Traditional Attire of the Ostiak: A Glimpse into 19th Century Siberian Culture

This antique print, titled 'Guerrier de Timor (Amfoang),' provides a vivid portrayal of an Atoni warrior from Kupang, West Timor, Indonesia. The hand-colored woodcut captures intrica...

The hand-colored print titled "New York," published in 1842, presents a detailed and picturesque view of the cityscape of New York as it appeared in the early 19th century. The title "New York" is centered below the image. Below the title, the text reads "LONDON: Published by Thomas Kelly. 17, Paternoster Row," indicating the publisher and location of publication in London. Additionally, the text "S. Davenport. Sculp." is printed beneath the image, signifying that the engraving was done by S. Davenport. Description of the Image: - **Perspective**: The image provides a broad view, likely from an elevated point, showing the expanse of the city. The perspective gives a sense of depth, with the street extending into the distance. - **Central Street**: A wide, unpaved street runs down the center of the image, flanked by rows of buildings on both sides. This street is bustling with various activities. - **Buildings**: The buildings are primarily two to three stories tall, featuring a mix of architectural styles typical of the period. Some have distinct red roofs, adding a touch of color to the scene. - **Churches**: There are several prominent churches with tall spires visible in the background, indicating the importance of religious institutions during that time. - **Foreground**: In the foreground, to the right, there is a large, columned building, which might be a significant public or religious structure. - **Activity**: The street scene includes horse-drawn carriages and pedestrians, capturing the everyday life of the city's inhabitants. - **Harbor**: In the far background, you can see masts of ships, indicating the proximity of the harbor and the importance of maritime activities to the city. Artistic and Historical Context: - **Engraving Style**: The work of S. Davenport, an engraver, suggests fine detail and precision typical of hand-colored prints of that era. - **Historical Significance**: This print serves as a valuable historical document, offering a glimpse into the urban layout and architecture of New York City in the early 1840s. - **Publishing Context**: Being published in London by Thomas Kelly indicates a transatlantic interest in the growing metropolis of New York, reflecting its emerging significance on the global stage. This print is not only an artistic representation but also a historical record, encapsulating the essence of New York City during a period of significant growth and development. Identifying specific buildings from a historical print like this one can be challenging, especially without modern landmarks for direct comparison. However, a few notable buildings and features from New York in the early 1840s could potentially be recognized based on historical context and architectural details. Potential Recognizable Buildings: 1. **St. Paul's Chapel**: Given its prominent spire and proximity to the center of early New York...

These original antique images are colored engravings that represent the traditional attire of three female inhabitants from different ethnic groups within the Russian Empire as of th...

The first print depicts a collection of orthopteran insects, which includes grasshoppers and crickets. These are characterized by their long hind legs for jumping, and in the case of...

A 19th century steel plate engraving depicting the Banishment of Cleombrotus after the original by Benjamin West oil on canvas painting executed in 1768 and held at the Tate Gallery. The engraving is presented with beige matting and a gilded wooden frame. Benjamin West showed this painting at the second exhibition of the newly formed Royal Academy. After several years in Italy, West had established himself in London as the leading painter of subjects from classical history...

This engraving is by Albert Henri Payne after a painting by Casper Netscher. It is a steel engraving. It represents a scene of everyday life. Here, a young woman is sitting on a chai...

John the Baptist, framed engraving representing John as a young shepherd dressed in a melote, seated next to his cruciform reed staff and the banner "Ecce agnus dei ecce qui tollit.....

Steel engraving from the 19th century representing a painting of Rembrandt by Franceso Novesllsine. 1892 Measure: H 23cm, L 19cm.