Night Moves #2: Rolling Out, US

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s works bypass the purely domestic nature of typical quilting most remarkably for their color, scale, and movement. With some pieces as large as 95 inches, her works often have the presence of murals, or a modernist idea of a grand tapestry. While formally a structural component holding the layers together, the quilting stitches also establish subtle dimension and texture that can be transformed with the use of contrasting thread colors or directional shifts. Spilka hand dyes her fabrics in an antique ringer...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s work has been widely exhibited nationally and internationally in the U.S., Canada, and Europe. It is held in private collections and in public collections including the International Quilt Museum...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of qui...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of qui...

Pathways of Desire (2009) - block printed, manipulated, stitched, heat-set polyester, cotton thread. This contemporary abstract tapestry is by UK-based contemporary textile artist, Caroline Bartlett...

Our ‘Inhale’ wall hanging with its abstract depiction of the variety of colours and shapes of nature is a reminder to take a deep breath and to return to the present moment in our of...

Color softground etching with aquatint and spitbite aquatint. Edition 50

Taher Asad-Bakhtiari (b. 1982, Tehran) is a self - taught artist whose approach focuses on experimentations on objects and textiles to create and reinvent techniques and uses. He has developed several bodies of work including The Tribal Weave Project that breaks hundreds of years of weaving traditions. He re-created pieces that take on new functions as wall partitions, wall coverings, furniture spreads, challenging in their sweep the orthodox notion that “kilims and gabbehs are for the floor.” His work has been shown in several international exhibitions, including the Met (New York), Carwan Gallery (Beirut), Wallpaper Middle East Revealed, Qattan Foundation (London), and Katara Art Centre (Doha). Woven by semi-nomadic tribal women using entirely natur ally-dyed, hand-spun wool, each piece can require up to four months to create, depending on size. Unlike the traditional Iranian carpet...