Arizona - Art

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.

Black and white still-life in acrylic :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Ye...

Original Woodcut print from the Baja California Series by the artist Edgar Dorsey Taylor. Title is seen at lower center: “Ocean Waves. Bahia de Rosaldita.” Pencil signed lower right....

charcoal on paper Mark Pomilio’s method, motives, and conceptual considerations are centered on visually articulating recent developments in the life sciences. It is not his intent ...

"INVICTUS" is a Latin Language word meaning "unconquered and unsubdued" This work is a visual Homage to the Poet William Ernest Henley, who wrote his piece "Invictus" in 1875. In tod...

oil on linen Mark Pomilio’s current research has focused on creating images, which embody principles of geometry, fractals, cloning and single-cell manipulation. These interests hav...

"The paintings are a meditation on my youth growing up in and around Cincinnati Ohio. This group of paintings reflects a journey back in time. A boy walking the furrowed fields of th...

Original lithograph by Charles Keller depicting the subway being built in New York on 6th Avenue in 1937. This print is inscribed lower left: “To W.B.” The print is in excellent con...

video copyright by the artist and Bentley Gallery, Inc. One of his last available paintings created in Hawaii and inspired by his visit to the lava fields. b. Long Beach, CA (April 9, 1926 – January 17, 2018) Ed Moses was a prominent figure in the Los Angeles art scene and key promoter of Post-War, West Coast art for almost 60 years. Best known for his eclectic range, his canvases are formal abstractions that use a variety of processes to experiment with surface—creating striations, cracks, marks and blurs at times juxtaposed with hard-edge geometric abstraction. As he described, “Painting is like discovery, trying this, trying that, bending this, twirling that, and then, every once in a while, it goes bing!” Moses' works are held in the permanent collections of the Albright-Knox Gallery, NY; Museum of Modern Art, New York; Whitney Museum; Philadelphia Museum of Art; Art Institute of Chicago; Berkeley Art Museum at UC Berkeley; Corcoran Gallery of Art, Washington, D.C.; Dallas Museum of Art, Hirshhorn Museum, Washington, D.C.; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; Hammer Museum; San Francisco Museum of Modern Art; Cincinnati Museum of Art; Butler Art Institute of American Art, Ohio; Dallas Museum of Art; National Gallery of Art; Musee National d'art moderne - Centre Georges Pompidou, Paris, FR; and many others. As a young man, Moses joined the military during World War II as a Navy Medical Corps surgical technician and discovered an aptitude for treating injuries. After his tour ended, he enrolled in Long Beach City College's pre-med program with the intent of becoming a doctor. After a painting course with Pedro Miller, Moses switched his major to art. He then went on to study at the University of California, Los Angeles, where he would receive both his bachelor’s and master’s degrees. While enrolled in his master’s program, fellow artist Craig Kauffman introduced Moses to Walter Hopps, future owner of the influential Ferus Gallery. Though he’d been exhibiting since 1949, Moses first showed at Ferus in 1958—while still enrolled at UCLA—and quickly became part of the “Cool School” with artists Robert Irwin, Larry Bell, Ed Ruscha, John Altoon, and others. Following graduation, Moses moved to New York City where he became friends with Franz Kline, Milton Resnick, William de Kooning, and Mark Rothko, with whom he would exhibit in New York, Washington, D.C., and elsewhere. In 1959, Moses married Avilda Peters and moved back to Los Angeles to start a family, travel, and continue his painting career. Always working with process and experimenting with materials as a painter, Moses was critically lauded for his bold composition and innovation. In 1968, he received a Tamarind Lithography Fellowship as well as the offer of a teaching position at the University of California, Los Angeles, his alma mater, where he would teach until 1972. After travels in Europe, he would return to UCLA to teach until 1976, the same year he was recognized with a National Endowment for the Arts Fellowship Grant and his first museum shows: a show of drawings from 1958-1970s at the Wight Gallery at UCLA, and a show of new abstract and cubist red paintings at LACMA curated by Stephanie Barron, the latter marking a transitional moment in his career. While drawing was prominent in his work in the 1960s and early 70s, by the mid-70s, Moses was turning increasingly to painting. In 1980, Moses was awarded a Guggenheim Fellowship and traveled in Japan. Moses worked with Peter Goulds...

Beautiful oil on canvas by Arizona/Utah/California artist John Burton (b. 1966). The painting is in excellent condition and bears a lovely gold frame. The work measures 36 x 24 inch...

It is an ORIGINAL painting not a print or reproduction or mass produced art! I personally pack my artworks. All necessary arrangements are made to make sure your paintings arrive saf...

acrylic on canvas b. 1975, Bellaire, OH Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. G...

acrylic on linen 35.5 x 35.5 x 2.25 inches b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions a...

encaustic and oil on panel, framed Focusing on painting as a space of exploration, Raphaëlle Goethals has worked with wax, resin, and pigments as her signature medium for over twent...

acrylic on linen 12 x 12 x 5.5 inches Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple ge...

mixed media on canvas

Bronze angel sculpture by architect and artist Paolo Soleri (1910-2013). Soleri is well-known for his experimental Community, Arcosanti, just n...

oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. While at ASU, he was awarded accolades including the Benjamin Wong Fee Scholarship, Eirene Peggy Lamb Scholarship, and the Gerry Grout Award. Fischer then attended the Art Students League of New York's residency program where he received the Ruth Katzman Scholarship. In 2016, Fischer had his first solo exhibition in New York, Between Light, at Island Weiss Gallery and has since notably participated in Into the Night: Contemporary Art and Nocturne Tradition at the Tucson Museum of Art. Interpermeate at Bentley Gallery...

Original drawing by Raphael Soyer’s twin brother Moses (1899-1974) of a resting woman. The medium is conte crayon and graphite and the work is signed by the artist lower right. It is...

mixed media on paper; unframed Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light i...

smoke from an open flame accumulated in encaustic beeswax on panel b. 1975 My work explores the idea that dualities—light and darkness, life and dea...

New York and California Artist, Harry Sternberg (1904-2001) Ooriginal etching. Pencil Signed lower right. The edition size is small, only 40, seen lower center on the print. It is un...

Original watercolor, circa late 1940's by Lowell D. Houser (1902-1971). Subject: Cuba. Framed and in excellent condition. Measures 10 x 17 inches. Frame measures 22 1/4 x 29 1//4 inc...

Original one of a kind 30"x30" acrylic mixed media painting on 1.5" thick premium gallery wrapped canvas. Edges are painted white, so no need to frame if you prefer the contemporary ...

Georges De Feure (French 1868-1943) also Georges Joseph van Sluijters Original pen & ink with watercolor - The Swordsman and the Cannoneer Initialed by the artist lower right “G.F.”...

Carl Brandien Oil on Board. Florida Subject. In excellent condition. Canvas size: 16"h x 20"w. Frame size: 17 ½h x 21 ½w. Signed lower right “Carl Brandien ‘44. Ft. Lauderdale, Fla.”...

An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz. Pencil signed by the artist lower right. Image measures 11 1/2" x 14 1/2," sheet measures...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvas...

This wonderful bronze by Antonio de Fillipo (1900-1993) depicts the regal Great Dane. It bears a warm, satiny patina and is in excellent condition. The dog stands 10" high x 13" long...

Wonderful deco style original watercolor by listed Swiss artist Theobald Modespacher (1897-1955). The Circus theme painting measures 6"H x 8"W. The frame is 9 3/8"H x 11 3/4"W. The ...

Bright, exciting painting by well known New York/New Mexico/California artist John McCracken. Framed simply and in excellent condition. Signed on the verso and dated 1973. Painting m...

Bucolic watercolor by Saturday Evening Post illustrator, Stevan Dohanos, (1907-1994). The painting measures: 7" H x 8" W. Frame size is approximately 18" H x 18 3/4" W. It is in exce...

This beautiful original etching and aquatint is by the noted Czech artist Vojtech Preissig. The work depicts one of the beautiful female portraits from his Orchid series in the Art Nouveau style. The image measures 1 5/8"h x 2"wide. The paper size is 6 3/4"h x 5 1/2"h. The work is signed in pencil with the artist’s name beneath the image lower left. The print is un-matted and unframed, in perfect condition - ready to frame and enjoy. Vojtech Preissig (1873-1944) was born in the Czech Republic - His father was a mining engineer. In 1884 he moved to Prague where he studied at the School of Applied Industrial Art from 1892 to 1896, then at the School of Decorative Architecture from 1897 to 1898. In 1897 he moved to Paris and worked for two years with the Czech Art Nouveau artist Alphonse Mucha. He returned to Prague in 1903 where he founded the periodical "Czech Graphics", published the book "Color Etchings and Color Engravings" in 1909 and opened his own graphics studio in 1905. He moved to the United States in 1910 and worked as an art instructor. Preissig remained in the United States until 1930. He taught at Columbia University and the Art Students League of New York starting in 1912, then moved to Boston by 1916 and taught a course in graphic arts for the Wentworth...

Original Linocut by San Francisco artist Byron Randall (1918-1999) titled "Diabolical Machine." Image measures: 12 1/2"H x 8 1/4"W. Frame measures: 21 1/2"H x 17"W. This print was c...

Isabel Bishop Original Etching & Drypoint, 1947. Titled: “In the Bus.” Printed for the Miniature Print Society. Pencil signed lower right. The image size is: 4 3/4"h x 5 1/8"w. Shee...

copper etching with aquatint The power of memory and how it recalls individuality begins in such basic experiences as the ability to link internal ideas to external manifestations of those ideas. Memories as simple as an old toy or a street can set off a chain reaction of thoughts that snowball into issues as broad as nationalism, identity politics or a body politic to name a few. Hector Ruiz’s works encompass the broad, complex and often painful world particular to the Arizona and neighboring Mexican landscape. United States and Mexican border...

Mark Pomilio is a visual artist using the traditional mediums of charcoal and oil paint on a variety of traditional and non-traditional supports. His MFA is from the University of Mi...

silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environment they are in. Working with ...

This painting (and poem) were inspired by a storm I witnessed while hiking: High on the mountain, Looking down, One dark cloud eclipses another, Obscuring the horizon. Throug...

mixed media on paper (acrylic on pigment print), framed Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately te...

"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...

oil on canvas Mark Pomilio’s current research has focused on creating images, which embody principles of geometry, fractals, cloning and single-cell manipulation. These interests ha...

This piece is part of the Artist's Series "3D RELIEF CONSTRUCTIONS / WALL SCULPTURES" These Three Dimensional artworks are comprised of Archival Paints & Plastics, Natural Woods, ...

Donal hord bronze sculpture, 1926. “Kneeling Indians” 10" H x 9" W x 9" D. A bronze stand with a kneeling Indian at each corner bearing a bronze bowl. Two Pieces. In excellent condi...

Wonderful abstract original etching in sepia ink by Frederick Becker (1913-2004). The image measures 19 3/4" H x 23 ½” W and was created in 1951. The print is in excellent condition...

painted wood Peter Millett is a seasoned traveler, who draws inspiration from his extensive trips through North America, South America, Southeast Asia, and the Middle East; explorin...

Large handblown double fish form on a single base with gold fleck throughout. Pink, purple, blue and grey tones are seen. Created in the manner of Barbini and Seguso. Measures: 11 ...

pastel and micro pen on paper b. 1979, Poole, Dorset, UK Danielle Hacche was born in Poole, Dorset in the Southwest of the United Kingdom. After moving to the United States with he...

Original Modernist / Minimalist Acrylic Painting on Italian Polyester / Cotton Canvas over 3 /16 inches MDF Hard Board Panel. The piece is Float Mounted on a custom hidden recessed M...

Luigi Rist (1888-1959) Original Color Woodblock, Created 1953. The print is an edition of 100 and is titled: “Straw Flowers.” The image is 18 1/2"h x 13 3/4"w. The sheet is 9 3/4"h x 13 1/2"w. Rochester Print Club. Williams No. 34. Presents in a 16 x 20 mat. Signed in ink in the image lower right. In excellent condition. Titled and numbered in pencil lower left. Luigi Rist was born in 1888 in New Jersey, where he attended the Newark Technical School. To earn extra income in his early twenties he etched art nouveau designs on silver fountain pen cases...

unglazed ceramic

watercolor on Arches, framed Throughout Mala Breuer’s career she completed well over 400 watercolors and works on paper that preceded each and every one of her large works on canv...

Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the, now, San Francisco A...

acrylic on linen 12 x 12 x 3 inches Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geom...

acrylic on canvas Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the, no...

Three Dimensional Modern Painting - Collage / Construction SERIES: "Dimensional Abstracts" This Piece floats 5/8 Inches away from the wall on a hidden Custom Pine Wood Sub-fram...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.