Arizona - Art

Original pencil signed etching and aquatint by Karl Schrag, 1958. In excellent condition - neither matted nor framed. No. 1 of the edition of 50. Image measures 19 7/8 x 27 3/4 inche...

SIGNATURE AND TITLE ON VERSO b. 1942, Elgin, OK Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately textured....

Leonard Edmondson (1916-2002) original color aquatint. Titled in pencil lower centre "Blackbird". Edition size in pencil lower left: 20/50. Pencil Signed Lower right: Edmondson, circ...

Jo Mora's 1928 "Carte" of San Diego, Very Rare Pictorial Map Size: 28 x 22.5 in (71.12 x 57.15 cm) Every good condition for it's age Originally came folded in envelope for mailing....

Ena Rottenberg (1893-1952) art glass sculpture titled "Modell.” Made in Czechoslovakia. Marked “Rottenberg” 13" H. This piece was awarded the Grand Prix at the World’s Fair Paris, 19...

SIGNATURE AND YEAR ON VERSO b. 1942, Elgin, OK Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately textured. ...

Original mixed media in gray and black by well-known Phoenix, Arizona black artist Eugene Grigsby, Jr. Created 1963. Signed lower left. Framed beautifully and in excellent condition. Painting measures 23"h x 17 3/4"w. Frame measures 29 1/2"h x 24"w. This item is a preparatory work for the oil painting by Grigsby also titled “The Family.” Art professor, fine artist, and high school art teacher, Jefferson Eugene Grigsby, Jr. (1918-2013) in Greensboro, North Carolina. In 1933, Grigsby attended Johnson C. Smith University in Charlotte, North Carolina. Within a year, Grigsby transferred to Morehouse College in Atlanta, Georgia, where he first met his long time mentor, Hale Woodruff. Grigsby graduated from Morehouse College in 1938, with B.A. degree and because of Woodruff, he was equipped with extensive artistic experience that he would retain throughout his life. Grigsby went on to obtain his M.A. degree in art (1940) from Ohio State University and his Ph.D. degree from New York University (1963). In 1942, Grigsby volunteered to serve in World War II and became a master sergeant of the 573rd Ordinance Ammunition Company under U.S. Army General George Patton...

Benton Spruance, Pennsylvania artist, original lithograph, 1933. Titled “Shells for the Living.” The edition size is 28. The image measures 15 7/16"h x 7 7/16"w. Printed by Cuno. Th...

Erich Heckel (1883-1970) Original Woodblock print, 1919. “Dostoevski's Idiot (Final Scene)” Unframed and in excellent condition. Image size: 9 3/4" H x 11 1/2" W. In a 16" H x 20" ...

"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of infla...

Original drypoint etching and aquatint in mint condition by well-known artist and printmaker Martin Lewis, (1881-1962) The print has full margins with deckle edges and is signed in p...

SIGNATURE AND YEAR ON VERSO b. 1942, Elgin, OK Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately textured. ...

silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environment they are in. Working with ...

The implied movement of this organic abstraction is part of a series of the artist's sculptures titled Dancers. This piece is cast in aluminum and coated with color shifting paint w...

1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the, now, San...

A wonderful regionalist etching and aquatint by Charles Capps (1898-1981) Titled "Sunlit Towers," depicts the Kansas grain elevators. A Prairie Printmake...

Dervish is a nylon 3D print with a color changing magenta-jade coating. It is tensioned between two poles of a 1/4" solid stainless tension bar in a similar manner to a bowstring. ...

A striking cityscape by Bruce Marion. It is mounted inside a dark wood frame with a raised/floating effect. This original painting is created with multiple layers and is a unique com...

H. Wilson Smith (1901-1981) California Artist Oil on board in the original frame. Painting measures 24 x 20. Frame: 25 x 21. Titled on the verso “Nude - Automatic Elevator” Signed lo...

pastel on paper b. 1964 I became interested in landscape painting because there were no confines, except the edge of the paper and an ever-changing display of color, rhythm, and te...

Greg Singley , born 1950- Artist Statement: When the sun sets in the desert South West, things appear. This is the nature of what touches me about that la...

encaustic and oil on panel, framed Focusing on painting as a space of exploration, Raphaëlle Goethals has worked with wax, resin, and pigments as her signature medium for over twent...

acrylic on plywood With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...

b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of materials. Drawing inspiration from the B...

graphite and gesso on panel

Maitres de L’Affiche Pl. 146 original color Lithograph - Journal des Ventes. Artist: Georges deFeure (1868-1943). Belgian & Dutch. Bears the embossed printer’s logo in the paper lowe...

acrylic on canvas b.1978 Chris Trueman is a Los Angeles-based artist. He graduated from the San Francisco Art Institute in 2003, earning BFA degrees in Painting and Digital Media. ...

"These inflated objects are grown more than fabricated. Through the process of inflation, the application of the air to the geometric construction defines form at the moment of inflation." It is the pragmatic that draws Thomas. Asked about his influences he asserts that his primary influences do not come from the realm of art but rather from everyday living. “I don’t eat, sleep, and breathe art,” he comments. His discovery of metal-working arose in a similar, practical way. Thomas had been sculpting with stone and asked someone to show him how to forge his own chisel. This was the start of his exploration of forging techniques and after a time he gave up working with stone to work with metal. One of the key aspects of blacksmithing that intrigued Thomas was fact that it isn’t instantly gratifying, and it poses questions that aren’t easily solved. He interned with Tom Joyce...

Terracotta sculpture by Bernhard Sopher (Syrian/American 1877-1949). Clay figure of mother and child. Signed on the lower back: B. Sopher. Measures: 7 1/2" H x 7" W x 5" L. In excell...

Original aquatint by Mexican artist Emilio Amero (1901-1976) created 1969. Titled: “The Fetish.” Edition size is 9 of 50. Signed and dated in pencil lower right and numbered lower l...

acrylic on canvas b. 1975, Bellaire, OH Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. G...

Henry Gasser (1909 - 1981) This is a beautiful work by New Jersey artist Henry Gasser titled: “Homeward.” It is Oil on Paner created in the 1940's. Signed “H. Gasser” lower right....

pastel on paper I became interested in landscape painting because there were no confines, except the edge of the paper and an ever-changing display of color, rhythm, and texture outside my front door. Landscape painting is a method that expresses my inner response to and reverent feelings for nature. I look for connections between things—how one color flows into another, forms engage and separate, how one point in space influences another. The changes focused along the horizon are constant; they are governed by the seasons, the weather, or the cyclical nature of the agrarian landscape. There are no grand gestures, just subtle variations that, when combined, create a certain splendor. I convey in my paintings what is most pleasurable to me, such as discovering tenuous beauty in spontaneous cloud formations, and the repetition of endless corn and soybean rows captured on a rolling landscape. The process begins with a "drive-by-shooting" and a sketchbook. I make large pastel paintings...

Philip Reisman (1904-1992) Oil on Board, 1948. This wonderful New York image is titled “Delancey Street” on the verso. The work is signed by the artist “P. Reisman” lower right and...

acrylic on plywood With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...

oil on linen 1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended...

An original woodcut print depicting the social unrest of the 1960s by Herman Roderick Volz. Pencil signed by the artist lower right. Image measures 11 1/2" x 17," sheet measures 18"...

Russian subject by Anatoly Sokoloff (1891-1971). "Russian Village, Winter Fun". Oil on canvas laid on board, circa 1960s. Size: 20" H x 24" W. Frame size: Approximately 28" H x 32" W. Excellent condition. Anatoly Sokoloff was born in St. Petersburg, Russia in July, 1891. He completed studies at the Academy of fine Arts in St. Petersburg. He became the Commissioner of fine Arts in the Crimea, and later Academic Professor of Art. By the 1940s Sokoloff had settled in San Francisco. In Europe, his works are to be found in museums and private galleries of Germany, Romania, and Austria. Many are Royal portraiture. In 1953, the government of Argentina commissioned the artist for the painting, The Great Captain for their House of Congress. In 1961, again commissioned by the government, he completed the work, Crossing of the Parana River. His panoramic murals...

acrylic on canvas b. 1942, Elgin, OK Jim Waid creates abstract worlds saturated with color, layered with mark, filled with rhythm and movement, and intricately textured. His canva...

John Sloan (1871-1951) etching created 1916. Edition: 100 Titled: “McSorley’s Back Room” Plate size: 5 1/4" H x 7 " W Sheet size: 7 1/2" H x 10 3/8" W In excellent condition, unframe...

H. Wilson Smith (1901-1981) California Artist Oil on board in the original frame. Painting measures 31 3/4" H x 27 3/4" W Frame 22 3/4" H x 28 3/4" W. Signed lower right “H. Wilson S...

acrylic on brushed aluminum b. 1950, Teaneck, New Jersey One of the most powerful tools an artist possesses is an ability to bridge the gap between what is considered real and what is illusion. This ability to alter or enhance reality is the very crux of what an artist is all about, and their success at attaining this is usually the defining element as to their stature in the field, as either an abstract or realist painter. Occasionally a painter is able to combine these two distinct disciplines and create an art form, which holds a viewer’s attention by balancing the paradox of the flat painted surface with the illusion of depth and space. "As a painter, it is important for me to address the concerns of painting what has been done-and what can I add to this. My work on aluminum is an attempt to use the qualities of refracted light, and have these qualities interact with the painting. The completed image is produced both by refracted light, created by the use of various wire brushes and paint airbrushed in transparent layers. Within this process about half of the image is produced by refracted light alone, simulating paint, and about half by paint." For over twenty years, David Kessler followed a Photo-Realist tradition, often depicting the Arizona desert landscape...

Watercolor on paper, unframed Michael Marlowe is a studio artist, art director and production designer working in the film and television industry. Marlowe’s large-scale painting pr...

Original color woodblock print by Werner Drewes. In excellent condition. Unframed. Image measures 9 1/8 x 21 inches. Pencil signed and dated lower right. Edition size in pencil lower left: #3 of 30. (13) R-341 Werner Drewes (1899-1985) Werner Drewes, painter, printmaker, and teacher was born in Canig, Germany in 1899. His father, a Lutheran Minister, hoped he would become and architect but Werner chose the life of an artist. After he served on the front line in France during the war, Werner was admitted to the Bauhaus in 1921 where he studied under Klee, Itten, and Muche. Later, he traveled through Europe to study such old masters as Tintoretto, Velasque, and El Greco. After marrying Margaret Schrobsdorff, they traveled throughout South America, North America, and Asia. In 1930, Werner immigrated to New York City with his family. In New York City, despite the Depression, Werner joined other Bauhaus artists such as Mondrian and Feininger to make a living as an artist. This group became the core of the American Abstract Artists group. Werner taught at Columbia University, worked on the design of the 1939 Worlds Fair building...

A unique figurative abstract of a couple made using vibrant white, purple and tan to create a bold original modern work of art. There is a unique range of expressionistic strokes, textures and text incorporated in this Contemporary painting by Svetlana Shalygina. Framed in a black matte floater frame. Custom digital renderings showing the painting in your home available upon request. It is on gallery wrapped canvas, unframed, but some clients choose to add a floater frame depending on preference. *It is with a heavy heart...

encaustic on canvas Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of light in the sky a...

cold rolled steel, powder coat, and urethane

Astounding painting and carving on wood panel by the “Hound of Heaven” artist Robert Gammell. Created 1947. This beautiful work features rich color, gold accents and incredible detail. Signed lower right “R.H. Ives Gammell” and dated ‘47. The subject comes from the imagination of the artist and is titled “Lady of the Seven Sorrows.” The work measures 34 1/2"h x 11 1/4"w and is considered to be one of the artist’s “Puppy Panels.” The ornate frame measures 38 1/2"h x 15 1/2"w x 1 1/4"d. The weight is 9 ½ pounds. A label is attached to the verso listing the work as being an entry for the 1967 Grand National Show with the American Artists Professional League in New York. This detailed and beautiful painting is a work to be treasured. More Information Robert Hale Ives Gammell: After completing his major allegorical sequence, the Hound of Heaven, Gammell felt compelled to revisit certain themes and figurative compositions in later years. His original plan was to display the smaller panels, or "Puppy Panels" as he affectionately called them, between the larger Hound panels. Robert Hale Ives Gammell (1893-1981) was a prolific professional painter working in Boston, Provincetown, and Williamstown, Massachusetts. During the sixty-five years of his career, Gammell painted murals, portraits, landscapes, and still lifes, but the pieces which excited him most were the allegorical works drawn from his imagination. In his diary Gammell wrote that he was “fascinated by the drama of man in his relationship to the forces of the universe and of his own nature.” Over the years he experimented using ancient myths and rituals as well as contemporary symbols in his attempts to articulate images of man’s terror, wonder and yearning in the face of a century of upheaval. Excerpt from Elizabeth Ives Hunter, the God-daughter of R. H. Ives Gammell and the daughter of his assistant, Theodore W. J. Valsam. R. H. Ives Gammell believed in the practice and standards of art should rest on the Gold standard established by the 19th-century French system of learning, as practiced by the Ecole des Beaux-Arts and Academie Julian of Paris. His personal mission was to follow that tradition, so he established his own Studio working with a handful of students at a time. His book ‘Twilight of Painting’ would help define a way back to those lofty goals for future artists, reflecting the uncompromising levels of quality that he embraced, and maintained. Robert Hale Ives Gammell was born to wealth in Providence, Rhode Island and spent the majority of his artistic life in Boston at the Fenway Studios and in Williamstown, MA, where he died in 1981. In 1910, Gammell studied briefly with William C. Loring and Wm. Sergeant Kendall before training in 1913 at Boston's Museum School with Philip Hale, F.W. Benson and Edmund C. Tarbell for a few months. Gammell then went to Provincetown, MA to study with Charles Hawthorn and then to the Academie Julian in Paris and the Academie Baschet until the end of 1914. He was tremendously influenced by the teachings of Tarbell and the work of Joseph DeCamp and William M. Paxton. He was so influenced by the Boston School he vowed to hand down their teaching traditions to generations of students and he did exactly that. Some of the painters who are "Gammellites" are Samuel Rose, Thomas R. Dunlay, Robert Cormier, Richard Lack, Gary Hoffman, Stephen Gjerston, Robert Douglas Hunter, David Lowrey, David Curtis...

pastel and micron pen on raw canvas b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of mater...

Michael Marlowe is a studio artist, art director and production designer working in the film and television industry. Marlowe’s large-scale painting process takes an abstract approac...

A truly unique and vibrant original abstract painting. Created with acrylic and UV reactive acrylic accents as a unique surprise effect. This artist draws inspiration from the great Keith Haring and creates beautiful and mesmerizing compositions with rich color and movement. About the artist: Avi Ash...

Aaron Bohrod (1907-1992) oil on gesso panel. Titled: “Shop Windows,” circa 1946. Measures: 16" H x 20" W. Frame measures: 23" H x 27" W. In excellent condition. Aaron Bohrod (1907...

Francisco Zuniga bronze sculpture, Nude Lying Down. Edition: 3. #377 in the Zuniga catalog raisonne. Titled: "Desnudo Acostado". Measures: 6 7/8" H x 18" L x 19" W not including the...

Original etching with drypoint in mint condition by well-known New York artist and printmaker Martin Lewis (1881-1962). The print is signed in pencil lower right. The title is: “Sha...

Howard Cook (1901-1980) well known Taos artist original woodcut, 1927. Title: “Morning Smokes, Taos Pueblo." In excellent condition. Matted and unframed. Image size: 8"h x 8'w. Pap...

Timothy Rees was fascinated with drawing throughout his youth and after high school pursued a degree in animation. The pull to painting portraits and figures was strong, however, leading him to learn the craft in the open studios of the Palette and Chisel...

Original pencil signed etching by Ukraine/Pennsylvania artist Louis Lozowick (1892-1973). The print, created 1929, measures 8 3/4 x 15 inches and is unframed. It is in excellent cond...

A fine example of a very rare etching and drypoint by German Expressionist Max Beckmann, an edition of 50. Titled lower left corner in pencil: Schlafendes Madchen im Kornfield. (Mai...