Rare Early Plate of a Virgin Woman from Naples, Italy in 16th Century Costume

Title: "15th Century Elegance: Lady of the Court" Description: This print presents a lady of the 15th century, elegantly attired in the fashion of the European high nobility. Her dr...

Title: Bianca Maria, Countess of Cellant – 15th Century Italian Costume by Paul Mercuri, 1860 Description: This striking hand-colored lithograph depicts Bianca Maria, Countess of ...

Antique costume print titled 'Rubens Weib - la Femme de Rubens'. This print depicts Rubens's wife. Originates from a rare costume book titled 'Sammlun...

Description: Antique print, titled: 'Musa in Aedibus Ducis Altaempsy.' - Statue of a Muse in Rome. The Muses are the inspirational goddesses of literature, science, and the arts in Greek mythology. From the 1660 Dutch edition of 'Icones et Segmenta Nobil. Signorum et Statuarum quae Romae extant' by Francois Perrier. This first Dutch edition was published by Nicolaas Visscher, printed in 1660 (Amsterdam). Although Perrier was French, he fell in love with Rome when he traveled there first in 1628 and then returning in 1635 and remaining for 10 years. While there, he completed this series of 100 views of Roman statuary in the various palaces and gardens, including the Medici and Vatican gardens and the Palazzo Farnese. Artists and Engravers: Made by 'Cornelis van Dalen...

Fantastic old master painting of nude woman with pearls, probably Italian, circa 1680 - 1710. Measures: H. 90 W. 74 cm H. 35.4 W. 29.1 in.

Artist: Aegidius Sadeler II Petronia, First Wife of Vitellius, from set of Roman Emperors and Empresses, c. 16th-17th century Engraving Publisher: Marcus Christoph Sadeler Sight: 15 1/4 x 10 3/4 in. Framed: 19 3/4 x 15 1/4 x 1 in. This image was conceived in the 16th century by Aegidius Sadeler II and published by Marcus Christoph Sadeler. It is unclear when the present version was executed. Aegidius Sadeler or Aegidius Sadeler II[1] (1570–1629) was a Flemish engraver who was principally active at the Prague court of Rudolf II, Holy Roman Emperor and his successors. Sadeler was born in Antwerp in the Sadeler family of print dealers and engravers. He was the son of Emmanuel de Sayeleer and the nephew of Aegidius I, Jan I en Raphael Sadeler.[2] He was trained by his uncle Jan I and became a member of the Antwerp Guild of St. Luke in 1589. He was active in Munich the next year in 1590, in Rome in 1593, in Naples and then again in Munich in 1594–1597. From 1597 he settled in Prague where he became court engraver for Rudolf II and made engraved portraits of notables and engravings after artworks there, most notably paintings by Bartholomeus Spranger, Roelant Savery, Hans von Aachen, Giuseppe Arcimboldo, and sculptures by Giambologna and Adriaen de Vries. His early engravings were mostly faithful copies of works by Albrecht Dürer in the Imperial collection and copies of paintings by notable Italian painters such as Raphael, Tintoretto, Parmigianino, Barocci and Titian or by Northern painters who worked there, such as Paul Bril and Denys Calvaert. In Prague he also engraved portraits of the notables of Rudolf's court, and collaborated with Spranger, Joseph Heintz the Elder, Jacobus Typotius and his friend Anselmus Boece de Boodt (1550-1632), Rudolf II's gemologist and physician.[3] After Rudolf II died he enjoyed the favour and protection of the two succeeding Emperors, Matthias and Ferdinand II.[4][5] According to Michael Bryan...

Ancient Roman Goddess from the series "Antiquities of Herculaneum", is an etching on paper realized by Francesco Cepparoli in the 18th Century. Signed ...

Wonderful print Chromolithograph Published by Connoisseur circa 1900 Unframed.