Antwerp - Figurative Sculptures
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Item Ships From: Antwerp
ANTIQUE FRENCH GILT BRONZE FIGURE OF MARS
Located in Milan, IT
BRONZE FIGURE OF MARS, 18th Century
gilt bronze on marble base
35.6 x 8.9 x 7.6 cm
14 x 3 1/2 x 3 in
Category
18th Century Antwerp - Figurative Sculptures
Materials
Marble, Bronze
ANCIENT ROMAN MARBLE RELIEF FRAGMENT
Located in Milan, IT
ANCIENT ROMAN MARBLE RELIEF FRAGMENT
Rome, 1st Century b.C.
marble
23 x 15 x 5 cm without base
9 x 6 x 2 in
Category
15th Century and Earlier Antwerp - Figurative Sculptures
Materials
Marble
ANCIENT ROMAN BRONZE SCULPTURE FIGURE OF A ROMPING DOG
Located in Milan, IT
"Roman Bronze Figure Of A Romping Dog"
Roman Empire, circa 1st Century B.C.- 1st Century A.D.
Bronze
width 7 cm
width 2 3/4 in
Provenance:
Leo Mildenberg (1913-2001) Private Collection, Zurich, prior to 1986
American Private Collection, acquired in 1991
Literature:
A.P. Kozloff, et al., More Animals in Ancient Art...
Category
15th Century and Earlier Antwerp - Figurative Sculptures
Materials
Bronze
Ancient Greek Terracotta Comic Actor Figurine
Located in Milan, IT
TERRACOTTA FIGURINE OF A COMIC ACTOR , Greece, c. 350 B.C.
Labeled to the reverse, 'LAWRENCE COLL./LOT 426. SOTHEBY./APR. 1892. P. 816.';
Terracotta
height 15.2 cm
height 6 in
Prove...
Category
15th Century and Earlier Antwerp - Figurative Sculptures
Materials
Terracotta, ABS
GROTESQUE MASK
Located in Milan, IT
GROTESQUE MASK
Italy, 15h Century
stone
30 x 31 x 20 cm
11 3/4 x 12 1/4 x 7 3/4 in
Category
15th Century and Earlier Antwerp - Figurative Sculptures
Materials
Stone
Art Deco bronze sculpture two panther heads.
By Irénée Rochard
Located in Antwerp, BE
Art Deco bronze sculpture two panther heads by Irenee Rochard, France 1930.
The bronze has a green patina and stands on a Belgian Black marble base.
Information on the artist:
Ani...
Category
1930s Art Deco Antwerp - Figurative Sculptures
Materials
Bronze
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Pair of Prancing Horses, two bronzes signed and numbered by Arno Breker
Located in PARIS, FR
An official artist of the Nazi regime, trained in Montparnasse in the 1930s, Arno Breker continued to sculpt after the fall of the Third Reich, producing large-scale public commissions in Germany and portraits of prominent figures. The two small bronzes presented here, dated around 1978, are part of a long tradition of prancing horses dating back to antiquity. The asymmetrical treatment of the two front legs and the inclination of the head make these two copies of the same artwork a highly decorative pair.
1. Arno Breker, a prolific sculptor, from the Bohemia of Montparnasse to the commissions from the Third Reich ... and from the Federal Republic of Germany
The son of a stone carver, Arno Breker studied fine art and anatomy in his native Elberfeld. At the age of 20, he entered the Düsseldorf Academy of Art. He moved to Paris in 1926, where he continued his training in the studio of Maillol, who dubbed him "the German Michelangelo of the twentieth century". He shared a studio with Alexandre Calder and frequented Jean Cocteau, Foujita, Brancusi, Pablo Picasso and other artists of the bohemian Paris of the time. It was also in Paris in 1933 that he met Demetra Messala, the daughter of a Greek diplomat who posed for Maillol and Picasso, whom he married in 1937. Having won the Prussian Prix de Rome in 1932, he left Paris to stay at the Villa Massimo, the German Academy in Rome.
Returning to Germany in 1934, his style evolved towards a more marked imitation of ancient sculpture. He created two monumental statues for Berlin's Olympic Stadium, before being appointed professor at the Berlin College of Fine Arts in 1937. He came to the attention of the Reich Propaganda Ministry, which awarded him several commissions and provided him with three large studios in which Breker produced many monumental sculptures to the glory of the regime. On June 23, 1940, Breker accompanied Adolf Hitler during a visit to Paris. During the Occupation, his political connections enabled him to intervene on behalf of many artists pursued by the Nazis: for example, he protected Pablo Picasso (then a Communist) from Kommandantur officers.
Most of Arno Breker's work was destroyed in Berlin at the end of the war in 1945 by bombing and intentional destruction perpetrated by soldiers of the victorious powers. After the fall of the Nazi regime, however, Arno Breker was never prosecuted. He opened a new studio in Düsseldorf, where he sculpted until his death in 1991.
He then carried out several public commissions in Germany (Bayreuth, Wuppertal), as well as portraits of numerous personalities, including King Mohammed V of Morocco, Léopold Sedar Senghor (commissioned by the Académie Française in 1978) and the two chancellors of the Federal Republic of Germany, Konrad Adenauer and Ludwig Erhard. The Arno Breker Museum in Nörvenich is now exhibiting some of his artworks.
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