1st21 2002 - 1stDibs: Antique and Modern Furniture, Jewelry, Fashion & Art

2002

THE METROPOLITAN MUSEUM OF ART OPENS A NEW PERMANENT EXHIBITION GALLERY DEVOTED TO THE WORK OF LOUIS COMFORT TIFFANY.

1stDibs specializes in museum-worthy pieces that are rich in history and cultural significance. We make an effort to discover and share the interesting stories behind them, celebrating the people responsible for their creation.

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2002

THE METROPOLITAN MUSEUM OF ART OPENS A NEW PERMANENT EXHIBITION GALLERY DEVOTED TO THE WORK OF LOUIS COMFORT TIFFANY.

1stDibs specializes in museum-worthy pieces that are rich in history and cultural significance. We make an effort to discover and share the interesting stories behind them, celebrating the people responsible for their creation.

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Among our many treasures is the much coveted and collected work of Louis Comfort Tiffany, a leader of the Art Nouveau movement. But his legacy is built on more talents than just his own. This award-winning Tiffany Dragonfly lamp is actually attributed to Louis’ colleague Clara Driscoll (1861-1944), who shared his artistic vision and appreciation of beautiful materials.

Among our many treasures is the much coveted and collected work of Louis Comfort Tiffany, a leader of the Art Nouveau movement. But his legacy is built on more talents than just his own. This award-winning Tiffany Dragonfly lamp is actually attributed to Louis’ colleague Clara Driscoll (1861-1944), who shared his artistic vision and appreciation of beautiful materials.

Shop Museum-Worthy Designs

Pedro Friedeberg
Hands and Ties Chair, 2014

Tsar Nicholas II's
Winter Palace Armoire, ca. 1895

Josef Frank
Flora Cabinet, 1937

Design Spotlight

Between 1902 and 1905, Louis Comfort Tiffany commissioned the construction of an eighty-four-room, eight-level estate called Laurelton Hall. It was nestled on nearly 600 sprawling acres overlooking Cold Spring Harbor in Oyster Bay, New York and dotted with grand fountains and pools. Tiffany envisioned a home that was a work of art — a showplace of beautiful things he collected over the years and throughout his travels. Awestruck visitors admired vases, pottery and enamelware as well as objects from his personal collections of Islamic, Asian and indigenous American art. The home even featured pieces designed by his hand or by other artists he employed and they were marked “A-Coll.” for “Artist’s Collection.” This included furniture, intricate lighting and leaded-glass windows — including the Wisteria transoms that topped the windows in the dining room. These stunning works incorporated Tiffany’s beloved nature motifs that have become synonymous with his style.

Many of the treasures at Laurelton Hall might be considered the greatest manifestation of Tiffany’s artistic reach. In fact, the living room’s Four Seasons window was cut into four panels and exhibited at the Exposition Universelle in Paris in 1900. So dazzled were they by the color and meticulous craftsmanship of the window, the French government awarded Tiffany the Chevalier of the Legion of Honor — along with the gold medal.

The home was in every sense Tiffany’s magnum opus, a temple to creativity and beauty. Though Laurelton Hall no longer stands, glimpses of its treasures can be seen in museum collections around the world — including the American Wing at New York City’s Metropolitan Museum of Art.

Though she brought one of Louis Comfort Tiffany’s most iconic designs to life, Clara Driscoll’s role at the firm went largely unrecognized until 2005. That’s when a cache of her personal letters was discovered, many of which detailed her contributions — and those of countless other women — to the remarkable Tiffany lampshades. As head of the women’s glass-cutting department, known as the “Tiffany Girls,” she was instrumental in creating what Louis dubbed “Favrile glass”— the iridescent and freely shaped pieces that were combined with bronze-like alloys and other metals. Tiffany, knowing a good thing when he saw it, supported Driscoll and her female coworkers, even defending them when his male glassworker union threatened to strike as a result of the women’s success.

Adversity aside though, history has shown Clara actually enjoyed a thoroughly modern lifestyle, living in the city independently at a time when the expectation was for a woman to be married. Her letters detail trips to the beach, bike rides with friends and how she availed herself of New York’s many cultural opportunities. Hers is a story that’s very recognizable now but virtually unheard of over a century ago. Perhaps it’s just another one of her lasting legacies.

SELLER Spotlight

When shopping the extraordinary in Manhattan, all roads lead to 57th and Park. It’s from a gallery on this busy corner that Ben Macklowe and his Creative Director wife, Hillary, of the celebrated Macklowe Gallery, presides over a collection so varied, even the most jaded New Yorkers leave feeling wonderfully delighted. Beyond their rich collection of Tiffany lamps (they offer the world’s largest number of authenticated pieces), visitors can explore cameo glass vases, Art Nouvaeu antique jewelry, Eugène Gaillard furniture — and much more.

tiffanyvases

21 Years of Playing Matchmaker

Together, At Last

"I was looking for a Tiffany vase for the mantlepiece in a room that I was decorating with 20th-century items. The space has custom opalescent paint in creams and golds with brown, silver and green highlights. I saw the two similar vases, either of which could have worked, and thought the pair might make a more traditional statement. Both were at Macklowe and it turns out their catalog numbers differ by just 87, meaning they were made by the same hand at the same time in 1912. It feels like reuniting a pair of lost siblings!"

1stDibs Customer