Framed Large Pre-Columbian Woven Textile Fragment from Chimu Chancay Culture

An antique pre-Columbia textile panel from Chimu or Chancay culture in central and Northern coast of nowadays Peru. Chancay culture thrived in the late Intermediate period/ late Horizon circa AD. 1000-1470 until it was incorporated by Chimu Culture on the further northern coast. The panel appears to be an intact shawl or head scarf, indicated by the overall integrity with the finished edges. It is a gauze-like linen/cotton open-square woven panel with supplemental embroidered horizontal bands that alternate between hooked diamond motifs and silhouettes of perched seabirds, one of the most favored animal forms in Chancay art. The color is quite vibrant with red contrasted by two shades of yellow on a darker brown background. The scarf such as this is thought to be associated with ceremonies and magic realm of death and burial practice. The textile is displayed on a dark line background under a newly made acrylic shadow box. Reference: For reading on the bird motifs in Chancay textile art, see page 141-183 of the book "Ancient...

A fragment of antique Peruvian textile from Pre-Columbia era, nicely displayed in a matted metal frame. Likely from Chancay culture in Centra...

Large, rectangular section of loosely woven cotton in an open, net pattern weave. Bears three complete selvedges and has 12 square sections, each containing a horned animal with curled tail surrounded by a meandering, geometric border. Excellent condition. Backed on black cotton. Kate Kemper, of London and Switzerland (1908-2004) was an early collector of Andean art, forming an important collection of ceramics and textiles after visiting Peru. Her comprehensive collection was formed in Europe and exhibited in various museums including Ancient Peruvian...

A woven textile shirt of rectangular form having small rectangular panels on the front and back, all with fringed borders, and open head slit in center. Decorated with zigzag rows of...