Spanish Colonial Wall Decorations

ABOUT Virgin of Guadalupe, unsigned, oil on canvas, unframed. CREATOR Unsigned. DATE OF MANUFACTURE c.1910-1940. MATERIALS AND TECHNIQUES Oil on Canvas. CONDITION...

18th Century Spanish Colonial Oil On Canvas Painting, La Santa Trinidad (The Holy Trinity). Painting depicts God the Father, God the Son (Jesus Christ) and God the Holy Spirit figura...

Mid-20th century man's ceremonial (cofradía) outfit, Chichicastenango, Guatemala. 25" (63.5 cm) shoulder to hem by 59" (274 cm) across shoulders It is rare to find a complete ceremonial cofradía outfit in such good condition. The blue zigzag embroidery at shoulders and cuffs is said to signify that the wearer was an astrologist or day-keeper of the ceremonial Maya calendar...

1941 Rio Blanco, Chile by Ceferino Carnaci Painting. Newly framed in gold giltwood frame. Painting includes COA and artist information from the gallery it was purchased from in Buen...

A set of framed hand painted tiles. Probably Spanish or Italian. Hand painted showing an urn on a pedestal with a bouquet of flowers. Mounted in a w...

Landscape with Hut depicts a typical Mediterranean setting (" Barraca valenciana en la Albufera) , featuring a large hut and another one partially hidden among lush vegetation. ROcam...

Remarkable Spanish colonial late 18th/early 19th-century painting of Lady of the Rosary, Madonna and Child, or Virgin Mary. Oil on canvas Cuzco school painting...

“La Merienda” written at the bottom of this cartoon, refers to a light meal served between lunch and dinner. At the top is written “Goya”, which pertains to the known Spanish artist, one of the greatest Old Masters. In 1775 he was employed by the Royal Tapestry...

Unusual and rare large scale glazed ceramic hand painted tiles depicting Native Americans (?) in a ceremonial dance. Likely natives of Brazil, when it was a colony of Portugal. The f...

Beautiful 18th century Spanish colonial oil on canvas painting of Saint Anthony with the infant Jesus. There are a few old repairs as shown on photos...

18th century Spanish Colonial School, Cuzco: Angel, oil on tin. Framed, in good condition. Rich colors of red, blue and white. Inscribed in upp...

A lovely antique oil on linen painting from Spanish Colonial period late 18th-early 19th century. In the style of Classic Cuzco School, the painting depic...

Peruvian Cuzo School Oil on Canvas of the Archangel Raphael, 19th Century. The Cuzco or Cusco school was a Roman Catholic artistic tradition that began in the 1500's in Peru, foll...

18th Century Mater Dolorosa Religious Oil Painting, Antique Spanish Colonial Religious Oil Painting, Our Lady of Sorrows Painting, Antique Religious Oil Painting...

Presenting a Peruvian Cusco School Revival painting from the mid 20th century, depicting the beloved figure of San Isidoro, the patron saint of farmers and laborers. This exquisite ...

Large oil painting of the holy family on hand woven canvas. Peruvian or Bolivian. Acquired from an estate in the San Francisco Bay Area f...

Spanish Colonial Indoor home scene. Original watercolor, ink and gouache drawing on vellum paper, Project for a home decoration. Cabinet maker archives stamp top Lef: 'J. Anguera. Ca...

Fantastic Spanish Colonial school screen. Probably from Peru. This screen, with a kind of European landscape, give us an idea of the influence ...

Very rare and excellent condition, This all-handcrafted cabinet with a stunning decor of foliate carving and inlaid, Eastern style motifs is completely original and can be used for all kinds of purposes. It must have taken a highly skilled artisan several weeks to design and create this architecture inspired piece of wall furniture. It also comes with Arabic calligraphy on the drawer, but unfortunately we don't know the meaning of the word(s) or phrase. This unique, single door cabinet with its beautiful patina and its marvelous look and feel is as stable/strong as the day it was made and the pair of metal hooks on the back makes it very safe and easy to mount on your wall. If you are decorating a home or business with an Eastern interior then this late 1800s cabinet...

Antique Ernesto Fontana Original Oil Painting. It is beautifully mounted in a period gilded frame. Signed lower left. Additional information: Materials: Canvas, Giltwood Color: Gold...

This contemporary azulejo tile forms a mosaic perfect for kitchen decorations or any exterior space. Made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico, but this time with a contemporary touch. This wall decoration can be arranged to fit specific spaces or simply hanged as a painting on the wall. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar learned his art in the workshop of the Uriarte family, an excellent workshop where his grandfather worked. In his creations he uses the black and white mud that is obtained from the nearby hills of Loreto and Guadalupe, and colors of mineral origin that he creates in his workshop with recipes from his grandfather. All the pieces are modeled in a traditional way and go through a production process that usually takes from one to two months, between drying, burning, and painting. Being surrounded by a living tradition, Cesar Torres Jr., learned from his father since childhood. Architect by profession, Cesar Jr. has come to revolutionize and modernize with new designs and ideas of the current world, nevertheless always respecting the tradition of the processes and materials that make Talavera a Creole art...

This late 17th-century oil on canvas from Peru, depicting the Virgin Mary and baby Jesus, is a striking example of Spanish Colonial art. The work reflects the deep religiosity and de...

Circa 19th century cast iron medallion / wall plaque depicting a portrait of King Charles IV of Spain and his family. The group portrait shows King Charles IV, Queen Maria Luisa of P...

A monumental and captivating 18th-century Spanish Colonial oil on canvas depicting Saint Raphael the Archangel, rendered in grand scale with overall dimensions of 167 cm height by 11...

18th Century Spanish Colonial Painting of Christ on the Cross with a floral border. Painting inscribed at bottom BER DADERAFE DELSD LOS MILAGROS(translates to “True Faith of the Lord...

Rare 18th century Spanish Colonial "Christ Ascending" on Canvas. There is a figure of Christ below a cross.

Impressive antique wall panels crafted in hardwoods and paint decorated in floral motifs retrieved as architectural remnants from an Addison Mizner Palm Beach Estate.

1947 Una Mañana En Enero by Antonio Ballerini Painting. Newly framed in gold giltwood frame. Painting includes COA and artist information from the gallery it was purchased from in Bu...

Virgin of Guadalupe with flowers and appearances of the Virgin to Juan Diego, oil on copper, 18th century. This item does not belong to the mexican...

Our Lady of Valvanera, oil on copper. Spain, 17th century. Height: 20 cm - Width: 14.4 cm. Certificate of Govaert, 1986. Our Lady of Valvanera The Virgin of Valvanera is a Marian devotion from the Sierra de la Demanda, in La Rioja (Spain), a community of which she is the patron saint and one of the patron saints of the autonomous communities of Spain. The current image is a carving considered to be early Romanesque, from the end of the 11th century AD or beginning of the 12th century AD. The Catholic Church commemorates the feast of the devotion on September 8. The appearance of the image is recounted in the Historia Latina, written in 1419 by Rodrigo de...

An important and truly exceptional 18th century Cuzco School (Spanish School, Peru) Oil on Canvas of Pope Gregory XIII. Attributed to Marcos Zapata or Marcos Sapaca Inca. (Cuzco, Pe...

18th century large Spanish Colonial oil on canvas painting of El Escriban, or The Scribe’, St. Augustine. Rich colors of red, gold, silver and b...

Rare 18th-Century Spanish Colonial Painting – Nun in Memento Mori Iconography An exceptional 18th-century Spanish Colonial oil painting on canvas, depicting a veiled nun in a strikin...

Rare 18th-Century Mexican Spanish Colonial Oil Painting "The Mystical Lactation of Saint Cajetan" This remarkable 18th-century Mexican Spanish Colonial oil on canvas presents a rar...

Rare Early 19th century Capriccio view of Rio de Janeiro Painting Probably painted circa 1810 by one of Jean-Baptiste Debret, Italian Students. Painted on Sailcloth. Historical Context of Early 19th Century Portuguese Colonial Brazil 1.1 Transition from Colony to Empire During the early 19th century, Brazil underwent a seismic shift in its political status. Originally a colony under the Portuguese Empire, the arrival of the Portuguese Royal Court in Rio de Janeiro in 1808 rapidly elevated the city’s cultural and political importance. By 1815, Brazil was declared a kingdom united with Portugal, setting the stage for the emergence of the Empire of Brazil in 1822. This period of transformation—often termed the transitional period from colony to empire—fueled a wave of artistic production in cities like Rio de Janeiro. 1.2 European Artistic Influence in Brazil With the French Artistic Mission in Rio (initiated in 1816) and the presence of various Portuguese and European artists, Brazilian art of the early 1800s began to reflect diverse influences, from neoclassical painting to the early rumblings of romanticism. Painters such as Jean-Baptiste Debret, and Nicolas-Antoine Taunay, and local luminaries like Manuel de Araújo Porto-Alegre contributed to the fine arts tradition in Brazil. Their works featured scenes of local life, portraits of Brazilian society, and imaginative vistas—sometimes referred to as “capriccios,” in which real elements were combined with artistic liberties to create an idealized panorama. 1.3 Rio de Janeiro as Cultural and Political Hub Rio de Janeiro, often called the Imperial capital after Brazil’s independence, was home to foundational institutions like the Imperial Academy of Fine Arts (Academia Imperial de Belas Artes). Later evolving into the Escola de Belas Artes (School of Fine Arts in Rio), these academies nurtured the talents of emerging painters, who found patronage under the Royal Court and, subsequently, the Imperial Court. The city’s significance was further enhanced by the construction of significant buildings, the modernization of infrastructure, and the mingling of European courtly customs with the traditions of local inhabitants. . Description of the Octagonal Oil on Canvas: A Capriccio View of Rio de Janeiro 2.1 Composition and Layout The most striking characteristic of this 19th-century Brazilian art piece is its octagonal shape, a relatively unusual format that draws the viewer’s gaze toward its centre. The composition showcases Rio de Janeiro’s shoreline in the early 1800s, brimming with merchant ships and smaller boats anchored near the shore. On the sand, there is a bustling crowd of local people—men and women carrying food and goods on their heads, loading and unloading boats, and engaging in everyday commerce. The backdrop of soaring mountains suggests Rio’s iconic topography, embodying the landscape that famously defines the city. 2.2 Architectural and Religious Landmarks On the left side, one can discern the silhouette of a church believed to be Santa Lucia, a significant religious structure in the heart of early 19th-century Rio. This element provides viewers with a tangible reference point, linking the scene to an actual location. However, because this painting is labelled as a “capriccio,” the artist might have taken creative liberties by rearranging or amplifying certain features of the city. The melding of real and idealized elements is characteristic of these imaginative vistas. 2.3 Evoking Daily Life in Colonial Rio One of the painting’s greatest appeals lies in its portrayal of daily life during the colonial era. Men and women from various backgrounds populate the scene. Some appear to be carrying goods on their heads, a common practice in Brazil that has persisted through different centuries. Others appear to be haggling or trading near small vessels, revealing the commercial pulse of an active port city. This focus on local people, combined with the grandeur of merchant ships, captures the tension and synergy between the every day and the extraordinary—a hallmark of Brazilian colonial painting that balances the grand narratives of empire with the rhythms of ordinary life. 2.4 An Amalgamation of Neoclassical and Romantic Influences Although academic art in early 19th century Brazil was highly influenced by neoclassicism, the onset of romanticism can be spotted in the emotional portrayal of the sky, the lively palette, and the dramatic emphasis on nature’s beauty (the mountains, in particular). This duality reflects the fine arts tradition in Brazil during the transitional phase when artists were embracing multiple styles. As part of the School of Rio or the Rio de Janeiro school, painters often integrated academic techniques learned from European masters with emerging local subjects and influences. 3. Institutions and Artistic Movements 3.1 Imperial Academy of Fine Arts Originally known as the Royal School of Sciences, Arts, and Crafts, the Imperial Academy of Fine Arts in Rio de Janeiro was instrumental in shaping 19th-century Brazilian art. Influential artists and teachers from Portugal, France, and other European nations congregated at the Academy, imparting their expertise to native students. As the monarchy consolidated power, the Academy enjoyed royal patronage, leading to the creation of Imperial Academy-style works that combined European academic rigour with Brazilian-themed subject matter. 3.2 Impact of the French Artistic Mission The French Artistic Mission, which arrived in 1816, played a pivotal role in introducing advanced European artistic techniques, thereby elevating the overall quality of painting in Brazil. Artists like Jean-Baptiste Debret not only documented Brazilian society but also spearheaded the development of a local visual identity that aligned with both academicism and the national context of a blossoming empire. Debret, alongside others such as Nicolas-Antoine Taunay, mentored Brazilian artists, sowing the seeds of what would become the Brazilian academic art movement. 3.3 Religious, Historical, and Landscape Paintings In addition to everyday scenes and historical compositions, religious iconography remained crucial throughout Portuguese colonial and imperial Brazil. Churches were omnipresent in cityscapes like Rio de Janeiro. Many colonial-era Brazilian portraits...

This exquisite 18th-century Peruvian oil on canvas is a masterful example of Spanish Colonial art, embodying the profound devotion and artistic sophistication of the period. The pain...

Presenting a rare and captivating Peruvian Cusco School painting from the mid 19th century, depicting the beloved figure of San Isidoro, the patron saint of farmers and laborers. Thi...

Exquisite 19th century Spanish colonial wall cabinet with a striking dark patina & carved knight. Very nice small antique that brings the right charm & vibe to any room. The interior has 4 compartments for storage. The cabinets door is richly decorated with a Spanish knight...

This exquisite early 18th-century Spanish Colonial oil painting, originating from Bolivia, portrays “Mary, Queen of Heaven.” With meticulous craftsmanship, it illustrates the Coronat...

Zocalo Oil Painting by Mexican Artist Jesus Ortiz Tajonar Offered for sale is an original oil painting of Mexico City by the Mexican artist Jesus...

16th Century Spanish Colonial Oil on canvas painting of the Virgin of the Immaculate Conception. In this representation of the Virgin Mary being f...

An outstandig early 18th Century Spanish Colonial oil on canvas depicting Mary and The Holy Trinity, or "Mary Queen of Heaven". You can notice th...

This 17th-century oil on canvas from Spanish Colonial Peru features a striking depiction of Our Lady of Sorrows. The Virgin is shown with a somber expr...

This magnificent 18th-century Spanish Colonial oil painting is a remarkable example of religious art, showcasing a stunning depiction of the Dormition of the Virgin. Measuring grandl...

Spanish Colonial Penitent Mary Magdalene Original oil on canvas painting XIX century Details Original period frame. Painting dimensi...

Anonymous – Spanish American Colonial School, 18th Century "Missionary Encounter in a Tropical Landscape" Oil on Canvas A rare and evocative example of 18th-century Spanish American...

18th century painting of San Geronimo, oil on canvas laid on wood board. It was later placed in a restored 19th century wood and gesso frame. There is no signature.

Introducing an extraordinary matching set of embossed leather art by the incomparable furniture designer and artisan Angel Pazmino. Cut from a set of sling chairs by Pazmino this tru...

Introducing an extraordinary embossed leather art by the incomparable furniture designer and artisan Angel Pazmino. Cut from a set of sling chairs by Pazmino this truly one of a kind artwork is the epitome of 'custom' and 'hand-made'. The frame has been hand-milled from a solid slab of sustainably sourced American black walnut by our carpenters perfectly offsetting the character-rich patina of the embossed leather within depicting, among other Incan symbols, Supay - the Incan god of death and guide to the afterlife. Angel Pazmino is an Ecuadorian furniture maker who has, in recent years, earned world-wide acclaim for his unlikely merging of pre-Columbian American and Mid-Century Modern design elements into his works. Born in 1926, Pazmino began his woodworking career in 1944 as a cabinet maker. Throughout the 1950's and 60's Pazmino travelled throughout the Americas where he exhibited his work and took inspiration from traditional Ameri-Indian artists and techniques. In the late 1960's he added his second authorial characteristic, incorporating graphic elements from the continent's native cultures reviving, as he put it, “the ancient and aristocratic art of leather embossing,” learning from such artisans as master saddler Ignacito Ortiz. With it's striking depictions of Incan mythology, intricate hand-tooled and embossed saddle-grade leather and a custom, hand-made frame cut from solid black walnut this truly one-of-a-kind art piece is sure to make a BOLD impression in any space it inhabits and is absolutely arresting from any angle. Ideal for designers and collectors alike searching for authentic folk-art from the Andes region this visually arresting piece can blend seamlessly against a myriad of design backdrops from Spanish Hacienda to Safari to Boho Chic and is the perfect addition to any collection. Just as Pazmino merged the design aesthetics of Scandinavian Modern and Spanish Hacienda so too we find this artwork merging the techniques, beliefs and aesthetics of both the Spanish and Native American design creating a uniquely original, honest outcome blending both the New and Old Worlds as no one else has ever done. Make it yours today before it's gone forever. ---Dimensions--- Width: 25 in / 63.5 cm Depth: 1 in / 2.54 cm Height: 17 in / 43.18 cm This artfully-crafted leather artwork...

79206 Antique Shishedar Phulkari Textile, 07'10 x 09'01. Woven in the mountainous cradle of the Swat Valley, this rare embroidered Shishedar Phulkari is not merely a cloth—it is a la...

A Spanish Colonial painting of Jesus with child from the 19th century. This antique Spanish Colonial painting from Latin American is a beautiful depic...

An exquisite Spanish Colonial oil painting from the 18th century, depicting Saint Mary Magdalene in a richly detailed composition. This piece showcases the characteristic Cuzco Schoo...

Jose de Alcibar, infant Saint John, signed and dated 1802, oil on copper. This item does not belong to the mexican heritage as it has been acquired and...

This 19th century Mexican oil on tin 'oracion' (prayer) is dedicated to Santa Eduviges. Saint Hedwig is the patroness saint of Bavaria, brides, jealousy and difficult marriages -- kn...

Manuel Espinosa y Carbia (Spanish, b. 1840) A Fine Watercolor on cardboard depicting a seated Maja Lady wearing traditional Spanish clothing, a shawl over her lap and holding a fan, ...

MANUEL EDUARDO NIETO - 'Parque Cuervo, Bogota, Col.' - Rare Latin American 'scraped' architectural drawing on card - vintage frame with velvet liner - signed and dated lower right - signed, dated and titled on the back - Columbia - circa 1971. Excellent vintage condition - minor scuffs to the vintage...

Printed in London, 1830. Including Nos. 4, 8, 9 and 10 from a series. FIne quality color illustrations of different stages of bull fights with toreadors and picadors, one one horseba...

1950 oil on canvas, The lagoon, Valencia, Spain signed by Lopez with a beautiful frame Traditional landscape of Valencia Called "Albufera".