depiction from 'Costume du Moyen Âge'" Description: This finely detailed lithograph is part of the 1847 seminal work "Costume du Moyen Âge," which portrays a Milanese nobleman, attired in the fashion of the Middle Ages. The nobleman stands in a dignified pose, with a slight turn to the side that suggests movement or the commencement of an address. His garment is a robust, terracotta-hued robe, which falls in heavy folds to the ground, indicating the weight and quality of the fabric. The robe features elegant blue cuffs and a blue collar, which provide a contrast to the warm primary color and are adorned with diamond-shaped embellishments, implying a subtle yet unmistakable wealth. Atop his head sits a distinctive chapeau with a jaunty feather, adding a touch of personal flair to his ensemble. This hat, along with his full, neatly groomed beard, contributes to the air of wisdom and experience that the nobleman exudes. His expression is one of contemplation and sagacity, with eyes that appear to be observing or assessing the scene before him. As in other plates from the collection, the background is left intentionally plain, directing the viewer’s focus to the subject and his elaborate attire. This lithograph not only captures the fashion and dignity of a nobleman from Milan but also serves as a cultural and historical record, revealing the meticulous attention to detail in costume design and social hierarchy of the time. The lithograph serves as a visual study of the mores and attire of the period, crafted with reverence for the historical accuracy and an appreciation for the aesthetics of medieval clothing...

"Caudatario"  is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate on the right margin.  The a...

Ancient Costume is an original lithograph hand-colored, realized by an anonymous artist of the XIX century The state of preservation of the artwork is...

Roman Costume is an original etching artwork realized by Bartolomeo Pinelli in 1831. Signed by the artist on the plate, dated lower right. Good conditions. The artwork represents ...

A large hand-colored lithograph entitled “Le Impératrice, Compiegne,” after the painting by Jean Victor Adam (1801-1866), circa 1850s. Depicted is the Empress Eugénie de Montijo, wi...