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Views of Cowdray House – Engraving of South & North Aspects, Sussex, 1796
$151.11
$188.8920% Off
£112.33
£140.4220% Off
€127.20
€15920% Off
CA$207.86
CA$259.8320% Off
A$231.55
A$289.4420% Off
CHF 122.14
CHF 152.6820% Off
MX$2,807.64
MX$3,509.5620% Off
NOK 1,553.80
NOK 1,942.2520% Off
SEK 1,447.46
SEK 1,809.3320% Off
DKK 968.85
DKK 1,211.0620% Off
About the Item
Views of Cowdray House – Engraving of South & North Aspects, Sussex, 1796
This finely executed antique engraving presents two distinct views of Cowdray House, the once-grand Tudor mansion in West Sussex, England. The upper image, titled “South View of Cowdray from the Cottage,” captures the estate’s stately silhouette framed by rolling parkland and mature trees, with architectural details of the house visible in the mid-distance. The lower image, “North View of Cowdray House,” offers a complementary perspective, showing the building’s facade as it rises above gently undulating grounds, with figures and livestock animating the rural setting.
Cowdray House, built in the early 16th century and associated with the influential Montague family, was one of England’s great Tudor homes, famed for hosting monarchs and dignitaries. These views date from a period shortly before the devastating fire of 1793, which left the mansion in ruins. As such, they serve as valuable historical records of the estate’s original grandeur.
Engraved by James Basire (1730–1802), renowned for his architectural precision and historical accuracy, after drawings by Samuel Hieronymus Grimm (1733–1794), a Swiss-born artist celebrated for his topographical works, these plates reflect the Georgian era’s fascination with documenting significant historic sites.
Ideal for collectors of English country house views, Tudor architecture, or antiquarian engravings, this piece offers both aesthetic appeal and historical significance.
Condition: Very good impression with general age-related toning. Plate marks clearly visible, strong paper with full margins and slightly frayed edge at the bottom.
Framing tips: Present both views together in a single mount with a warm ivory or pale grey mat, complemented by a gilt or dark wood frame to highlight the fine engraved lines and tonal contrasts.
- Dimensions:Height: 22.84 in (58 cm)Width: 14.57 in (37 cm)Depth: 0 in (0.01 mm)
- Materials and Techniques:Paper,Engraved
- Place of Origin:
- Period:
- Date of Manufacture:1796
- Condition:Very good impression with general age-related toning. Plate marks clearly visible, strong paper with full margins and slightly frayed edge at the bottom.
- Seller Location:Langweer, NL
- Reference Number:Seller: BGI-000131stDibs: LU3054327435232
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- ShippingRetrieving quote...Shipping from: Langweer, Netherlands
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Set of Two Engravings from Nash's "History of Worcestershire" /// Landscapes Art
By Treadway Russell Nash
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Artist: Treadway Russell Nash (English, 1724-1811)
Title: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." and "Ombersley Court, the Seat of Lord Sandys"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Two Original Engravings and Etching with Aquatint on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10.13" x 16.88"
Image size (each): approx. 8.13" x 12.63"
Condition: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." has scattered light foxmarks in margins. The top edge is unevenly trimmed and a small taped tear to lower right corner. "Ombersley Court, the Seat of Lord Sandys" has light toning to sheet and some faint discoloration in right margin. A small light water stain to lower left corner. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition
Notes:
Provenance: private collection - Aspen, CO. "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." was likely engraved by English artist James Ross (1745-1821) after a drawing by himself. "Ombersley Court, the Seat of Lord Sandys" was engraved by English artist Valentine Green (1739-1813) and English artist Francis Jukes (1745-1812) after a drawing by an unknown, likely English artist. The first work is an engraving; the second work is an etching with aquatint. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from copper plates in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "Ombersley Court, the Seat of Lord Sandys" has an unidentified watermark in the center of its sheet. "Henbury Hall" is actually incorrectly misnamed; its correct name is "Hanbury Hall".
"PLATES, Drawn and engraved by J. Ross, unless otherwise expressed." - "A Bibliographical Account of the Principal Works Relating to English Topography", (1818) - William Upcott.
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
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