French 18th Century Tapestry 6'5 x 5'5

6'3 high x 5'9 wide. A circa 1880 hand-woven French Tapestry depicting a forest scene with a lake flowing through. and a bird in the water.

French landscape tapestry probably Beauvais, circa 1750. Although not a product of the Royal Gobelins factory in Paris, this pictorial landscape tapestry is extremely Fine with silk highlights. The French royal tapestry works in the Gobelins made masterpieces for the crown. For the nobility and bourgeoisie, Beauvais was the source for attractive wall hangings in all sizes, degrees of fineness and subject matters. Rural scenes particularly appealed to urban collectors. Here two white geese cavort under a sandy bluff. The hillock is framed on each side by trees, one a blasted trunk, and topped by a picturesque rustic windmill. Realistically depicted flowers, overhanging grasses and luxuriant foliage give a summer air to the image. In addition, a startled bird, flies up to the right. The border is a trompe l’oeil gilt picture frame with corner bosses and low relief “carving”. The weave is quite Fine and is executed in wool with copious silk details. Although Jean Pillement...

Brussels late 17th century tapestry, "Asia" from a Four Continents series. Designed by Lodowijk van Schoor, Woven in the Workshop of J. van der Borcht I Size: 9'4 high x 18' wide. Wool, silk and metal thread pattern wefts This extremely colorful and attractive late Baroque Flemish tapestry with a popular iconography is the product of two important figures in 17th century Brussels weaving. J. van der Borcht I (circa 1650–1713) was a master weaver and tapestry entrepreneur who established a most distinguished family tapestry firm and was followed by J. van der Borcht II, Jasper van der Borcht, Pieter van der Borcht and Jan Frans van der Borcht, taking the operations into the mid18th century. Their wealthy patrons allowed the firm to engage some of the best designers and as a result the artistic quality, as well as the sheer technical execution, is always high. The Van der Borchts wove tapestry series (or single pieces) of Mythological Scenes, Months, Allegories, Armorials, Triumphs of the Gods, The Continents, as well as more down-to-earth genre scenes designed or inspired by David Teniers II or Teniers III. Their artist designers included, besides the Teniers, Jan van Orley, Augustin Coppens, Gerard Lairesse, Phillipe de Hondt, and the Antwerp-born Lodowijk van Schoor (circa 1650–1702), the designer of U-1362. Van Schoor was the successor of David Teniers III. He was the designer or co-creator of about fifteen sets of tapestries. His cartoons were utilized and copied in both the Northern and Southern Netherlands, and continued popular well into the 18th century. His style, especially in his later works, is more harmonious and refined than Teniers and he avoided genre scenes with peasants. Van Schoor sometimes collaborated with other artists, for example Lucas Aertschellinck (1620 – 1699) who specialized in landscape backgrounds as in the set of Mythological Scenes” woven circa 1700 in the Van der Borcht shop. He did not collaborate on this tapestry, Van Schoor’s figures are graceful and his color schemes vivid, in keeping with the best of contemporary Flemish tapestry. Van Schoor’s designs influenced artists working at great remove from Brussels, even so far as the Florentine workshop of Bernini and Demignot where a Van Schoor inspired “Four Continents” set was woven in the early 1720s. The “Four Continents” or “Four Parts of the World” was a popular theme in the 17th and 18th centuries for tapestry patrons. Each continent was identified by native peoples and animals: America (North and South together) by Indians and the Turkey bird...

8'6 x 13'2. Two rustic milkmaids frame a gesticulating, fallen youth in a summery, vigorously rendered verdant landscape. Stylized trees picturesquely rear up at the left and centre ...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Rug #: 20319 Tapestry, Gobelins Factory, France 9’0” x 6’4” (2.77 m x 1.92 m) Circa mid-18th century “The Air” or “Aurora & Cephalus”, from a set of The Four Elements From a design of Francois Boucher Structure: Slit tapestry weave. Warp: linen, natural, beige, Z-2-S, 25/in Weft: silk, Z-2, 90 wefts/in², or Wool, Z-2-S, plain tan edge and various small details No marks of origin Subject: This panel is the first of a series of four depicting classical allegories of The Elements (Air, Earth, Water, Fire). Francois Boucher created the original paintings around 1770 and the first edition of the set was woven between 1772 and 1776. “Air” was the first woven and was 3.0m x 1.85m, a taller and narrower format than our example. The figures are: male, Cephalus, dressed as a hunter; female, Aurora; and Cupid (Eros), all within a tall, airy pavilion supported by four thin colonettes and topped by a garlanded baldachin. The figures rest on a garden seat and there are trees and flowers in the background. A dog chases some birds in the foreground. In the other tapestries in the series, there are similar male/female pairings (Vertumnus and Pomona for Earth, Neptune and Amymone for Water, and Venus and Vulcan for fire). Remarks: 1. The series was copied several times between 1894 and 1897 from the original cartoons...

Mid-18th Century French Tapestry ( 3'4" x 6'6" - 102 x 198 )